Margolis Bench Mahogany Double Chair Back Settee
Chippendale style having paper label made especially for Mr. and Mrs. G.C. Simpron by Mr. Nathan Margolis during October – November of 1904
height 38 1/2 inches, length 48 inches
Condition: refinished
Custom Mahogany Dining Table
having rope carved edge on double pedestal base with ball and claw feet, oval with two extra leaves (each 18 inches)
one imperfection on top surface
height 29 inches, top 43″ x 69″, top open 43″ x 105″
Margolis Set of Six Federal Style Dining Chairs
having wheat carved backs, shield shaped, on carved stop fluted legs and over upholstered seats, two armchairs, four side chairs
height 37 1/2 inches, width 23 inches, depth 19 inches
Margolis Mahogany Bench-Made Tip and Turn Tea Table
having pie crust top on fluted and carved shaft, ending with tripod base and ball and claw feet
height 29 1/2 inches, diameter 34 inches
John Baldessari (American 1931-2020)
“Blue Masterstroke Over Red Diagram and Two Cowboys”, 1989
Lithograph and screenprint on Arches 88 paper, edition 36/60, Publisher: Printed Matter, Inc., New York; printed by Cirrus Editions, Los Angeles.
Signed lower right
39″ x 39″ sight, 42″ x 42 1/2″ frame
Provenance: Property from the Collection of Thomas D. Mottola sold to Benefit the Museum of Contemporary ArtCT.
Exhibited: John Baldessari: A Print Retrospective, Palm Springs Art Museum, 2011.
Jacques Hnizdovsky (Ukrainian American 1915-1985)
“Telephone Booths II”, 1972
Woodblock in color, edition 20/100
Pencil signed and dated Hnizdovsky 1972, label verso with Associated American Artists biography
9″ x 12″ sight, 15 1/2″ x 18 1/2″ frame
Attributed to Gerda Wegener (Danish 1886-1940)
“L’Arbre” Nude Woman on a Tree Branch, circa 1920
Colored pencil, pen and ink on paper
Titled lower margin, verso inscribed later and dated 1920
7 1/2″ x 5″ sheet
Provenance: Property from a Park Avenue New York City Collector
Gerda Wegener (Danish 1886-1940)
Gallant Scene from Fortunio
Mixed media illustration, watercolor, gouache, pencil on paper depicting a semi nude woman laying on a bed beside a well dressed gentleman
Signed lower right Gerda Wegener
6 1/4″ x 4″ image, 8″ x 5 1/2″ sight
Provenance: Property from a Park Avenue New York City Collector;
Ader Nordmann Auctions, Paris, France; from the Collection Jacques Crépineau, 10/06/2021, Lot 71 ($1,256)
After Henry Moore (British 1898-1986)
“Family Groups”, 1944
Watercolor, pen and India ink wash paper
Signed and dated lower left Moore 44
21″ x 14 1/2″ sight
Provenance: Jan Krugier Gallery, New York
Acquired from the above by the late owner, 2009
Ray Mortensen (American B.1944)
“Short Point” (from Rocks), 2002
Gelatin silver prints diptych, edition of 2 plus 1 AP.
black and white photographic composition depicting a close-up rock face with strong contrasts between light and shadow.
60″ x 96″
Provenance: Property from the Collection of Thomas D. Mottola sold to Benefit the Museum of Contemporary ArtCT.
Valley Fine Art, Aspen, Colorado.
Literature: Rocks: Jamestown, Rhode Island 2000–2002, Janet Borden, Inc., New York.
Exhibited: L. Parker Stephenson Photographs, 2019; Janet Borden Inc., 2003.
Bernard Buffet (French 1928 – 1999)
“Le Pain et Le Vin” (Sorlier 306) The Bread and The Wine, 1964
Lithograph in colors on Rives BFK paper
Signed in pencil lower right Bernard Buffet, from the edition of 500, with wide margins.
22″ x 17″ plate, 28″ x 20″ sheet
Provenance: Todd Art Gallery, New York
Jack Levine (American 1915-2010)
“Sweet Bye and Bye”, 1980
Etching, drypoint, and mezzotint on Arches paper, edition 73/100
Printer: Emiliano Sorini, New York; published by Kennedy Graphics, New York.
Signed lower right J.Levine
9 1/2″ x 10 3/4″ sight, 21 3/4″ x 23″ frame
Provenance: Property from the Collection of Thomas D. Mottola sold to Benefit the Museum of Contemporary ArtCT.
Kennedy Galleries, New York (label verso)
Bruce Bernard (British 1928-2000)
“Lucian Freud in Studio with Two Paintings of Leigh Bowery”, 1993
Cibachrome print 1996, edition 14/25
Signed, titled verso B.Bernard with estate stamp
13 1/4″ x 19 1/2″
Five: Spencer Platt (American B.1970)
“Florida Residents Seeking Refuge from Hurricane Irma”
“Moscow, Russia, Lenin 03/05/2017”
“White Nationalist Political Group, Nazi Salute, 04/21/2018”
“Moto Guzzi”
Woman, Chihuahua, Cigarette, Coffee and Book
Photo lithographs
19 1/2″ x 29 1/2″ sight, 27″ x 37″ frame
Provenance: Property sold to Benefit the Museum of Contemporary ArtCT.
