Attributed to Hua Yan (Chinese 1682-1756) Chinese Watercolor on Silk Scroll
Before The Flower Festival In The Year Of The Boar
inscription painted by Xinluo Shanren at Zhaoqing
pseudonym for the famous Qing Dynasty painter Hua Yan (1682-1756)
95″ x 29 1/2″
Large Chinese Ancestral Portrait of a Noblewoman
Late Qing Dynasty style, 19th century
Ink and color on silk, framed under glass
portrait depicting a seated noblewoman in full formal court attire, wearing a brilliant red robe embroidered with four-clawed dragons among clouds and waves, accented with phoenixes and auspicious motifs, elaborate headdress having floral ornament, tassels, and pearl strands
51″ x 26″
Condition: Light toning and scattered creases; water damage lower right, minor surface spotting; not examined out of frame
Two Chinese Blue and White Porcelain Ginger Jar Lamps
baluster-form jars decorated with dense scrolling floral vines and stylized blossoms, one having domed cover, height 16 inches, both mounted as table lamps on carved wood bases and fitted pleated shades, shorter one having repairs, height 11 inches
Large Chinese Figural Group Scroll
possibly depicting the FuLuShou, Shouxing (the star god of longevity) at the center having a large head and beard, along with side Lu Xing (the star god of Prosperity) and Fu Xing (the star god of Fortune)
along with five children playing at the feet of two female figures under a parasol of peacock feathers, 17th century
watercolor or tempera on silk
71″ x 38″
Provenance: Collection of Lee and Betty Lee Kolker, New York
Set of Four 19th Century Chinese Export Nesting Tables
each rectangular top above a pierced lattice work apron, raised on faux-bamboo supports, graduating in size to fit neatly together with, hardwood construction dark stained finish
tallest 29 1/2 inches, top 16 1/2″ x 16 1/2″
Provenance: Property from a Essex, Connecticut estate
Condition: Good overall; age-expected wear, surface marks, minor losses
Chinese Hardwood Console Table
rectangular top, molded ends above a carved frieze depicting confronting dragons amid scrolling foliage, openwork spandrels and straight legs joined by stretchers, warm medium-brown finish, top sun fading and a darker circular area likely from prolonged object placement
China, 20th century
height 33 inches; width 49 inches; depth 16 inches
Pair of Chinese Export Portraits of Court Ladies
both oil on panel depicting elegant Geisha type women in traditional dress, one holding a silk fan, and the other resting her head upon her hand, each rendered in a refined Qing-style manner delicate facial features and traditional hair ornaments, presented in carved frames, 18th-19th century
23″ x 17″ sight, 28″ x 22″ frame
Provenance: A collection from Southbury, Connecticut
Suite of Twelve Chinese Export School, Attributed to Sunqua Workshop (Canton 19th century) Studies of Horses
Watercolor paintings on pith paper, each depicting finely rendered horses in various poses—grazing, standing, reclining, and in motion—shown in varied coat colors including white, chestnut, dapple gray, and piebald, set within delicate landscape settings of trees, rocks, and rolling terrain
some with red seal marks, mounted on album sheets, some loss to paper
8″ x 7″ image
Provenance: Hastings House Antiques, Essex, Connecticut, 3/03/1973
Collection of Theodore Francis Green, former Senator to Rhode Island (per accompanying receipt, copy of receipt available)
Pair of Chinese Hardwood Horseshoe-Back Armchairs (Yoke-Back Chairs)
each having a curved crest rail terminating in outward scrolling handholds above a shaped splat having carved stylized motif, flanked by shaped arm supports continuing to a rectangular seat, raised on square legs joined by stretchers, warm reddish-brown finish
likely Chinese, 20th century
height 46 1/2 inches; width 26 inches; depth 18 inches; seat height 21 inches
George III Mahogany Side Chair
having carved back and seat rail, all set on cabriole legs carved knees ending in hairy paw feet, 18th century
height 39 1/2 inches, seat height 18 inches, width 23 1/2 inches
Franklin Anderson (American 1844-1891)
“View of the Hudson Highlands”
Oil on canvas depicting a Hudson River School landscape a rocky, brush-covered foreground overlooking the Hudson River, the distant Highlands rising along with the horizon beneath a mist-filled sky, the scene rendered in deep late-summer tones, presented in a gilt Federal style frame, ray pattern molding and acanthus leaf corners
Marked lower left F.A.
