Lucius B. Bradley Eli Terry Patent Shelf Clock
American mahogany shelf clock having painted Roman numeral dial, reverse-painted glass tablet, and interior label reading “Patent Clocks Invented by Eli Terry… Made and Sold at Watertown, Connecticut, by Lucius B. Bradley.” case stenciled crest decoration and mirrored lower panel, fitted time-and-strike weight-driven movement.
circa 1830-1840.
height 29 1/2 inches
Provenance: From the collection of Richard “Chuck” McCarthy of Longmeadow, Massachusetts
Seth Thomas “Triple-Decker” Eight-Day Weight-Driven Wall Clock
American walnut veneered wall clock, commonly referred to as a “triple-decker,” Roman numeral dial, reverse-painted glass panels decorated floral and bird motifs, and turned gilt columns. the interior retaining printed label reading “Eight Day Weight Clock – Seth Thomas, Thomaston, Conn., Warranted Good.” complete with weights and pendulum. a couple small chips to the veneer on the front of the case.
circa 1840.
height 32 inches
Provenance: From the collection of Richard “Chuck” McCarthy of Longmeadow, Massachusetts
Seth Thomas Wall Regulator Clock
American wall regulator clock by Seth Thomas, painted Roman numeral dial, single weight-driven movement and brass pendulum, housed in a walnut case having molded surround and carved corner spandrels.
late 19th century.
height 23 inches
Provenance: From the collection of Richard “Chuck” McCarthy of Longmeadow, Massachusetts
Mahogany Tall Case Clock
fretwork top over tombstone dial flanked by columns over arch top door on plain case over bracket feet line inlaid painting metal dial signed indistinctly
height 92 inches
Provenance: Receipt from John and Barbara Delaney, sale price $3,500
From the collection of Richard “Chuck” McCarthy of Longmeadow, Massachusetts
Mahogany Tall Case Clock
arched bonnet and three brass finials, featuring a painted ship dial above a brass face, now fitted with later works
height 87 inches
Provenance: From the collection of Richard “Chuck” McCarthy of Longmeadow, Massachusetts
George III Mahogany Tall Case Clock
swans neck pediment over tombstone dial flanked by fluted columns over door having fluted columns, brass dial, calendar and second hand having putti spandrels, signed Andr Baird Kilbryde
height 86 inches
Federal Cherry Tall Case Clock
the swans neck pediment over tombstone dial overturned columns on plain cate and tombstone design in base set on french feet circa 1800, having painted dial moon phase and man and bay along with calendar and second hand fishing
height 93 inches
Provenance: Gifted to The Bronx Historical Society by the Estate of Joan Schneeweiss
Rosewood Thirty-Hour Shelf Clock
American rosewood veneered thirty-hour shelf clock painted Roman numeral dial, open escapement, and reverse-painted lower tablet depicting a Gothic architectural scene. interior label reading “Thirty Hour Clocks, Chauncey Jerome, New Haven, Conn.”
mid 19th century.
height 20 1/2 inches
Provenance: From the collection of Richard “Chuck” McCarthy of Longmeadow, Massachusetts
Mahogany Shelf Clock
mahogany cased shelf clock, painted Roman numeral dial, brass works movement, open escapement, key-wound, housed in a plain rectangular case and brass bezel and hinged front door.
probably 19th century.
height 16 1/2 inches
Provenance: From the collection of Richard “Chuck” McCarthy of Longmeadow, Massachusetts
American Waterbury Clock Co. Walnut Calendar Clock
Carved shelf clock, case having Roman numeral dial over calendar dial showing date, day, and month, marked “Waterbury Clock Co., U.S.A., Patented July 30th, 1889.
height 29 inches
Provenance: From the collection of Richard “Chuck” McCarthy of Longmeadow, Massachusetts
N. G. Wood & Son Boston Bracket Clock
English ebonized bracket clock having gilt bronze mounts, the case decorated applied gilt bronze garlands, pierced gilt bronze side panels, gilt bronze side handles, and gilt bronze scrolled feet, surmounted by finials. arched gilt dial signed “N. G. Wood & Son, Boston,” Roman numeral chapter ring and three subsidiary dials for chime/silent, regulator, and Westminster chime selection, the brass works movement striking on a coiled gong
19th century
height 26 inches
Provenance: From the collection of Richard “Chuck” McCarthy of Longmeadow, Massachusetts
Victorian Black Slate Mantel Clock
black slate Victorian mantel clock, the architectural case decorated in gilt incised and stenciled ornament, the circular dial in Roman numerals and gilt hands, centered by a gilt cast rosette mount, the case surmounted by a shaped crest additional gilt decoration. brass movement in.
