French Empire Inlaid and Gilt Mounted Portico Clock
having stepped top with a marquetry frieze on columns with gilt bronze ormolu capitals and bases, flanking a brushed steel dial with a gilt bronze relief border and a large relief decorated pendulum all over stepped base with marquetry floral inlay
height 19 inches
Three Piece Chinese Furniture Lot to include
Chinese Marble Top Center Table
as is, cracking to marble and repairs to frame
height 32 inches, diameter 22 inches
Pair of Chinese Marble Top Stands
having octogonal shaped tops and floral carving throughout
height 37 inches, top 13″ x 13″
Provenance: Property from a Upper East Side, New York City Apartment
George IV Mahogany Pembroke Demilune Table
having one drawer and set on brass casters
height 29 inches, top 21″ x 30 1/2″
Provenance: Property from a Upper East Side, New York City Apartment
Custom Blue Fortery Silk Upholstered Sofa
having three down filled cushions
height 31 inches, length 81 inches, depth 35 inches
Provenance: Property from a Private Collection at 791 Park Avenue Designed by Cullman & Kravis, Inc
Custom Blue Fortery Silk Upholstered Sofa
having three down filled cushions
height 31 inches, length 81 inches, depth 35 inches
Provenance: Property from a Private Collection at 791 Park Avenue Designed by Cullman & Kravis, Inc
George IV Mahogany Pembroke Table
having drawer with line inlay
height 28 inches, top closed 20 1/2″ x 30″, top open 37 1/2″ x 30″
Provenance: Property from a Upper East Side, New York City Apartment
Attributed to Walter Inglis Anderson (American 1903-1965)
Still Life of Flowers and Study of a Bird in a Marsh, 1959
Watercolor on paper, double sided
Marked and dated verso WA Walter Anderson ’59
22″ x 16″ sheet
In the Manner of Charles Burchfield (American 1893-1967)
Farmhouse Landscape in the Rain, 1961
Watercolor and gouache on paper
Marked in monogram and dated lower left
14 1/2″ x 20 1/2″ sight
Attributed to William Melton Halsey (American 1915 – 1999)
Abstract Composition with Sun
Oil on canvas
Marked lower left Halsey, verso W.M.Halsey
29″ x 13″ canvas
Two: Robert Andrew Parker (American 1927-2024)
Soldier or Knight on Horseback, 1955
Watercolor, pen and ink on tissue paper
Signed and dated lower left Robert Andrew Parker __55
21″ x 13″
Landscape in Green
Watercolor and gouache on paper
22″ x 29″
Provenance: Property from a Upper East Side, New York City Apartment
Roko Gallery, New York
Pair of Framed Portraits (21st Century)
one of Thomas Lenox Kempner (Man with a Cane) and one of Nan Kempner (a Woman in Pink)
Oil on canvases
Both signed and dated illegibly lower right
44″ x 30″ larger frame
Provenance: Property from a Upper East Side, New York City Apartment
Set of Three Framed Continental Watercolors to include
“Zara” Zadar Croatian Canal Scene, 1938
Watercolor on laid paper
Signed illegibly, titled, dated lower left Zara 1938
7 1/2″ x 11 1/2″ sight
“Salzach” River Salzburg, Austria, 1938
Watercolor on laid paper
Titled, dated lower left Salzach 1938
7 1/2″ x 11 1/2″ sight
Docked Boat, 1938
Watercolor on laid paper
Titled illegibly and dated lower left 1938
7 1/2″ x 11 1/2″ sight
Provenance: Property from a Upper East Side, New York City Apartment
Two Framed German School Studies to include
Moritz Daniel Oppenheim (German 1800-1882)
Study of Professor Martin Eduard von Simson, circa 1849
Pencil on gray paper
Signed lower left Moritz Oppenheim, Nachlass Moritz Oppenheim, estate stamp verso, inscribed illegibly lower right
15″ x 8 1/2″ sheet
along with
German School (Late 19th Century)
Academic Figure Studies
Pencil, red India ink on toned paper
With German devotional manuscript inscription lower right “wann kommst du mein heil”
30″ x 18 1/2″ frame
Henry Koehler (American 1927-2019)
Portrait of Three Children
Pencil, pastel on paper
Signed lower right Henry Koehler
11″ x 13 1/2″ sight, 16″ x 19″ frame
Provenance: Property from a Upper East Side, New York City Apartment
Three Framed 20th Century Studies to include
Dudley Huppler (American 1917-1988)
eleven lithograph drawings of mice
each initialed D.H.
