Arthur Clifton Goodwin (American 1864-1929)
Looking at Central Park from a Building Nearby
Oil on masonite depicting a tree-lined park in autumn with a roadway in the foreground with automobiles and pedestrians, painted in loose Impressionist brushwork.
Signed lower right “A. C. Goodwin”
13″ x 12″
Provenance: Old Kinderhook Auction Company, Valatie, NY, 8/08/2023, Lot 145 ($3,000)
Lockwood de Forest (American 1850-1932)
“Niagara Rapids”, 1871
Oil on masonite
Initialed and dated lower right “L de F 25/71″
11″ x 18″ board, 17″ x 24” frame
Provenance: Shannon’s Auction, Connecticut, 6/23/2022, Lot 48 ($2,857)
Robert Crannell Minor Sr (American 1839-1904)
“Hampstead Marsh, England”, circa 1974
Oil on canvas depicting cattle grazing in a Barbizon pastoral marsh landscape with trees at left and distant meadow beyond under a clouded sky
Signed lower right Minor, verso and inscribed “In park on Lord Donegal’s property, Hampstead Marshall, England.” original labels verso
16″ x 22″ canvas, 20″ x 26″ frame
Paul Baum (German 1859-1932)
Dutch River Landscape with Windmills, 1883
Oil on wood board
Signed and dated lower left Paul Baum 1883
5″ x 8 1/2″
Provenance: Oscar Krasner, New York, label verso
Fanny Flora Bond Palmer (American 1812-1876) for Currier and Ives
“Scenery on the Hudson View Near Anthony’s Nose”
Hand-colored lithograph, published by Currier & Ives depicting a picturesque Hudson River scene with sailboats, sheep grazing on a hillside, and a dramatic mountain view
14 1/2″ x 20″ sight, 21 1/2″ x 26″ frame
After John William Hill (American 1812–1879)
“Rockland Lake, Cutting Ice”, circa 1845
Hand-colored lithograph by G. & W. Endicott, New York, depicting figures harvesting ice on Rockland Lake
12″ x 17 3/4″ image
Provenance: Kennedy Galleries Inc., New York, 2/27/1987
Edward Laning (American 1906-1981)
“Creche Figures in Naples”
depicting the Archangel St. Michael defeating the fallen angel, Satan, with a view of Naples, Italy in the background
Watercolor, colored pencil on paper
Signed lower right Laning, old label verso
25″ x 18 1/2″ sight, 35″ x 29″ frame
Edward Laning (American 1906-1981)
American Southwest Village Scene
depicting a communal festival, with adobe buildings, folk dancing, musicians, and animated figures engaged in celebration and revelry beneath a dramatic sky.
Ink, black and sepia, with gouache on paper
Signed lower right Laning
13 1/2″ x 17″ sight, 22″ x 27″ frame
Black Joe Jackson (American 1922-1997)
“Fishin’ Hole”
Acrylic on board
African American folk art depicting a stylized figure seated while fishing with rod and line, the caught fish hanging below, rendered in a naïve folk manner against a textured landscape and sky
Signed along right edge Black Joe Jackson
15 1/2″ x 11 1/2″
Provenance: From the Estate of Robyn Gebroe, West Orange, NJ
Black Joe Jackson (American 1922-1997)
“The Resurrection”
Acrylic on board
African American folk art depicting stylized white silhouetted figures ascending through a landscape toward a celestial gathering of angels above a church, rendered in a visionary spiritual manner against a richly colored abstracted background.
Signed lower right Black Joe Jackson, titled lower right
48″ x 43″
Provenance: From the Estate of Robyn Gebroe, West Orange, NJ
Two Chinese Porcelain Flambe and Oxblood Vases to include
Chinese Flambe Hu Shape Porcelain Vase
incised Qianlong mark to underside, possibly of the period, remnants of antique label
height 12 1/2 inches
Sang de Boeuf baluster form vase, height 16 inches
Two Chinese Blue and White Porcelain Vases to include
scrolling vine motif Yen Yen vase with extensive repairs, the other in dark blue ground featuring prunus blossoms, 19th century
both heights 16 inches
Two Chinese Blue and White Porcelain Covered Jars
of baluster form decorated with dense scrolling floral vines and stylized blossoms above a lappet border, height 18 inches, one having landscape motif, each with matching domed covers, some repairs
Chinese Export Porcelain Charger and Large Bowl
including a porcelain charger decorated with central floral spray and cobalt blue border with cartouches, together with a large porcelain bowl with cobalt blue border and floral decoration, charger with spider hairline crack to the center, 18th century
height 4 1/2 inches; bowl diameter 11 1/2 inches
Provenance: A collection from Southbury, Connecticut
Famille Rose Jardiniere
with rounded inverted rim and well enameled with pink peony and drockery decoration, 19th century
height 13 inches, diameter 16 inches
Provenance: Property from a Upper East Side, New York City Apartment
Chinese Meiping Celadon Glaze Dragon Vase
of tapering form depicting five clawed dragon amonfst clouds and waves, now wired and mounted as lamp, Qing style
vase height 14 inches
Two Chinese Black Ground Porcelain Table Lamps
one of square baluster form and the other of ginger jar form mounted as table lamp, each decorated with flowering prunus branches with perched birds in white and polychrome enamels on a black famille noir ground
heights, 18 1/2 inches, 16 inches
Chinese Blue and White Porcelain Garden Seat, Later Mounted as Lamp Base
hexagonal Chinese porcelain garden seat decorated with scrolling foliate panels in underglaze blue. the body drilled for electrical wiring and later fitted with a black plinth and brass lamp standard. the top opening indicates the original porcelain seat or cover is missing.