Five: Spencer Platt (American B.1970)
Displaced Women in Sudan
Group of Men Washing
Group of Refugee Middle Eastern Men
“Minors and Sex Tourism” young girl on a bed beside a fire
Child Crying Behind a Green Fence
Photo lithographs
19 1/2″ x 29 1/2″ sight, 27″ x 37″ frame
Provenance: Property sold to Benefit the Museum of Contemporary ArtCT.
Five: Spencer Platt (American B.1970)
Reflection of Birds in the Street
Wall Street
Woman in Burqa on the Street
Umbrella through a Rainy Window
Pigeon, People on the Beach
Photo lithographs
19 1/2″ x 29 1/2″ sight, 27″ x 37″ frame
Provenance: Property sold to Benefit the Museum of Contemporary ArtCT.
Four: Spencer Platt (American B.1970)
“Dude in Scrubs”
“Blue Box with Hands”
“Camo Guys”
“Baggage Line”
Photo lithographs
23 1/2″ x 36″ largest sight, 32 1/2″ x 44 1/2″ largest frame
Provenance: Property sold to Benefit the Museum of Contemporary ArtCT.
Five: Spencer Platt (American B.1970)
“Baghdad, Iraq, Market, 04/16/2003 ”
“Kabul, Afghanistan, Market Woman with Gun,
11/21/2001”
“Resistance to Eviction, Gaza, 08/17/2005”
“On the Fence Between Gaza and Israel”, 2018
Victim of War Beside Building Ruins
Photo lithographs
19 1/2″ x 29 1/2″ sight, 27″ x 37″ frame
Provenance: Property sold to Benefit the Museum of Contemporary ArtCT.
Four: Spencer Platt (American B.1970)
“Plane Strikes South Tower, September 11, 2001”
“Surfers on the Beach after Hurricane Sandy, November 2012″
American Flag out of a Car Window
Veterans in a Memorial Day Procession
Photo lithographs
23 1/2″ x 36″ largest sight, 32 1/2″ x 44 1/2” largest frame
Provenance: Property sold to Benefit the Museum of Contemporary ArtCT.
Three: Kenneth Polinskie (American B.1952)
“Peony Rhythm Triptych”, 1982
Watercolor and ink wash on paper
Signed lower right Kenneth Polinskie
72″ x 37″ each, 72″ x 111″ total
Provenance: Property from a Private Collection
Nelson Boren (American B.1952)
“I Can’t Beat Ya With My Gloves On”
Watercolor on paper depicting a Western figural scene of a cowboy playing pool
Signed lower right
39″ x 79″ sight
Provenance: Property from a Park Avenue New York City Collector
Property from a Private Collection, Scottsdale, Arizona.
After Fortunato Depero (Italian 1892-1960)
“Bitter Campari Soda”
Monumental oil on canvas laid on board, diptych originally created for Campari during the artist’s collaboration with the firm, reflecting Futurist ideals and a pioneering fusion of art and commercial design
72″ x 96″ each canvas, total 72″ x 192″
Hector Vasquez (20th Century)
Contemporary Abstract Composition
Large-scale painting featuring a vibrant, biomorphic composition set against a green ground, incorporating bold geometric and organic forms in blue, red, yellow, and black, including spiral, floral, and floating shapes arranged playfully
Oil or acrylic on canvas
72″ x 96″
Five: Hector Vasquez (20th Century)
Contemporary Abstract Compositions
Oil or acrylic on canvases in biomorphic composition, incorporating bold geometric and organic forms in blue, red, yellow, and black, including spiral, floral, and floating shapes arranged playfully
48″ x 60″ largest
Gerry Bergstein (American B.1947)
“Balance I and II”, 1986
Mixed media oil on canvases, diptych
Signed and titled verso Gerry Bergstein
168″ x 68″ each
Doug Anderson (American B.1954)
“Ski Patrol”, 1985
Mixed media installation piece, acrylic, oil, paper on multiple canvases
Signed, titled and dated on verso, Doug 85
Approximately 52″ x 100″
Eli Ilan (Israeli 1928-1982)
“Elevated Forms”, 1970
Verdigris bronze, edition 4/7
Signed and dated to base Ilan ’70
Height of bronze 31 inches, total height 62 inches
Provenance: Mr. and Mrs. Gottesman, London, England;
Mr. and Mrs.Elliot Jaffe, Stamford, Connecticut
Literature: Mendel Kohansky, Sculptures of Eli Ilan, 1974, illustrated plate 4
Post-War Outsider Art Wall Relief
Monumental composition depicting a stylized figure holding a sphere, accompanied by a bird, chair, house, and spiral sun, set against a black and white checkerboard ground. Executed in heavy relief having thick, raised outlines and filled color fields in contrasting tones
Mixed media, wax or resin over board
Signed illegibly lower left, possibly A.W.
