George III Mahogany Tall Case Clock
with swans neck pediment over tombstone dial flanked by fluted columns over door with fluted columns, brass dial with calendar and second hand with putti spandrels, signed Andr Baird Kilbryde
height 86 inches
Federal Cherry Tall Case Clock
the swans neck pediment over tombstone dial overturned columns on plain cate and tombstone design in base set on french feet circa 1800, having painted dial with moon phase and man and bay along with calendar and second hand fishing
height 93 inches
Provenance: Gifted to The Bronx Historical Society by the Estate of Joan Schneeweiss
Rosewood Thirty-Hour Shelf Clock
American rosewood veneered thirty-hour shelf clock with painted Roman numeral dial, open escapement, and reverse-painted lower tablet depicting a Gothic architectural scene. interior label reading “Thirty Hour Clocks, Chauncey Jerome, New Haven, Conn.”
mid 19th century.
height 20 1/2 inches
Provenance: From the collection of Richard “Chuck” McCarthy.
Mahogany Shelf Clock
mahogany cased shelf clock with painted Roman numeral dial, brass works movement with open escapement, key-wound, housed in a plain rectangular case with brass bezel and hinged front door.
probably 19th century.
height 16 1/2 inches
Provenance: From the collection of Richard “Chuck” McCarthy.
American Waterbury Clock Co. Walnut Calendar Clock
Carved shelf clock, case having Roman numeral dial over calendar dial showing date, day, and month, marked “Waterbury Clock Co., U.S.A., Patented July 30th, 1889.
height 29 inches
Provenance: From the collection of Richard “Chuck” McCarthy.
N. G. Wood & Son Boston Bracket Clock
American ebonized bracket clock with gilt bronze mounts, the case decorated with applied gilt bronze garlands, pierced gilt bronze side panels, gilt bronze side handles, and gilt bronze scrolled feet, surmounted by finials. arched gilt dial signed “N. G. Wood & Son, Boston,” with Roman numeral chapter ring and three subsidiary dials for chime/silent, regulator, and Westminster chime selection, the brass works movement striking on a coiled gong.
late 19th century.
height 26 inches
Provenance: From the collection of Richard “Chuck” McCarthy.
Victorian Black Slate Mantel Clock
black slate Victorian mantel clock, the architectural case decorated with gilt incised and stenciled ornament, the circular dial with Roman numerals and gilt hands, centered by a gilt cast rosette mount, the case surmounted by a shaped crest with additional gilt decoration. brass movement within.
late 19th century.
height 24 1/2 inches
Provenance: From the collection of Richard “Chuck” McCarthy.
Victorian Walnut Regulator Wall Clock
Victorian walnut regulator wall clock with Roman numeral dial, single brass weight–driven movement and brass pendulum, housed in a walnut case with glazed door and carved lower bracket decoration.
late 19th century.
height 47 inches
Provenance: From the collection of Richard “Chuck” McCarthy.
Ball Watch Co. Advertising Oak Regulator Wall Clock
oak cased regulator wall clock with octagonal dial signed Ball Watch Co., Cleveland, with subsidiary seconds dial, single weight–driven movement, and brass pendulum. Oak case with glass door panel. A couple of small chips to the veneer around the face.
19th century
length 42 inches
Provenance: From the collection of Richard “Chuck” McCarthy.
Vienna Regulator Wall Clock
Vienna regulator wall clock with single weight–driven movement, porcelain dial with Roman numerals, and pendulum, housed in an ebonized case. hairline cracks to the porcelain dial.
19th century.
height 39 1/2 inches
Provenance: From the collection of Richard “Chuck” McCarthy.
Victorian Oak Regulator Wall Clock
Victorian oak regulator wall clock with Roman numeral dial, key-wound movement, and brass pendulum. the oak case with turned side columns and carved lower section with a turned decorative element at the base.
height 35 1/2 inches
Provenance: From the collection of Richard “Chuck” McCarthy.
Double-Dial Advertising Wall Clock – Vanner & Prest’s “Molliscorium”
American painted wooden double-dial advertising wall clock for Vanner & Prest’s “Molliscorium,” the surrounding lettering reading “Molliscorium” and “For Value and Quality.” Roman numeral dial with adjacent mirror advertising panel in a shaped painted wall case. key-wind movement with pendulum.
late 19th century.
height 31 inches
Provenance: From the collection of Richard “Chuck” McCarthy.
Chelsea Clock Co. Oak Wall Regulator
oak wall regulator clock with molded circular bezel enclosing a painted Roman numeral dial signed “Chelsea Clock Co.,” the rectangular case with glazed lower door revealing the weight-driven movement, brass weight and pendulum present.
19th century.
height 34 inches
Provenance: From the collection of Richard “Chuck” McCarthy.
George II Style Mahogany Fold-Over Table
serpentine-shaped top, above a plain apron and turned, tapering legs terminating in pad feet, opening to a polished interior
height 27 1/2 inches, top 15 1/2″ x 31″, top open 31″ x 31″
Provenance: Property of Mr. and Mrs. John D. Rockefeller III, from the Collection of Sandra Ferry Rockefeller
Pair of Biedermeier Mahogany Side Chairs
each with a shaped crest rail above a carved fan-form splat centered by roundels, over upholstered seats, raised on turned tapering legs, warm mahogany finish with expected wear.
