Miniature Pennsylvania Federal Mahogany Chest of Drawers
diminutive mahogany portable chest fitted with two over three drawers, all retaining original brass pulls and escutcheons, the drawers fitted with functioning locks, with brass side carrying handles, flanked by turned quarter columns and raised on shaped bracket feet, the top secured with pins, the form and construction consistent with a functional document or desk chest.
Pennsylvania, late 18th to early 19th century
height 16 inches; width 17 inches (case width 15 1/2 inches); depth 10 1/2 inches
American Painted Firkin with Lid and Bail Handle
staved wooden bucket with old painted surface and iron bands, fitted with a removable lid and wire bail handle with turned wood grip.
likely New England, 19th century
height with handle 14 inches, diameter 11 inches.
Provenance: From the Estate of Robyn Gebroe, West Orange, NJ
American Blue-Green Painted Firkin with Swing Handle
staved wooden bucket with old blue-green painted surface, fitted with a lid and bentwood swing handle.
likely New England, 19th century
height with handle 14 inches, diameter 10 inches.
Provenance: From the Estate of Robyn Gebroe, West Orange, NJ
Set of Four 19th Century Chinese Export Nesting Tables
each with rectangular top above a pierced lattice work apron, raised on faux-bamboo supports, graduating in size to fit neatly together, hardwood construction with dark stained finish
tallest 29 1/2 inches, top 16 1/2″ x 16 1/2″
Provenance: Property from a Essex, Connecticut estate
Condition: Good overall; age-expected wear, surface marks, minor losses
Chinese Hardwood Console Table
rectangular top with molded ends above a carved frieze depicting confronting dragons amid scrolling foliage, with openwork spandrels and straight legs joined by stretchers, warm medium-brown finish, top with sun fading and a darker circular area likely from prolonged object placement.
China, 20th century
height 33 inches; width 49 inches; depth 16 inches
Pair of Chinese Hardwood Horseshoe-Back Armchairs (Yoke-Back Chairs)
each with a curved crest rail terminating in outward scrolling handholds above a shaped splat carved with a stylized motif, flanked by shaped arm supports continuing to a rectangular seat, raised on square legs joined by stretchers, warm reddish-brown finish.
likely China, 20th century
height 46 1/2 inches; width 26 inches; depth 18 inches; seat height 21 inches
Pair of Asian Polychrome Wooden Figures
pair of carved wooden standing figures with remnants of polychrome decoration, likely depicting attendants or bodhisattva-type figures, each with elaborate headdress and flowing robes. one example missing one hand.
probably 19th–20th century.
heights 52 inches and 45 inches
Pair of Chinese Vermillion Lacquered Incense Stands
depicting two dragons playing with a pearl, having Kangxi mark to underside
height 31 1/2 inches, top 17 1/2″ x 23″
Chinese Red Lacquer Instrumental Tabletop depicting double dragon playing with a pearl, having Kangxi mark to underside
height 34 1/2 inches, top 20 1/2″ x 39 1/4″
Chinese Export Famille Rose Covered Urn
Qianlong Period, porcelain urn with domed cover and molded finial, the body with molded textured ground and floral swags, decorated in famille rose enamels with circular gilt medallions, with scroll handles and raised on a pedestal base, the rim and foot with gadrooned bands in purple, green, and iron-red, late 18th century
height 12 inches
Provenance: A collection from Southbury, Connecticut
Bronze Figure of Uma
standing in tribhanga on a lotus base, her left arm pendant and her right raised, clas in a dhoti and wearing a conical headdress, South India Tamil Nadu Nayaka period 17th to 18th century, along with brass Thai Apsara dancer
height 5 1/2 inches, dancer height 7 inches
Pair of Chinese Porcelain Crane Figurines
or storks standing with molded feather detail, perched on naturalistic bases
height 9 1/2 inches
Provenance: A collection from Southbury, Connecticut
Chinese Blue and White Porcelain Plate
decorated with figural scene within a patterned border, bearing Kangxi mark, probably 19th century
diameter 8 inches
Two Piece Chinese Blue and White Porcelain Lot
to include a stem cup with carp decoration to the interior, height 4 1/2 inches, and a plate with character marks to underside, not a matched set
Five Chinese Famille Rose and Mandarin Garniture Group to include
a pair of ribbed bottle neck vases, a pair of trumpet neck vases along with one bowl
tallest height 7 inches
Provenance: Property from a Private Collection at 791 Park Avenue Designed by Cullman & Kravis, Inc
S.Wyler 1/13/1990 ($5000)
Chinese Kangxi Blue and White Porcelain Brush Pot
or planter of cylindrical form decorated with figural courtyard scenes including attendants and architectural elements, painted in underglaze cobalt blue, the rim with a simple line border, old label to underside H.H.__Collection, on wooden stand
height 7 inches
Chinese Wucai Dragon Gu Vase
flared trumpet neck having iron red, green, and enamel colors, the body featuring roundels depicting five clawed dragons amid stylized flames, surrounded by scrolling foliate motifs, six character Kangxi mark, some repairs
height 9 1/2 inches
Three Framed Chinese Watercolors or Woodblock to include
one vertical composition depicting two bear cubs beneath autumn foliage, inscribed and dated 1939, executed in Beijing possibly within the Baishi lineage; one Zhao Shao’ang (Chinese 1905 – 1998) style horizontal bird-and-flower painting with calligraphic inscription reading “Pure charm of flowers and birds” and red seals; and one floral study woodblock of a blossoming peony signed Qi Baishi (Chinese 1864 – 1957)
29″ x 14″ largest frame
Provenance: Property from a Upper East Side, New York City Apartment
Ming Style Pair of Chinese Silk Embroidered Sleeve Panels
each rectangular panel worked in silk thread depicting figural narrative scenes with attendants and mounted figures amid stylized landscape elements, the horseback scene showing two warriors in dynamic motion, one rider astride a galloping horse turning back toward his opponent, the other figure brandishing raised weapons, both dressed in traditional garments with red headgear and sashes, conveying a sense of action and martial display. Reserved on a dark ground with decorative upper borders, mounted and framed as a single display.