late 19th century.
height 24 1/2 inches
Provenance: From the collection of Richard “Chuck” McCarthy of Longmeadow, Massachusetts
Victorian Walnut Regulator Wall Clock
Victorian walnut regulator wall clock, Roman numeral dial, single brass weight-driven movement and brass pendulum, housed in a walnut case, glazed door and carved lower bracket decoration.
late 19th century.
height 47 inches
Provenance: From the collection of Richard “Chuck” McCarthy of Longmeadow, Massachusetts
Ball Watch Co. Advertising Oak Regulator Wall Clock
oak cased regulator wall clock octagonal dial signed Ball Watch Co., Cleveland, subsidiary seconds dial, single weight-driven movement, and brass pendulum. Oak case glass door panel. A couple of small chips to the veneer around the face.
19th century
length 42 inches
Provenance: From the collection of Richard “Chuck” McCarthy of Longmeadow, Massachusetts
Vienna Regulator Wall Clock
Vienna regulator wall clock having single weight-driven movement, porcelain dial Roman numerals, and pendulum, housed in an ebonized case. hairline cracks to the porcelain dial.
19th century.
height 39 1/2 inches
Provenance: From the collection of Richard “Chuck” McCarthy of Longmeadow, Massachusetts
Victorian Oak Regulator Wall Clock
Victorian oak regulator wall clock Roman numeral dial, key-wound movement, and brass pendulum. the oak case turned side columns and carved lower section overturned decorative element at the base.
height 35 1/2 inches
Provenance: From the collection of Richard “Chuck” McCarthy of Longmeadow, Massachusetts
Double-Dial Advertising Wall Clock – Vanner & Prest’s “Molliscorium”
American painted wooden double-dial advertising wall clock for Vanner & Prest’s “Molliscorium,” the surrounding lettering reading “Molliscorium” and “For Value and Quality.” Roman numeral dial, adjacent mirror advertising panel in a shaped painted wall case. key-wind movement to pendulum.
late 19th century.
height 31 inches
Provenance: From the collection of Richard “Chuck” McCarthy of Longmeadow, Massachusetts
Chelsea Clock Co. Oak Wall Regulator
oak wall regulator clock, molded circular bezel enclosing a painted Roman numeral dial signed “Chelsea Clock Co.,” the rectangular case having glazed lower door revealing the weight-driven movement, brass weight and pendulum present.
19th century.
height 34 inches
Provenance: From the collection of Richard “Chuck” McCarthy of Longmeadow, Massachusetts
Chippendale Figured Walnut Tall Chest
having large cornice molding above case fitted with four arched top drawers over three short drawers over two drawers over four drawers flanked by turned 1 /4 columns, all in figured walnut set on replaced bracket base, 18th century, chips to cornice, molding, brasses not original
height 66 inches, width 44 inches, width 44 inches, depth 24 inches
Provenance: From the Collection of John Malcolm Buckey of Bloomfield, Connecticut
Camphorwood Campaign Chest in Two Parts
upper section with two drawers over one drawer on lower section having two drawers all set on pumpkin feet, corners having brass mounts, one of four brass side handles missing
height 40 1/2 inches, top 16 1/2″ x 35 1/4″
Chippendale Walnut Secretary Desk in Two Parts
upper section having two raised panel doors opening to adjustable shelves set on lower section having slant lid over four drawers on bracket base, interior having multiple drawers, central door, and flame columns, all having central secret compartment, circa 1780, likely from Pennsylvania
height 84 inches, width 38 inches, depth 22 inches
Provenance: From the Collection of John Malcolm Buckey of Bloomfield, Connecticut
Walnut Stepback Cupboard in Two Parts
upper section having two glazed doors with shelved interior featuring two small drawers at base of upper section on lower section having three drawers over two doors flanked by central fluted pillasters all set on bracket base with scalloped skirt
Pennsylvania circa 1780-1800
height 89 inches, width 51 inches, depth 20 1/2 inches
Walnut and Burlwood Chippendale Desk
having drop front and fluted quarter columns on ogee feet
(lid chipped)
height 41 1/2 inches, width 40 inches, depth 22 inches
Walnut and Burlwood Chippendale Desk
having drop front and fluted quarter columns on ogee feet
(lid chipped)
height 41 1/2 inches, width 40 inches, depth 22 inches
American Mahogany Armchair
with a curved crest rail above a shaped back splat and scrolling arms, over an upholstered seat, raised on turned legs, warm mahogany finish with expected wear.
American, circa 1830-1840. Height 32 1/2 inches, width 21 inches.