Continental, circa 1830. Height 34 inches, width 19 inches, seat height 18 inches.
American Poplar Blanket Chest
rectangular form with hinged lid, raised on turned legs, the interior fitted with a covered till, retaining original grain-painted surface.
American, 19th century. Height 22 inches, top 19 1/2″ x 37″.
English Carved Oak Blanket Chest
rectangular hinged lid opening to a fitted interior, the front with three carved panels depicting stylized sunflowers within arched reserves, flanked by muntins and carved rails, paneled sides, raised on stile supports, dark patinated surface with visible wear, losses, separation to side panels, and a small hole to the lower center front panel.
England, 17th century
height 25 inches; width 52 inches; depth 22 inches
Pair of Louis XV Side Chairs having Caned Backs and Seats
mold grey paint
height 36 1/2 inches, width 18 inches
Provenance: From a Park Avenue, New York Estate
Two-Piece Primitive American Furniture Lot
to include a paneled two-door cupboard and a multi-drawer chest, the cupboard opening to an interior lacking shelves, the chest fitted with an arrangement of small drawers, both with simple form and utilitarian construction, showing some restoration.
American, 19th century. 49 inches, top 10″ x 27″ and 49 inches, top 13″ x 39″
Provenance: From the Estate of Robyn Gebroe, West Orange, NJ
Primitive American Bootjack-End Shelf
four-tier pine shelf with shaped crest above three graduated shelves and lower shelf, the sides cut with distinctive bootjack-form ends.
American, early 19th century. Height 68 inches, width 48 inches.
Provenance: From the Estate of Robyn Gebroe, West Orange, NJ
Two American Primitive Shelves
to include two individual open shelves with bootjack-form ends, of simple construction, retaining traces of old paint.
American, 19th century.
larger shelf: height 47 inches, width 36 1/2 inches, depth 10 inches
smaller shelf: height 33 1/2 inches, width 37 inches, depth 13 inches
Provenance: From the Estate of Robyn Gebroe, West Orange, NJ
Two American Primitive Shelves
to include two open shelves with bootjack-form ends, of simple construction, retaining traces of old painted surfaces.
American, 19th century.
taller shelf: height 28 1/2 inches, width 39 inches, depth 11 inches
lower shelf: height 23 1/2 inches, width 31 inches, depth 10 inches
Provenance: From the Estate of Robyn Gebroe, West Orange, NJ
American Flag Centennial Wicker Rocking Chair
woven wicker armchair, the back having stylized patriotic motifs including an American flag surmounted by the date 1776, having scrolled arms and intricate latticework, the seat set within a wood frame.
late 19th century, likely made in celebration of the 1876 Centennial Exhibition, Philadelphia
Provenance: From the Estate of Robyn Gebroe, West Orange, NJ
Reference: in the manner of documented centennial wicker examples, including chair from the Mary Jean McLaughlin Collection, exhibited at the Smithsonian, Renwick Gallery, August 1993, and illustrated in Jeremy Adamson, American Wicker (Rizzoli).
height 46 inches, width 29 inches
Polychrome Paint Decorated “Punch” Tobacconist Trade Figure
figure standing holding a pack of cigars in the right hand, raised on a shaped tapering wood base labeled “Cigars” and set on an iron wheels, retaining polychrome decoration, likely early 20th century
Overall height 61 inches
along with small cast iron Punch bank
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family
Polychrome Paint Decorated Carved Wood Native American “Warrior” Tobacconist Trade Figure
attributed to John L. Cromwell (1805–1873), standing Native American cigar store figure retaining some original polychrome, raised on a tapered square base, old paint, New York, circa 1850–1870
Overall height 76 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family
Condition: old paint, lacking tomahawk formerly held in right hand
Polychrome Paint Decorated and Carved Wood Native American “Warrior” or “Chief” Tobacconist Trade Figure
attributed to John L. Cromwell (1805–1873) Native American cigar store figure standing with right hand to brow and cigars in left hand, retaining old paint, set on a square painted base and mounted on a later raised platform, New York, circa 1850–1870
Overall height 78 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family
Polychrome Paint Decorated Cast Zinc Tobacconist “Rising Star” Trade Figure
Attributed to William Demuth (German/American 1835–1911) rare figure depicting a Native American woman in theatrical attire, wearing a short, patriotically colored costume with high button boots, rather than traditional dress, suggesting a stage performer, retaining old paint, American, New York, circa 1874
Overall height 79 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family
Literature: An example is pictured in Illustrated Catalogue of Smokers’ Articles and Show Figures Manufactured and Imported by Wm. Demuth & Co., 1875, no. 62. A facsimile is reproduced by Frederick Fried in Artists in Wood: American Carvers of Cigar-Store Indians, Show Figures and Circus Wagons (NY: Bramhall House, 1970), p. 48, fig. 31.