81″ x 82″
Provenance: Property sold to Benefit the Museum of Contemporary ArtCT.
After Hans Hofmann (German/American 1880-1966)
Untitled Composition
Oil on paper laid on board
Signed lower right Hans Hofmann
21 1/2″ x 31″ sight
Provenance: Robert V. Berg, San Diego, California;
Acquired from the above by present owner, 2002
Peter Max (German/American B.1937)
Homage to Picasso
Mixed media, watercolor, colored pencil, hand colored etching
Signed lower margin Max
14 1/2″ x 13″ sight, 30″ x 28″ frame
Provenance: Purchased from Hanson Gallery, San Francisco, California, 1996 ($1,800)
Peter Max (German/American B.1937)
Homage to Picasso
Mixed media, watercolor, colored pencil, hand colored etching
Signed lower margin Max
17″ x 11″ sight, 31″ x 25″ frame
Provenance: Purchased from Hanson Gallery, San Francisco, California, 1996 ($2,400)
Peter Max (German/American B.1937)
Homage to Picasso
Mixed media, watercolor, colored pencil, hand colored etching
Signed lower margin Max
16″ x 11″ sight, 31″ x 26″ frame
Provenance: Purchased from Hanson Gallery, San Francisco, California, 1996 ($2,400)
Anne Bachelier (French B.1949)
Portrait of a Red Haired Woman
Oil on board depicting surrealist-style portrait depicting a red-haired female figure holding a small cymbal-playing monkey
Signed lower right Anne Bachelier
22″ x 16″ sight, 37″ x 31″ frame
Provenance: Property from a Park Avenue New York City Collector
Janine Aghion (French 1894-1982)
Figures on a Balcony from Grains de Poivre by Franz Toussaint, circa 1927
Watercolor, pen and ink on paper illustration
11 1/2″ x 9″ sight
Provenance: Property from a Park Avenue New York City Collector
Set of Three Framed Indian Jain Manuscript Pages
watercolor and ink on paper manuscript leaves featuring stylized figural “Cosmic Man” forms, geometric diagrammatic elements, and Devanagari script throughout. Rendered in earth tones of red, black, and ochre, likely 19th century
10″ x 4″ sheet, 18 3/4″ x 15″ each frame
Provenance: Property from a Park Avenue New York City Collector
Persian Miniature Illuminated Manuscript
Depicting three figures in a courtyard setting before patterned architectural panels, lines of Persian text above and below from a literary manuscript
Ink, watercolor, and gouache on paper
possibly 18th Century or earlier
9 3/4″ x 4 3/4″ sight,
Seven Framed Architectural Engravings Some After James Gibbs (British 1682-1754) to include
“Plan and Elevation at the Out Offices at Wilton”
engravers include, Henry Hulsbergh (Dutch 1660-1729) and Elisha Kirkall (1682-1741)
Handcolored copperplate engravings on laid paper
23″ x 28″, 28″ x 23″ each frame
Provenance: Dryden Gallery, New York
Rudolph Bauer (German 1889-1953)
Coach Woman in Red
Watercolor, gouache on paper
Signed lower left Rudolph Bauer, Guggenheim Museum label verso
18 1/2″ x 12 1/2″ sheet, 29″ x 22 1/2″ frame
Provenance: Gifted to The Bronx Historical Society by the Estate of Joan Schneeweiss
Guggenheim Museum, 1071 Fifth Ave., NYC
George Grosz (German/American 1893-1959)
“New York Harbor”, circa 1934
Lithograph
Pencil signed lower right George Grosz
22 1/4″ x 16 1/2″ plate
Provenance: Gifted to The Bronx Historical Society by the Estate of Joan Schneeweiss
Georges Rouault (French 1871-1958)
“Le Noir Libere” The Liberated Black
Aquatint etching from The Reincarnations of Pere Ubu
Signed lower right Georges Rouault, published by Ambroise Vollard
10″ x 13 1/4″ sight
Olaf Carl Wieghorst (Danish/American 1899-1988)
“Cowboy on Bucking Horse”,
Watercolor on paper
Signed lower left O.Wieghorst
11″ x 11″ sight , 24″ x 24″ frame
Provenance: Part of a large Western art collection from Massachusetts
Altermann and Morris Galleries, Dallas, Texas, 7/14/1993 ($4,000) copy of invoice and receipt available
Ernest Fiene (German 1894-1965)
“Oil Refinery I”, 1944
Oil on board
32″ x 24″ sight
Provenance: Sotheby’s New York, Arcade 03/20/1996, Lot:284 ($4,000)
ACA Galleries, 41 East 57th St, New York City
Ralph Lauren Two Part Upholstered Sofa
along with a large ottoman marked Ralph Lauren Rome, all having large teaks and square legs
total height 33 inches, seat height 21 inches, total length 144 inches