Pair of Biedermeier Mahogany Side Chairs
each having shaped crest rail above a carved fan-form splat centered by roundels, over upholstered seats, raised on turned tapering legs, warm mahogany finish with expected wear
Continental, circa 1830
height 34 inches, width 19 inches, seat height 18 inches
American Poplar Blanket Chest
rectangular form having hinged lid, raised on turned legs, the interior fitted with covered till, retaining original grain-painted surface.
American, 19th century
height 22 inches, top 19 1/2″ x 37″
English Carved Oak Blanket Chest
rectangular hinged lid opening to a fitted interior, the front three carved panels depicting stylized sunflowers in arched reserves, flanked by muntins and carved rails, paneled sides, raised on stile supports, dark patinated surface visible wear, losses, separation to side panels, and a small hole to the lower center front panel.
England, 17th century
height 25 inches; width 52 inches; depth 22 inches
Pair of Louis XV Side Chairs having Caned Backs and Seats
mold grey paint
height 36 1/2 inches, width 18 inches
Provenance: From a Park Avenue, New York Estate
George Catlin (American 1796-1872)
“The Snow Shoe Dance” plate 14
Lithograph with original hand-coloring from The North American Indian Portfolio
Printed by Day & Haghe, lithographers, published by George Catlin, 1844
12″ x 17″ plate, 20″ x 26″ frame
Karl Bodmer (Swiss/French 1809-1893)
“Chief of the Blood Indians; War-Chief of the Piegan (Piekann) Indians; Kootenai (Koutani) Indian”
Hand-colored aquatint engraving, Tab. 46, from “Travels in the Interior of North America”
Published Paris, A. Bertrand; Coblenz, J. Hölscher; and London, Ackermann & Co., circa 1839-1844.
C. Bodmer blindstamp lower center
14″ x 19″ plate, 21 1/2″ x 28″ frame
Karl Bodmer (Swiss/French 1809-1893)
“Masika, Saki Indian / Wakusasse, Musquake Indian”
Hand-colored aquatint engraving, Tab. 3, from “Travels in the Interior of North America”
Published Paris, A. Bertrand; Coblenz, J. Hölscher; and London, Ackermann & Co., circa 1839-1844.
C. Bodmer blindstamp lower center
15 1/2″ x 19″ plate, 21 1/2″ x 28″ frame
Provenance: W.Graham Arader III Gallery, New York
George Catlin (American 1796-1872)
“Osage Warrior, Iroquois, and Pawnee Woman”
hand-colored lithograph depicting three Native American figures in traditional dress, from a large-format edition of North American Indian Portfolio, likely mid to late 19th century.
16″ x 11″ sight, 26″ x 22″ frame
Thomas L. McKenney (American, 1785-1859) and James Hall (American, 1793-1868)
“War Dance of the Sauks and Foxes”
Hand-colored lithograph on paper, from McKenney & Hall’s History of the Indian Tribes of North America.
Published Philadelphia, E.C. Biddle, 1837 along with “War Dance of the Sauks and Foxes”
11 1/2″ x 16″ sight
George Catlin (American 1796-1872)
“Wi-Jun-Jon, An Assiniboine Chief,” Plate 25
Hand-colored lithograph from North American Indian Portfolio depicting the chief before and after his visit to Washington, D.C
Published by Day & Haghe, London, 1844-1845.
17 1/2 x 12 1/2 plate, 26″ x 22″ frame
Two: Thomas L. McKenney (American, 1785-1859) and James Hall (American, 1793-1868)
“Esh-Tah-Hum-Leah, or the Sleepy Eye, A Sioux Chief”
hand-colored lithograph depicting the Sioux chief in traditional attire, from History of the Indian Tribes of North America.
Published Philadelphia, Edward C. Biddle, 1836-1844.
16″ x 11 1/2″ sight
“Mon-Chong Sia, A Kansas Chief”
hand-colored lithograph depicting the Kansas chief in traditional attire, from History of the Indian Tribes of North America.
Published Philadelphia, Rice and Clark
16″ x 11 1/2″ sight
Walnut Victorian Humidor Cabinet
having two burlwood raised panel door sides and back with like burled raised panels with shell and foliage carved bottom edge set on plain turned pedestal on turned base, interior of metal lining and two wood shelves
height 50 inches, width 24 inches, depth 18 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family
American Flag Centennial Wicker Rocking Chair
woven wicker armchair, the back having stylized patriotic motifs including an American flag surmounted by the date 1776, having scrolled arms and intricate latticework, the seat set in a wood frame.