Pair of Native American Carved Wood Tobacconist’s Countertop Trade Figures
Attributed to William Demuth (German/American 1835–1911) male and female carved wooden Native American figures, depicted standing in traditional attire, originally intended for cigar store countertop display, having carved facial features and traces of polychrome decoration
Overall height 27 1/2 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family
Polychrome Paint Decorated and Carved Wood Native American “Princess” Tobacconist Trade Figure
standing female Native American cigar store figure surmounted by large feather headdress, appears to be retaining old paint, raised on a square wood base, New York, circa 1880
Overall height 74 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family
Polychrome Paint Decorated and Carved Wood “Hobo” Tobacconist’s Trade Figure
figure standing with left hand holding a tobacco leaf, right hand now lacking flag pole, retaining old paint, raised on a square base.
Overall height 54 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family
American Carved and Polychromed Wood Tobacconist’s Scotsman Figure
carved in the form of a Scotsman in balmoral hat and tartan kilt, retaining polychrome decoration, raised on a cylindrical base (circa 1970)
Overall height 64 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family
Polychrome Paint Decorated Wood Native American “Warrior” Tobacconist Trade Figure
Native American ‘Indian’ cigar store figure depicted holding a package of tobacco in his outstretched right hand and tobacco leaves in the left, with prominent facial features, retaining old paint, mounted on original beveled wooden base over iron wheels, probably New England, late 19th, early 20th century
Overall height 83 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family
Native American Carved and Polychromed Tobacconist’s Trade Figure
Female Native American cigar store figure holding a package of cigars in the right hand and a snuff box in the left, retaining old paint decoration, raised on a shaped square base, 20th century
Overall height 74 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family
Cast Iron Figural Tobacconist’s Doorstop of a Native American Figure, late 19th/early 20th century
depicting a standing Native American chief figure in headdress and robe, holding a staff, cast in iron and retaining original polychrome paint, mounted on an integral base
height 13 1/2 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family
Pair of Native American Carved and Polychromed Tobacconist’s Trade Figures
carved wood female Native American cigar store figures depicted standing and holding a bundle of cigars in the right hand, one with a coiled rope in the left and the other with a tomahawk, both wearing colorful feathered headdresses, set on square form wood bases, 20th century
Overall height 70 inches; width 3 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family
Dutch Delft Polychrome Faience Tobacco Jar “Virginia” 18th century
of ovoid form with everted rim and crackle glazed surface, hand-painted depicting enslaved figures engaged in tobacco cultivation within a landscape, labeled “VIRGINIA,” decorated in tones of blue, green, ochre
height 11 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family
Dutch Delft Polychrome Faience Tobacco Jar “Rappe” 18th century
of ovoid form with everted rim and crackle glazed surface, hand-painted depicting Native figures engaged in smoking tobacco within a landscape and distant tea with East India Trade ship, labeled “Rappe,” decorated in tones of blue, green, ochre, surmounted by brass lid
height 9 1/2 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family
Dutch Delft Polychrome Faience Tobacco Jar “Breziel” 18th century
of ovoid form with everted rim and crackle glazed surface, hand-painted depicting Native figures engaged in smoking tobacco and tobacco cultivation within a landscape, labeled “Breziel,” decorated in tones of blue, green, ochre
height 9 1/2 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family
Dutch Delft Blue and White De Vergulde Blompot Faience Tobacco Jar, mid 18th century
of ovoid form having everted rim and crackle glazed surface, decorated in underglaze blue and exotic figural scene depicting a standing Native American figure beside a large jar labeled “Portorico,” within a landscape of palm trees beside an ocean with trade ships, marked “V.O.C.” lower left for Dutch East India Company, underside with “B:P” factory mark, De Vergulde Blompot
height 10 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family
Dutch Delft Blue and White De Vergulde Blompot Faience Tobacco Jar, mid 18th century
of ovoid form having everted rim and crackle glazed surface, decorated in underglaze blue and exotic figural scene depicting a standing Native American figure beside a large jar labeled “Tonka,” within a landscape of palm trees beside an ocean with trade ships, marked “V.O.C.” lower left for Dutch East India Company, underside with loss to factory mark, likely
height 10 1/2 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family
Dutch Delft Blue and White Faience Tobacco Jar, 18th century
Baluster-form body decorated in underglaze blue and inscribed “Rappee” within a scrolling foliate cartouche surmounted by a basket of flowers, marked, surmounted by brass lid
height 11 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family
Dutch Delft Three Bells Factory Blue and White Faience Tobacco Jar, 18th century
Baluster-form body decorated in underglaze blue depicting a piece of tobacco farm factory equipment, marked with three bells, surmounted by brass lid
height 11 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family
Dutch Delft Blue and White Faience Tobacco Jar, 18th century
Baluster-form body decorated in underglaze blue and inscribed “St. Domingo” within a scrolling foliate cartouche surmounted by a basket of flowers,drilled bottom likely once marked “BP” for De Blompot
height 12 1/2 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family
Heavy Steel Multi-Blade Cigar Cutter, mid-20th century
of cylindrical form with lever action mechanism, fitted with three variously sized cutting apertures, likely for different cigar gauges, mounted on a metal base.
height 7 inches
Provenance: From the Collection of the General Cigar Company acquired by the Cullman family