8 Dick Hodgins (American 20th Century), Original Editorial Cartoons
Eight original pen and ink editorial cartoons on illustration board, dated circa 1973–1974, addressing the global oil crisis, OPEC relations, rising gasoline costs, Alaska pipeline debates, environmental opposition, and U.S. energy policy. Titles include examples such as “It Could Be Very Friendly!,” “Nice Place We Have Here!,” “Pals,” “He’s Cutting Me Out,” “Our David,” “Alaska Pipeline,” and “Who Wants To Fly?” Each signed “Dick Hodgins” within the image, with pencil titles, publication dates, and printer’s slug notes to the margins.
Largest sheet approximately 15″ x 20″.
11 Dick Hodgins (American 20th Century), Original Editorial Cartoons
Eleven original pen and ink editorial cartoons on illustration board, dated circa 1968–1974, addressing Vietnam War negotiations, U.S.–China relations, SALT II and arms reduction talks, the Columbia unrest, Middle East cease-fire tensions, and Cold War diplomacy. Titles include examples such as “The Mouths That Roared,” “Cease It — In Time!,” “Shored Up,” “Elusive,” “Slippery Footing,” “A Deadly Refrain,” “Noodles Won’t And See…,” “Uncle Sucker?,” and “Big Break In The Wall.” Each signed “Dick Hodgins” within the image. Pencil titles, publication dates, and printer’s slug notes appear to margins.
Largest sheet approximately 15″ x 20″.
7 Dick Hodgins (American 20th Century), Original Editorial Cartoons
Seven original pen and ink editorial cartoons on illustration board, dated circa 1976, including works titled “Don’t Pass The Torch” and “Political Wreckers,” together with examples addressing space exploration and Cold War–era political themes. Subjects include research leadership, the Olympics, international competition, and global power dynamics. Each signed “Dick Hodgins” within the image, with pencil titles, publication dates, and printer’s slug notes to the margins.
Largest sheet approximately 15″ x 20″.
9 Dick Hodgins (American 20th Century), Original Editorial Cartoons
Nine original pen and ink editorial cartoons on illustration board, dated circa 1969–1977, addressing New York City governance, transit proposals, bond issues, fiscal management, metropolitan policy, and state politics. Titles include examples such as “Make It Reality!,” “Did Someone Knock?,” “A Real Political Yo-Yo?,” “A Most Confusing Picture,” “Time To Retire,” and “Fish Story,” among others. Each signed “Dick Hodgins” within the image, with pencil titles, publication dates, and printer’s slug notes to the margins.
Largest sheet approximately 15″ x 20″.
55 Half Hitch Daily Comic Strip Original Art Group
Ink on Bristol board.
Group of fifty-five original daily comic strips for Half Hitch, created by Hank Ketchum and redistributed by King Features Syndicate, drawn by Dick Hodgins. The collection includes a variety of complete multi-panel daily strips featuring nautical and domestic humor centered on the character Half Hitch. Dates range from February through December 1970. Each with publication notations, syndicate markings, and occasional editorial annotations in margins.
Largest sheet 9 1/4” x 23”.
9 Dick Hodgins (American 20th Century), Original Editorial Cartoons
Nine original pen and ink editorial cartoons on illustration board, variously titled in pencil along the upper margins and dated between 1969 and 1977, including examples such as “time for the ultimate censor,” “up the down staircase,” “snug-a-life line,” and others addressing topics of violence, education, child abuse legislation, school lunch programs, media influence, and black market adoption. Each signed “Dick Hodgins” within the image. Editorial notations, publication dates, and layout markings in pencil to margins.
Largest sheet approximately 15″ x 20″.
5 Dick Hodgins (American 20th Century), Original Editorial Cartoons
Five original pen and ink editorial cartoons on illustration board, variously titled and dated between 1969 and 1975, including examples such as “Red Eyes On The Island,” “This Is Detente?,” “The Convertible Castro,” and two additional political caricatures addressing Cold War tensions and international diplomacy. Each signed “Dick Hodgins” within the image. Pencil titles, publication dates, and layout instructions to the margins, including printer’s slug notes.
Largest sheet approximately 15″ x 20″.
6 Dick Hodgins (American 20th Century), Original Editorial Cartoons
Six original pen and ink editorial cartoons on illustration board, variously titled and dated between 1969 and 1976, including examples addressing rising medical costs, national health care and socialized medicine, polio immunization, effective emergency action, and related public policy themes. Each signed “Dick Hodgins” within the image. Pencil titles, publication dates, and printer’s slug notes to the margins.