late 19th century, likely made in celebration of the 1876 Centennial Exhibition, Philadelphia
Provenance: From the Estate of Robyn Gebroe, West Orange, NJ
Reference: in the manner of documented centennial wicker examples, including chair from the Mary Jean McLaughlin Collection, exhibited at the Smithsonian, Renwick Gallery, August 1993, and illustrated in Jeremy Adamson, American Wicker (Rizzoli).
height 46 inches, width 29 inches
Polychrome Paint Decorated “Punch” Tobacconist Trade Figure
figure standing holding a pack of cigars in the right hand, raised on a shaped tapering wood base labeled “Cigars” and set on an iron wheels, retaining polychrome decoration
Overall height 61 inches
along with small cast iron Punch bank
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family, purchased in 1997 by Edgar and Louise Cullman on CigarStoreIndians.com as central decor for a Punch cigar bar in Boston (no receipt available)
Polychrome Paint Decorated Carved Wood Native American “Warrior” Tobacconist Trade Figure
attributed to John L. Cromwell (1805-1873), standing Native American cigar store figure retaining some original polychrome, raised on a tapered square base, old paint, New York, circa 1850-1870, much like figure 21 Artist in wood Frederick Fried
Overall height 76 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family, purchased in the 1960’s by Edgar and Louise Cullman
Condition: old paint, lacking tomahawk formerly held in right hand
Polychrome Paint Decorated and Carved Wood Native American “Warrior” or “Chief” Tobacconist Trade Figure
possibly attributed to Samuel Anderson Robb (American 1851-1928) or John L. Cromwell (1805-1873), Native American cigar store figure standing with right hand to brow and cigars in left hand, retaining old paint, set on a square painted base and mounted on a later raised platform, New York, circa 1850-1870, much like figure 221 Artist in wood Frederick Fried
Overall height 78 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family, purchased in the 1960’s by Edgar and Louise Cullman
Polychrome Paint Decorated Cast Zinc Tobacconist “Rising Star” Trade Figure by William Demuth (German/American 1835-1911)
rare figure depicting a Native American woman in theatrical attire, wearing a short, patriotically themed costume with high button boots, rather than traditional dress, suggesting a stage performer, retaining old paint, American, New York, circa 1874
Overall height 79 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family, purchased in the 1960’s by Edgar and Louise Cullman
Literature: An example is pictured in Illustrated Catalogue of Smokers’ Articles and Show Figures Manufactured and Imported by Wm. Demuth & Co., 1875, no. 62. A facsimile is reproduced by Frederick Fried in Artists in Wood: American Carvers of Cigar-Store Indians, Show Figures and Circus Wagons (NY: Bramhall House, 1970), p. 48, fig. 31.
Rare Pair of Native American Carved Wood Tobacconist’s Countertop Trade Figures
Attributed to William Demuth (German/American 1835-1911) male and female carved wooden Native American figures, depicted standing in traditional attire, originally intended for cigar store countertop display, having carved facial features and traces of polychrome decoration
Overall height 27 1/2 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family, purchased in the 1960’s by Edgar and Louise Cullman
Polychrome Paint Decorated and Carved Wood Native American “Princess” Tobacconist Trade Figure
standing female Native American cigar store figure surmounted by large feather headdress, appears to be retaining old paint, raised on a square wood base, New York, circa 1880
Overall height 74 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family, purchased in the 1960’s by Edgar and Louise Cullman
Polychrome Paint Decorated and Carved Yellow Pine Wood “Hobo” Tobacconist’s Trade Figure
figure standing with left hand holding a tobacco leaf, right hand now lacking pole, retaining old paint, raised on a square base, wood tested by Alden Identification Service to be yellow or hard pine
Overall height 54 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family, purchased in the 1960’s by Edgar and Louise Cullman
American Carved and Polychromed Wood Tobacconist’s Scotsman Figure
carved in the form of a Scotsman in balmoral hat and tartan kilt, retaining polychrome decoration, raised on a cylindrical base
Overall height 64 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family, purchased in the 1960’s by Edgar and Louise Cullman
Polychrome Paint Decorated Wood Native American “Warrior” Tobacconist Trade Figure
Native American ‘Indian’ cigar store figure depicted holding a package of tobacco in his outstretched right hand and tobacco leaves in the left, prominent facial features, retaining old paint, mounted on original beveled wooden base over iron wheels, probably New England, late 19th, early 20th century
Overall height 83 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family, purchased in the 1960’s by Edgar and Louise Cullman
Native American Carved and Polychromed Tobacconist’s Trade Figure
Native American cigar store figure holding a package of cigars in the right hand and a snuff box in the left, retaining old paint decoration, raised on a shaped square base, mid to late 20th century
Overall height 74 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family, purchased in the 1960’s by Edgar and Louise Cullman