porcelain height 13 1/2 inches; total height 26 inches
Pair of Chinese Flambe Porcelain Foo Dogs
A pair of porcelain Buddhist lions, each modeled seated with expressive faces and curly manes, covered overall in a deep oxblood flambé or Yao Bian glaze with streaked cream accents, 18th century or later
height 15 1/2 inches
Four Piece Chinese Famille Rose and Celadon Group
to include a leaf-shaped dish enameled with floral sprays and insects, bearing an iron-red Guangxu mark to the base, together with a rectangular dish decorated with peonies, birds, and butterflies amid foliage, all on a celadon glaze ground, along with rose medallion porcelain lidded scholars box
leaf dish length 11 inches
Provenance: Estate of Nina Silberstein, former CEO of David Webb
along with polychrome charger featuring three scholars playing checkers in a landscape
Four Chinese Porcelain Vases and Table Lamp
including a famille verte baluster vase decorated with figures in a garden setting, a rectangular cobalt-ground vase with famille rose panels of flowers and landscape scenes, a black-ground vase with flowering prunus branches, and a similar example mounted as a table lamp with polychrome floral and bird decoration
tallest vase height 15 inches
Five Chinese Blue and White Porcelain Pieces
including two globular jars decorated with prunus blossoms, square-section tea caddy vase decorated with figural and landscape panels within patterned borders, cylinder vase along with figural teapot
tallest height 11 inches
10 Piece Group of Early Bronze Chinese “Knife Money”
likely from the Han Dynasty, being sold with letter from Miss Lee of the Museum of Fine Arts, Philadelphia, Pennsylvania
largest 7 inches
Asian Bronze Teapot
small cast bronze teapot of globular form with upright handle and short spout, fitted with a domed lid, surface with dark patina and wear consistent with age and use.
likely China or Southeast Asia, 18th century or earlier
height 5 1/4 inches
Two Chinese Celadon Porcelain Vases to include
crackle glaze vase of bottle form having bulbous lower body and stepped cylindrical neck, covered in a pale celadon glaze featuring pronounced crackle throughout, raised on a short foot, underside bearing a Qianlong Qing mark and additional paper label
height 14 1/2 inches
along with Republic Meiping style five clawed dragon vase having iron red underglaze crashing waves, height 17 inches
Canton 17 Piece Lot
to include a covered tureen, two covered vegetable dishes, warming plate, reticulated basket and underplate, creamer, teapot, and plates
longest 13 inches
Chinese Export Armorial Porcelain Charger
Qianlong Period, Possibly the Arms of Marchant and Gallard, underglaze blue decorated charger with central European armorial shield depicting a bird standing beneath a leafy branch within elaborate mantling and crest, the cavetto with floral reserves on a diaper ground and the rim with geometric border, small chip to left rim, late 18th century
diameter 12 1/2 inches
Provenance: A collection from Southbury, Connecticut
Chinese Export Armorial Porcelain Charger
Qianlong Period, Arms of the Peers of Barard Accollée with Mareschal of Forez, underglaze blue decorated charger with central armorial shield depicting three mullets above a bear, surrounded by elaborate mantling and crest, the cavetto with floral reserves on a diaper ground and the rim with geometric border, label on reverse for William H. Plummer & Company Limited, New York City, circa 1750
diameter 12 1/2 inches
Provenance: A collection from Southbury, Connecticut
Chinese Famille Rose Porcelain Ginger Jar with Cover
baluster-form porcelain jar decorated in famille rose enamels with a phoenix and floral garden scene including peony blossoms and rockwork, the shoulder with floral band and the domed cover with knop finial, cover with old repair, late Qing dynasty
height 18 inches
Provenance: A collection from Southbury, Connecticut
Pair of Chinese Famille Verte Porcelain Vases
having figural and landscape scenes of women weaving silk, bearing Kangxi marks, both having two wooden covers
height 18 inches
Pair of Chinese Export Famille Rose Hexagonal Vases Mounted as Lamps
tall six-sided porcelain baluster-form vases decorated in famille rose enamels with panels depicting figures in garden settings and courtly scenes beneath trees and pavilions, the lower sections with equestrian and processional scenes including a mounted rider beneath banners and attendants, all within decorative borders at the neck and base, mounted as table lamps on wood bases. One with chips to the top rim, late Qing dynasty
height of vases 21 inches; overall height 37 inches
Provenance: A collection from Southbury, Connecticut
Pair of Chinese Porcelain Vases, Kangxi Mark
pair of Chinese square-section porcelain vases with flared trumpet rims, decorated on a black ground with famille-verte style enamel decoration depicting flowering branches, birds, and landscape motifs within paneled reserves. bases with underglaze blue Kangxi six-character marks, possibly later.