Largest sheet approximately 15″ x 20″.
Henry Daily Comic Strip Original Art Collection
Don Trachte (American 1909–2005) and Dick Hodgins (American 1917–2000)
Group of seventeen original daily comic strip artworks for Henry, executed in pen and ink on illustration board. Two larger-format sheets are drawn by Don Trachte, longtime artist of the strip, while the 15 smaller examples are by Dick Hodgins and Jack Tippit, who also illustrated the series. The collection features classic multi-panel daily formats with King Features Syndicate copyright lines and occasional blue pencil production notations. Subjects include Henry’s wordless humor, neighborhood antics, visual gags, and domestic scenes. Minor toning and editorial marks consistent with production use and age.
Pen and ink on illustration board.
Largest sheet 16 1/2” x 23”.
9 Dick Hodgins (American 20th Century), Original Editorial Cartoons
Nine original pen and ink editorial cartoons on illustration board, variously titled and dated between 1969 and 1976, addressing Cold War tensions, NATO policy, Vietnam and Laos, Cambodia, CIA controversy, internal strife, and U.S.–Soviet relations. Examples include works referencing Dr. Kissinger, NATO defenses, bombing pauses, and international diplomacy. Each signed “Dick Hodgins” within the image, with pencil titles, publication dates, and printer’s slug notes to the margins.
Largest sheet approximately 15″ x 20″.
8 Dick Hodgins (American 20th Century), Original Editorial Cartoons
Eight original pen and ink editorial cartoons on illustration board, variously titled and dated between 1968 and 1977, including examples addressing Vietnam War MIA disclosures, Hanoi negotiations, Cambodia, CIA controversy, Cold War diplomacy, and international political relations. Titles include works such as “Hanoi’s Water Torture,” “Cheap Power Play,” “Twin Guitars,” “Gleeful Vigil,” and others. Each signed “Dick Hodgins” within the image. Pencil titles, publication dates, and printer’s slug notes to the margins.
Largest sheet approximately 15″ x 20″.
Group of Cartoon Strips
Assorted original comic and cartoon strip artwork, including multiple panel dailies and Sundays, various subjects and genres. Black ink on illustration board and paper, some with editorial notations, paste-ups, and publication markings. Includes examples with King Features Syndicate and other syndicate imprints.
Largest 18″ x 25″.
Seven Piece Framed 19th Century Autograph and Daguerreotype Group to include
Daniel Webster (1782–1852) Signature, daguerreotype portrait and letter, the American lawyer and statesman noted for his Senate debates with John C. Calhoun, Thomas Hart Benton (1782-1858) Senator from Missouri signed letter and portrait engraving, Henry Wadsworth Longfellow (1807-1882) signature dated 1875 with portrait, James Gillespie Blaine (1830-1893) Senator from Maine, signature and portrait, Jack London (1876-1916) American author, signature and portrait, daguerreotype man washing gold in Edmonton, 1890
15″ x 9″ largest frame
Four Piece Decorative Art Lot
to include a miniature watercolor painting of a gentleman, a miniature watercolor painting of a women in a pink dress, and two silhouette paintings of one woman and one child
largest 5 1/2″ x 6 1/2″, smallest 4 3/4″ x 5 3/4″
Two Piece Henry Ward Beecher (American 1813 – 887) Lot to include
Framed American Folk Art Portrait
depicting Henry Ward Beecher (American 1813 -1887) the prominent American abolitionist and clergyman
oil on canvas now laid oncribbed board
11″ x 7 1/2″
along with daguerreotype portrait of Beecher over his signed autograph, signature dated 1879
Three Cold War Political Caricature Drawings
Graphite on paper depicting satirical figures rendered in exaggerated cartoon form. One scene shows two men exchanging rats over a crate, with additional rats clutched in their arms, accompanied by humorous notes referencing the USSR and “World Exporter” The second drawing depicts one figure presenting a bouquet of flowers adorned with a necklace and star pendant to another man in a theatrical gesture
Both drawings include handwritten annotations, dated 1955, one signed “B. Borsos.”