3″ x 5 1/2″ each
Provenance: Leger Galleries, Inc., White Plains, New York
Anthony Rebholz Edward Gorey (American 1925-2000)
“El Pelele-The Straw Mannequin”
Pencil on paper
Exhibited: “Image and Eye”: The Art of Goya and Picasso
Silent Auction, New York Studio School Annual Benefit, 10/24/1995
Raphael Soyer (American 1899-1987)
“Arshile Gorky” Portrait Studies with Nude
Lithograph, edition 97/150
Signed lower right Raphael Soyer
29″ x 23″ frame
Provenance: Property from a Upper East Side, New York City Apartment
Two Framed Parisian Portraits to include
Maurice Alleroux (French 20th Century)
French Girl in Green Hat
Oil on canvas
Signed lower right Alleroux
16″ x 13″
Woman in Pink with a Poodle
Oil on canvas
Signed lower right Carroll, original label verso
15″ x 18″
Provenance: Property from a Upper East Side, New York City Apartment
Robert Risko (American B.1956)
Study of Two Ballerinas
Colored pencil on tracing paper
Signed lower right Risko
17″ x 14″
Provenance: Property from a Upper East Side, New York City Apartment
After Charles Monroe Schulz (American 1922-2000)
Snoopy Playing Tennis
Pen and ink on Crescent cold press illustration board
Unsigned
5 1/4″ x 25 1/4″ image size, 8″ x 27 3/4″ board
Howard Chandler Christy (American 1872-1952)
“Fight or Buy Bonds: Third Liberty Loan”, 1917
Christy girl proudly holding the American flag above her head, as American troops march by
Color lithograph
39″ x 29” sight, 53″ x 41″ frame
Three Framed Lithographs by Norman Rockwell (American 1894-1978)
“Ichabod Crane”,1937
Story illustration for The Legend of Sleepy Hollow
Lithograph, edition A.P, XXII/XXXV
Hand signed lower right Norman Rockwell
“The Saturday Evening Post, a Visit with Norman Rockwell”
Offset lithograph
Hand signed lower right Sincerely Norman Rockwell
“Apollo Program Tribute”
Offset lithograph
Hand signed lower right Sincerely Norman Rockwell
20 1/2″ x 37 1/2″ longest frame
Five Framed Stylized Figure Studies to include
Two: Theodore Anagnostaras (Greek/American 1915-2005)
Female Figure Studies
Pen on paper
Signed lower right
Three mixed media studies of nude figures on music sheets, each signed illegibly lower right and dated 1996
23″ x 20″ largest frame
Group of 19th Century Framed Architectural Engravings to include
pair of Claude Fessard (French 1740–1803) “Soleil Couchant” and “Soleil Levant”, intaglio etchings, Maurice Rousseau, Paris gallery label verso, Castle Ward on Strangford Lough sepia etching, Antwerpen scenes, San Marco, Venice etc…
20″ x 25″ largest frame
Provenance: Property from a Upper East Side, New York City Apartment
Set of Four Framed Shakespeare Engravings
“Midsummer’s Night Dream”, engraving by Theodore Ryder
“Hamlet” after the painting by Henry Fuseli (1741-1825) published by John Boydell
“Tempest” after Henry Fuseli (Swiss, 1741-1825), engraved by I. P. Simon
“Macbeth”, after Sir Joshua Reynolds (English, 1723-1792), engraved by Robert Thew
29″ x 35″ largest frame
Provenance: Property from a Upper East Side, New York City Apartment
Five Framed Botanicals to include
Johann Wilhelm Weinmann (1683-1741)
“Malus citria cornuta fructa magna…” Lemon, plate 702
Hand colored engraving on laid paper from Phytanthoza Iconographia
13 3/4″ x 8 1/4″ plate
along with four small James Shirley Hibberd (British 1825-1950) botanical chromolithographs
Provenance: Property from a Upper East Side, New York City Apartment
In the Manner of Henri-Edmond Cross (French 1856-1910)
Village Bridge along the River