14″ x 23″ canvas, 22″ x 31″ frame
Accompanied by a Beman Galleries appraisal identifying the work and dating it circa 1870-1880.
After Barend Cornelis Koekkoek (Dutch 1803-1862)
“Figures on a Frozen River Before a Castle”
Oil on tin board
Name plaque inscribed J.H.B.Koekkoek, old auction label verso
7″ x 9″ board, 13″ x 15″ frame
Olaf Carl Wieghorst (Danish/American 1899-1988)
“Cowboy on Bucking Horse”,
Watercolor on paper
Signed lower left O.Wieghorst
11″ x 11″ sight , 24″ x 24″ frame
Provenance: Part of a large Western art collection from Massachusetts
Altermann and Morris Galleries, Dallas, Texas, 7/14/1993 ($4,000) copy of invoice and receipt available
Charles Meryon (French 1821-1868)
“La Morgue”, The Mortuary, 1854
Etching drypoint on laid paper
plate 8 1/2″ x 7 1/2″, 11″ x 10″ sheet
Provenance: Kennedy Galleries Rare Prints, 693 & 5th Ave, New York
John Bachmann (American 1814-1896)
“Panorama of the Seat of War”, 1864
Bird’s Eye View of Virginia, Maryland, Delaware, the District of Columbia, and of the Chesapeake Bay and beyond at the peak of the American Civil War
Chromolithograph, published New York: Charles Magnus, 1864
22″ x 30″ sheet
Provenance: Property from a Upper East Side, New York City Apartment
Russian Icon of the Life of Christ
tempera and gilt on panel depicting the Resurrection at center surrounding narrative scenes illustrating events from the life of Christ including the Annunciation, Nativity, Baptism, Crucifixion, and related episodes, arranged in registers inscriptions, Russia, 18th/19th century
12″ x 10″
Provenance: DuMouchelles Auction Gallery, 3/17/2015, Lot 69
Russian Biographical Icon of Saint John the Baptist
tempera and gilt on panel depicting Saint John the Baptist as the winged Forerunner standing in a landscape, holding a scroll and his severed head in a chalice, surrounded by multiple narrative scenes from his birth, life, and martyrdom arranged in registers, having Cyrillic inscriptions and red border, Czar’s workshop, 18th century
21″ x 17″
Provenance: Sotheby’s Parke-Bernet, Russian Works of Art sale, Lot 677 (per label and accompanying catalog reference)
Russian Icon of St. Philip the Apostle
circular Russian icon depicting St. Philip the Apostle holding the Gospel, set against a gilt ground and surrounded by a decorative polychrome foliate border, the figure identified by Church Slavonic inscriptions reading “St. Philip” and “Apostle,” mounted on a shaped wooden backing, small chip to the front, likely 18th century or earlier
diameter 13 inches
George Hirst Bogart (American 1864-1923)
“Twilight”
Oil on canvas tonalist landscape depicting a wooded scene tall trees silhouetted against a luminous golden sky and waning moon, opening to a distant clearing, rendered with rich atmospheric tones
Signed faintly lower right Bogart
28″ x 34″ canvas, 45 1/2″ x 37 1/2″ frame
Two Jonathan Trumbull Documents
Captain-General and Commander-in-Chief in and over the State of Connecticut to William Potter
signed Jonathan Trumbull,1807
height 8 1/2 ” x width 12 1/2″
along with John Treadwell, 1810 document
Ephemera Lot Bill of Lading
to include 50 square bales of cotton from Mobile, AL to New York on the Brig Russia 1833, three New Bedford merchants bank checks, promissory notes, 1840’s Alex Johnston Wiscasset and two unused marine bank checks New Bedford whales and ships
largest 10 1/2 inches
Federal Style Sheffield Silverplate Coffee Urn
Federal style mid- to late-19th century Sheffield silverplate coffee urn of classical form, having domed finial lid, twin scroll handles beaded borders, spigot porcelain handle, raised on a square base bracket feet
height 22 1/2 inches
Provenance: A collection from Southbury, Connecticut
Pair of Silverplate Three-Light Candelabra
mid- to late-19th century silverplate three-light candelabra, each central candle socket surmounted by flame-form finial and flanked by scrolling arms terminating in candle cups, removable bobeches, the tapered fluted stems raised on circular bases, radiating decoration, one lower bobeche loose
height 23 in.