13 1/2″ x 17 1/2” both frames
along with smaller piece also signed B.Borsos
Three Framed American Federalist Era Signed Documents to include
James Duane (1733-1797) American lawyer, jurist, and Revolutionary Leader from New York handwritten and signed letter issued by the Common Council of New York to Daniel Phoenix (city treasurer) to pay the city’s debt interest to bondholders, signed Jas. Duane May, 16th, 1787
1818 New York State letters patent appointing Commissioners of Deeds for Columbia County, signed DeWitt Clinton
along with 1812 Stamford Militia service certificate, signed Captain Rufus Waterbury listing local men who have fulfilled their military duty
13″ x 16 1/2″ largest frame
Framed Queen Victoria (British 1819–1901) Autograph Cut Signature
display featuring ink signature on paper of Queen Victoria mounted below a portrait engraving of the monarch. Accompanied by a James Spence Authentication Letter of Authenticity identifying the signature as genuine.
Sight size of signature approximately 1″ x 5″, frame 14″ x 11”
Provenance: Accompanied by James Spence Authentication Letter of Authenticity, Certification No. XX86801.
Five Harper’s Weekly Civil War Histories and Americana Books Group
including Harper’s Pictorial History of the Civil War in three parts, Frank Leslie’s Illustrated Famous Leaders and Battle Scenes of the Civil War, and bound Harper’s Weekly / Harper’s New Monthly Magazine volumes (1871–1872). Illustrated throughout with engravings, battle scenes, military portraits, and period historical content.
Group of Eleven Literature and Poetry Books and Pamphlet
Including works by Robert Frost (New Hampshire, 1923; Complete Poems, 1949; Robert Frost: A Pictorial Chronicle), Eugene Field (The Clink of the Ice, 1905; A Little Book of Nonsense, 1901), Carl Sandburg (Selected Poems), Marcus Aurelius (To Himself, 1905), two volumes of The Essays of Montaigne translated by John Florio, along with additional literary and poetry titles, and a pamphlet Henry D. Thoreau, Biographical Sketch by Ralph Waldo Emerson, Houghton Mifflin & Co.
Various publishers and dates, late 19th to mid-20th century.
Group of Twelve Civil War and Related Historical Books
Including Tenting on the Plains by Mrs. E.B. Custer, McClellan’s Own Story (illustrated), Personal Memoirs of U.S. Grant (two volumes), The Mollie Maguires and the Detectives by Allan Pinkerton, two copies of The Story of the Little Big Horn, Dombey and Son (three volumes), and Beyond the Mississippi by Albert D. Richardson.
Various publishers and dates, primarily late 19th century.
Group of Presidential Books
Including Theodore Roosevelt titles The Wilderness Hunter, An Autobiography, The Foes of Our Own Household, The Many-Sided Roosevelt, and related volume, together with three John F. Kennedy titles including Profiles in Courage, To Seek a Newer World, and Just Friends and Brave Enemies, along with a Collier’s Illustrated Weekly issue dated December 14, 1901 featuring Roosevelt portrait.
Two Volumes of Jack London (American, 1876–1916)
Including Martin Eden, The Macmillan Company, New York, 1909; and Children of the Frost, The Macmillan Company, New York, 1902, illustrated by Raphael M. Reay. Both early editions.
Two Copies of A Farewell To Arms, Ernest Hemingway (American, 1899-1961)
both first edition, published by Charles Scribner’s Sons, New York, 1929, one being a first edition, first printing (with no additional printings listed on copyright page), the other an early printing of the same year with multiple reprint statements.
Two First Edition A Connecticut Yankee In King Arthur’s Court, Mark Twain (American, 1835-1910)
Two first editions, comprising an American edition published by Charles L. Webster & Company, New York, 1889, in original green pictorial cloth, and a Canadian edition published by G. M. Rose & Sons, Toronto, 1889, in brown cloth binding.
Four Quartets, T. S. Eliot (American/British, 1888–1965)
Harcourt, Brace and Company, New York, 1943. First edition.
Hardcover with original dust jacket, the jacket showing wear, losses, and toning; cloth binding beneath.
The Old Man And The Sea, Ernest Hemingway (American, 1899-1961)
First edition, published by Charles Scribner’s Sons, New York, 1952, with Scribner’s “A” and publisher’s device to copyright page, in original cloth binding with pictorial dust jacket.
First Edition, Adventures Of Huckleberry Finn, Mark Twain (American, 1835-1910)
First edition, published by Charles L. Webster and Company, New York, 1885, with copyright date 1884, illustrated by E. W. Kemble, rebound in later three-quarter leather with marbled boards, retaining original text block.