height 20 inches
Chinese Famille Rose Porcelain Hexagonal Umbrella Stand
tall six-sided porcelain umbrella stand decorated in the famille rose palette with flowering branches, peonies, and other blossoms on a turquoise ground, depicting pairs of pheasants with smaller birds on two opposing sides among the foliage. upper and lower yellow-ground borders with floral ornament, the rim with gilt trim. underside showing remnants of an old paper label. small chips to the top rim.
19th century.
height 23 inches
Chinese Export Armorial Porcelain Charger
Famille rose decorated charger with central flowering plant and insects within an iron-red and gilt scroll border, the rim with alternating reserves of birds and underglaze blue dragons and fish, surmounted by a European armorial crest depicting an eagle with crossed swords above a tower and a row of six roundels, Qianlong Period 18th century
diameter 14 inches
Provenance: A collection from Southbury, Connecticut
Pair of Famille Verte Chinese Vases Mounted as Lamps
pleated shades and wood bases, 19th to early 20th century
vase height 13 1/2 inches, overall height 24 inches
Provenance: Property from a Private Collection at 791 Park Avenue Designed by Cullman & Kravis, Inc
Two Chinese Blue and White Porcelain Covered Jars
one decorated in cherry blossom floral branches, height 9 1/2 inches, the other having mountainous landscape motif, height 8 1/2 inches, both having carved wooden lids, circa 19th century
Chinese Famille Rose Porcelain Vase
baluster-form porcelain vase with flared rim, decorated in famille rose enamels with figural court scenes including attendants and dignitaries within architectural settings beneath stylized clouds and landscape elements, the neck with additional scholars in conversation, likely China, 20th century
height 16 1/2 inches
Provenance: A collection from Southbury, Connecticut
Pair of Japanese Satsuma Porcelain Lamps
each of baluster form, decorated in iron red and gilt having figural landscape reserves depicting birds and garden scenes, surrounded by dense gilt foliate and geometric borders, mounted as lamps
height of vase 14 inches, total height 29 inches
Regency Style Carved and Polychrome-Painted Wood Wall Clock Case
crest carved as perched polychrome eagle above berry and foliate decoration, circular painted case having carved cabochon ornament centering original painted wood dial with single winding aperture (time-only), lower section carved with fruit and ribbon-tied motifs, later movement, 19th century
26″ x 22″
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family
Birge, Mallory & Co. Triple Decker Shelf Clock
mahogany triple decker shelf clock with open escapement and Roman numeral dial, the case with turned columns, mirrored lower panel, and painted tablet depicting Mount Vernon, interior label reading “Patent Brass Eight-Day Clocks Manufactured and Sold by Birge, Mallory & Co., Bristol, Conn.”; includes weights and pendulum.
circa 1840.
height 37 1/4 inches
Provenance: From the collection of Richard “Chuck” McCarthy.
Lucius B. Bradley Eli Terry Patent Shelf Clock
American mahogany shelf clock with painted Roman numeral dial, reverse-painted glass tablet, and interior label reading “Patent Clocks Invented by Eli Terry… Made and Sold at Watertown, Connecticut, by Lucius B. Bradley.” case with stenciled crest decoration and mirrored lower panel, fitted with time-and-strike weight-driven movement.
circa 1830–1840.
height 29 1/2 inches
Provenance: From the collection of Richard “Chuck” McCarthy.
Seth Thomas “Triple-Decker” Eight-Day Weight-Driven Wall Clock
American walnut veneered wall clock, commonly referred to as a “triple-decker,” with Roman numeral dial, reverse-painted glass panels decorated with floral and bird motifs, and turned gilt columns. the interior retaining printed label reading “Eight Day Weight Clock – Seth Thomas, Thomaston, Conn., Warranted Good.” complete with weights and pendulum. a couple small chips to the veneer on the front of the case.
circa 1840.
height 32 inches
Provenance: From the collection of Richard “Chuck” McCarthy.
Seth Thomas Wall Regulator Clock
American wall regulator clock by Seth Thomas, with painted Roman numeral dial, single weight–driven movement and brass pendulum, housed in a walnut case with molded surround and carved corner spandrels.
late 19th century.
height 23 inches
Provenance: From the collection of Richard “Chuck” McCarthy.
Mahogany Tall Case Clock
with fretwork top over tombstone dial flanked by columns over arch top door on plain case with bracket feet line inlaid painting metal dial signed indistinctly
height 92 inches
Provenance: From the collection of Richard “Chuck” McCarthy.