Provenance: A collection from Southbury, Connecticut
76 Piece Mulberry Dinner Service
extensive black transfer-decorated ceramic dinner service to include ten 9 1/2 inch plates, twelve 9 inch plates, twelve 8 inch plates, thirteen 6 inch bowls, twelve tea cups, six 4 1/4 inch plates / underplates, one lidded tureen, one teapot, one creamer, one covered sugar, one bowl, one pitcher, and five serving pieces, decorated scenic reserves and foliate borders
28 Piece KPM Porcelain Coffee and Tea Service
in Decor 41 turquoise hand painted floral sprays and butterflies to include 8 teacups, 8 saucers, 8 dessert plates, cream, sugar, coffee pot (height 7 3/4 inches) along with oval platter
After Vasily Yakovlevich Grachev (Russian 1831-1905)
Troika Group: The Tsarskoe Selo Mile Post
Patinated bronze
Signed in Cyrillic
total height 12 inches, base 12″ x 17″
Pair of French Porcelain Table Lamps having Oval Portraits
possibly from Paris
vase height 16 1/2 inches, overall 36 inches
Provenance: From the collection of Richard “Chuck” McCarthy of Longmeadow, Massachusetts
28 Piece English Porcelain Dessert Service to include
23 shallow bowls, 2 rectangular trays, 2 openwork baskets along with raised centerpiece compote, early 19th century
compote height 4 1/2 inches, length 12 1/2 inches
Provenance: A collection from Southbury, Connecticut
59 Piece Assembled Derby Old Imari Dinner Service to include
6 Kakiemon style shell plates, 10 shaped rim plates (diameter 10 inches) 9 round plates (diameter 9 1/2 inches) 2 covered tureens, teapot, cream and sugar, 9 trays, 7 saucers, compote or center bowel along with 12 additional plates and soups
Provenance: Nye and Company, 1/15/2020, Lot 533 ($500)
Property from the Estate of Ralph & Roberta Carpenter.
52 Piece Imari Patterned Ironstone Dinner Service
Including a 6 dinner plates, 19 luncheons plates, 16 soups, 4 covered and open compotes along with 7 additional serving pieces each decorated scattered polychrome floral sprays in the Imari palette of iron red and cobalt blue gilt highlights. Undersides blue printed crown and banner marks reading “Real Stone China.” England, mid-19th century.
27 Piece English Porcelain Floral Decorated Dessert Service
to include five oval cake serving dishes, twelve circular dessert plates, two sauce tureens including covers and stands, a footed serving dish, and three rectangular serving plates
largest width 11 1/2 inches, largest diameter 15 inches, height 7 inches
Provenance: From a Park Avenue, New York Estate
Heriz Oriental Carpet
late 19th Century
13′ 7″ x 20′
Provenance: Collection of Barbara Rothschild Michaels and Roger Michaels of New York City and Ossining, New York; many items passed through the family from the Estate of Herbert and Nannette Rothschild
Condition: heavy wear in spots, several holes
Tabriz Oriental Carpet
Field of rust red having scattered floral medallions and stylized palmettes, in a multi-band border featuring intricate vinework and rosettes in cream, blue, and green tones
9’3″ x 12′
Mahal Oriental Room Size Carpet
Navy field, dense allover floral motifs, in a multi-band border of stylized rosettes and vinework in red, ivory, and blue tones
10’x14′
Oriental Room Size Carpet
Elongated field, allover scrolling vinery, palmettes, and floral motifs in shades of burgundy, ivory, blue, and green, in a multi-band border of repeating stylized flowers and guard stripes
15’8″ x 23’6″
Silk Oriental Rug
Deep blue field centered by an elaborate radial medallion, radiating palmettes and scrolling floral motifs, in a finely detailed multi-band border in ivory, blue, and rust tones
5′ x 7’4″
Serapi Oriental Carpet
late 19th to early 20th century
10′ x 13′ 3″
Provenance: Property from a Private Collection at 791 Park Avenue Designed by Cullman & Kravis, Inc
Caucasian Runner
18th/19th Century
dark brown to near-black field centering ivory geometric medallions flanked by stylized birds, trees, and latch-hook motifs, all in a reciprocal border, reduced in length from a larger runner, exhibits heavy wear and significant threadbare areas but retains bold graphic design
Provenance: Property from a Upper East Side, New York City Apartment
Condition: Extensive wear, heavy threadbare losses, repairs, and reductions; low pile and fraying throughout.