Life on the Mississippi, Mark Twain (Samuel L. Clemens) (American 1835,1910)
Boston: James R. Osgood and Company, 1883.
Illustrated cloth-bound volume with pictorial gilt and black stamped cover, titled Life on the Mississippi by Mark Twain, “Illustrated.” Title page dated 1883, noting “With more than 300 illustrations” and “Sold by Subscription Only.” Copyright page dated 1874, 1875 (H.O. Houghton & Co.) and 1883 by Samuel L. Clemens. University Press: John Wilson and Son, Cambridge.
Mark Twain (American, 1835-1910), Adventures Of Huckleberry Finn
1889 edition, published by Charles L. Webster and Company, New York, in green pictorial cloth binding, the title page dated 1889 and copyright page dated 1884, together with inked autograph note by possible book illustrator E.W. Kemble.
Life on the Mississippi, Mark Twain (Samuel L. Clemens) (American 1835,1910)
Boston: James R. Osgood and Company, 1883.
Illustrated cloth-bound volume with pictorial gilt and black stamped cover, titled Life on the Mississippi by Mark Twain, “Illustrated.” Title page dated 1883, noting “With more than 300 illustrations” and “Sold by Subscription Only.” Copyright page dated 1874, 1875 (H.O. Houghton & Co.) and 1883 by Samuel L. Clemens. University Press: John Wilson and Son, Cambridge.
Roughing It, Mark Twain (Samuel L. Clemens) (American 1835,1910)
Hartford, Conn.: American Publishing Company, 1881.
Subscription edition, illustrated cloth-bound volume with gilt-stamped spine and pictorial gilt cover vignette depicting a horse-drawn wagon. Title page dated 1881, “Fully Illustrated by Eminent Artists,” issued by subscription only. Copyright page notes entry according to Act of Congress, 1872, by the American Publishing Company. Dedication page to Calvin H. Higbie.
First Edition, Adventures Of Huckleberry Finn, Mark Twain (American, 1835-1910)
First edition, first issue, published by Charles L. Webster and Company, New York, 1885, with copyright date 1884, illustrated by E. W. Kemble, in original black cloth binding, together with inserted manuscript note regarding textual points and issue states.
Two Piece Henry Wadsworth Longfellow (American, 1807–1882) Group
to include The Song of Hiawatha, Boston: Ticknor and Fields, 1855. “Thirteenth Thousand”
Hardcover, blue cloth boards with gilt-stamped title and decorative blind tooling, along with a framed albumen portrait photograph of Longfellow and an autograph inscription reading “Yours truly, Henry W. Longfellow, 1875.”
Two Volumes of F. Scott Fitzgerald (American, 1896–1940)
to include This Side of Paradise; and Tender Is the Night
This Side of Paradise, New York: Charles Scribner’s Sons, 1920, first edition, early printing (April 1920 with subsequent printings noted); together with Tender Is the Night, New York: Charles Scribner’s Sons, 1934, first edition.
Seven Volumes of Ernest Hemingway (American, 1899–1961)
Including two copies of Across the River and Into the Trees: one published by Jonathan Cape, London, 1950 (first English edition, retaining dust jacket), and one published by Charles Scribner’s Sons, New York, 1950; together with The Sun Also Rises; Death in the Afternoon; Men at War; The Short Stories of Ernest Hemingway; Winner Take Nothing.
Eight Volumes of Mark Twain (American, 1835-1910)
Including two copies of The Innocents Abroad; or, The New Pilgrims’ Progress, 1870 (both first editions); Roughing It, 1897 edition; The Gilded Age, 1874 (first edition, with Charles Dudley Warner); Mark Twain’s Sketches, New and Old, 1875 (first edition) along with printing plate; The Prince and the Pauper, 1882 (early edition); Mark Twain’s Library of Humor, 1888 (first edition); and Following the Equator, 1897 (first edition).
Lot of Late 19th / Early 20th Century World Silver Coins
countries include France, Spain, Portugal, Switzerland, and Belgium, silver contains 83.5%
total weight 5.1 troy oz
Group of 18th / 19th Century Country World Coins
to include silver coins (silver content range from 40 – 92.5%), countries include Mexico, Nicaragua, Canada, Peru, Britain, Sweden, Norway, Cuba and the Netherlands, also included are Napoleon III copper, along with silverplate box
total silver weight 5.7 troy oz.