Oil on board
Marked lower left H.E.Cross
10″ x 16″ board, 20″ x 24″ frame
Provenance: Antique Arena Inc., New York ($1,000)
In the Manner of Joseph Henry Sharp (American 1859 – 1953)
Mountain Landscape with Meadow
Marked lower right J.H.Sharp
Oil on canvas board
12″ x 16″ board
Andrew Lattimore (American 20th/21st Century)
“Wethersfield Farm”
Oil on board
Signed lower right A.Lattimore
11″ x 14″ board, 16″ x 19″ frame
Provenance: Susan Powell Fine Art, Madison, Connecticut
Jonas Joseph LaValley (American 1858-1930)
“Sunset at the Beaver Pond” New England Fall Landscape
Oil on canvas
Signed lower right J.J.LaValley
22″ x 17″ x 24″
Provenance: Bonhams Skinner, Marlborough, 5/14/1999, Lot 184
After Jean-Baptiste Greuze (French 1725-1805)
“Le Petit Boudeur” (The Sulky Boy), 19th century
Oil on canvas
Bust-length portrait of a blond child in three-quarter view after Greuze’s celebrated composition. French catalog label verso linking the work to the Cardinal Fesch collection (unverified) and restoration label of Momper, Paris rentoileur to the Musées Impériaux, 11 rue des Marais Saint-Germain, dating the restoration to circa 1860.
16 1/2″ x 13 1/4″ canvas size
Condition: Relined, surface stable, scattered retouching visible under UV, light craquelure consistent with age. Presented in a period giltwood frame.
Three Framed Chinese Watercolors to include
one vertical composition depicting two bear cubs beneath autumn foliage, inscribed and dated 1939, executed in Beijing within the Baishi lineage; one horizontal bird-and-flower painting with calligraphic inscription reading “Pure charm of flowers and birds” and red seals; and one floral study of a blossoming peony
29″ x 14″ largest frame
Provenance: Property from a Upper East Side, New York City Apartment
New England Fall Landscape
Oil on Canvas
Marked lower left Bruce Crane
18″ x 24″ canvas, 24″ x 30″ frame
Provenance: Cutler Bay Auctions, Florida, 4/18/2024, Lot 83 ($950)
Attributed to Thomas Miles Richardson Jr. (British 1813-1890)
River Scene with Nearby Village
Oil on canvas
8 1/2″ x 13″
Provenance: Property from a prominent New York City collector
Two Framed Egyptian Lithographs from “Journey to the Temple of Jupiter Ammon in the Libyan Desert”
depicting Egyptian figural, animal, and hieroglyphic motifs after ancient wall paintings, including deities, ritual objects, symbolic ornament, and architectural elements. Drawn by Ricci and Heinrich Menu von Minutoli and engraved by Beleke for Minutoli’s early Egyptological publication. Lower margins inscribed: “gezeichnet von Ricci und Minutoli” and “Gravirt im Königl. lithographischen Institute zu Berlin 1823 von Beleke.”
14″ x 18″ sight, 23″ x 29″ frame
Three: Guido Reni (Italian 1575-1642)
“The Christ Child with the Infant John the Baptist” circa 1595-1600
Etching on laid paper
Image size: 4 9/16 x 6 9/16
“The Holy Family”, circa 1590
Etching/engraving on laid paper
8″ x 5 1/2″
“The Virgin and Child”
Etching on laid paper
6 1/2″ x 6 1/2″
Essex House of Framing label verso
Two Framed William Alexander (British 1767-1816) Export Engravings
“Chinese Barges of the Embassy Passing Through a Sluice in the Grand Canal”
“A Quan or Mandarin Bearing a Letter from the Emperor of China”
Antique Engraving with later hand coloring
21″ x 25″ frame
Louis XV Style Bergere
having off white frame and clean custom upholstery
height 43 inches, width 27 1/2 inches
Provenance: Property from a Prominent New York City Collector