Two: Omar Lama (American 1942-2022)
“African Woman in Headwrap”
Pen and ink depicting a stylized African woman in profile wearing an elaborate headdress, rendered in black ink with geometric linear pattern
Signed lower left Omar Lama
8 1/2″ x 13″
“African Crest Mask
Pen and ink on paper depicting a stylized African ceremonial headdress or mask
Signed lower left Omar Lama
17″ x 8 1/2”
Two: Omar Lama (American 1942-2022)
“Head of Christ”
Pen and ink on paper depicting Christ wearing the crown of thorns, rendered in the artist’s distinctive geometric and stippled linear style.
Signed lower left Omar
12″ x 9″
“Woman in Prayer”
Pen and ink on paper depicting a veiled woman in profile with outstretched hands, rendered in black ink with geometric patterning and dense stippling throughout the background.
Signed lower left Omar Lama
12″ x 11″
Collection of Approximately 150 Christmas and Family-Themed Postcards
Group of antique and vintage postcards depicting Christmas and family scenes including children, holiday gatherings, winter landscapes, Santa figures, and festive greetings such as “Christmas Greetings” and “Best of Christmas Wishes.” Includes chromolithographic and embossed examples, many with decorative borders and period holiday imagery; some with writing or postal use to verso, circa 1900,1960. 3 1/2 in. x 5 1/4 in.
Two: Omar Lama (American 1942-2022)
“Portrait of Malcolm X”
Pen and ink on paper depicting a frontal portrait of Malcolm X rendered in the artist’s distinctive geometric linear style, the composition formed from an intricate network of interlocking shapes.
Signed lower left Omar Lama
12″ x 9 1/2″
Side Profile Portrait
Pen and ink depicting a stylized profile portrait with elongated coiffure, rendered through dense stippling and pointillism
Signed lower left Omar
12 1/2″ x 10″
Omar Lama (American 1942-2022)
“The Child’s Bath”
Pen and ink on paper reinterpretation of Mary Cassatt’s celebrated composition The Child’s Bath, portraying an African American mother bathing a child within a patterned interior setting.
Signed lower left Omar
17″ x 12 1/2″
Three Piece 19th Century American Military Flag Lot to include
Civil War Ohio Army Navy Welcome Banner, 1865–1890
Cotton red, white, and blue vertical swallowtail hang flag featuring red lettering “Our Army and Navy. Welcome to the Brave.” An identical example is in the Ohio Historical collection bearing the maker’s mark of Bloch & Co., Cincinnati.
3′ x 2′
framed Admiral George Dewey Patriotic handkerchief with a border of American Flags
depicting Admiral Dewey to its center with the caption “Our George he’s alright”
20 1/2″ x 20 1/2″
along with a Benjamin Harrison “Protection for American Industries” patriotic textile banner
Geoffrey Grigson and Handasyde Buchanan “Thornton’s Temple of Flora”, London, 1951
Limited edition facsimile of Robert John Thornton’s celebrated botanical work, with twelve color plates faithfully reproduced from the original engravings and twenty-four monochrome collotype plates. Described by Geoffrey Grigson with bibliographical notes by Handasyde Buchanan.
Seven British Legal and Political Documents, 18th–19th Century
including several Lords and Earls, along with an English Vellum Indenture Deed dated April 4, 1786, documenting a property conveyance between Henry and Mary Corbett and Thomas Rivers. Largest 24″ x 28″.
Collection of Political Campaign and Patriotic Ephemera
to include campaign photographs of Grover and Frances Cleveland, an 1844 Henry Clay Baltimore Convention ribbon, patriotic silk bookmarks featuring George Washington and Abraham Lincoln, a Republican Party commemorative handkerchief, NRA ribbon, Louisiana Purchase Exposition souvenir handkerchief featuring Theodore Roosevelt. Largest 9″ x 12″.
Approx. 100 Late 19th Early 20th Century Photographs
mostly of portraits of men, women, children, families, scenes of National Parks, daily life, and the circus. Along with postcards. Largest 10″ x 12″.
Charles M. Schwab (American, 1862–1939 Signed Letter
signed 1928 subscription agreement pledging $4,000 to the building and endowment fund of the Museum of the City of New York, together with related correspondence regarding the contribution, including a signed letter on Schwab letterhead. 8 1/2″ x 11″.