13 1/2″ x 7 1/2″ each panel, 20″ x 24″ frame
Three Framed Chinese Roundel Paintings on Silk
including a circular silk panel depicting a bird perched on a leafy branch bearing red fruit, and a circular silk panel depicting two scholars seated beneath a pine tree with calligraphic inscription, both executed in ink and color on silk, each mounted and framed along with shaped watercolor depicting a lady seated in a boat within a riverside landscape with willow tree and inscription
likely 19th century, Qing dynasty
19″ x 29″ largest frame
Two Chinese Scrolls on Silk Depicting Landscapes
each having seals / character marks
images: 42 1/2″ x 16″ and 51″ x 14″
Property of Mr. and Mrs. John D. Rockefeller III, from the Collection of Sandra Ferry Rockefeller
Attributed to Hua Yan (Chinese 1682-1756) Chinese Watercolor on Silk Scroll
Before The Flower Festival In The Year Of The Boar
inscription painted by Xinluo Shanren at Zhaoqing
pseudonym for the famous Qing Dynasty painter Hua Yan (1682-1756)
95″ x 29 1/2″
Large Chinese Ancestral Portrait of a Noblewoman
Late Qing Dynasty style, 19th century
Ink and color on silk, framed under glass
portrait depicting a seated noblewoman in full formal court attire, wearing a brilliant red robe embroidered with four-clawed dragons among clouds and waves, accented with phoenixes and auspicious motifs, elaborate headdress is rendered with floral ornament, tassels, and pearl strands
51″ x 26″
Condition: Light toning and scattered creases; water damage lower right, minor surface spotting; not examined out of frame
Two Chinese Blue and White Porcelain Ginger Jar Lamps
of baluster-form jars decorated with dense scrolling floral vines and stylized blossoms, one with domed cover, height 16 inches, both mounted as table lamps on carved wood bases and fitted with pleated shades, shorter one having repairs, height 11 inches
Large Chinese Figural Group Scroll
possibly depicting the FuLuShou, Shouxing (the star god of longevity) at the center with a large head and beard, alongside Lu Xing (the star god of Prosperity) and Fu Xing (the star god of Fortune)
along with five children playing at the feet of two female figures under a parasol of peacock feathers, 17th century
watercolor or tempera on silk
71″ x 38″
Provenance: Collection of Lee and Betty Lee Kolker, New York
Pair of Chinese Export Portraits of Court Ladies
both oil on panel depicting elegant Geisha type women in traditional dress, one holding a silk fan, and the other resting her head upon her hand, each rendered in a refined Qing-style manner with delicate facial features and traditional hair ornaments, presented in carved frames.
23″ x 17″ sight, 28″ x 22″ frame
Provenance: A collection from Southbury, Connecticut
George III Mahogany Side Chair
having carved back and seat rail, all set on cabriole legs with carved knees ending in hairy paw feet, 18th century
height 39 1/2 inches, seat height 18 inches, width 23 1/2 inches
Franklin Anderson (American 1844-1891)
“View of the Hudson Highlands”
Oil on canvas depicting a Hudson River School landscape with a rocky, brush-covered foreground overlooking the Hudson River, the distant Highlands rising along the horizon beneath a mist-filled sky, the scene rendered in deep late-summer tones.Presented in a gilt Federal style frame with ray pattern molding and acanthus leaf corners.
Marked lower left F.A.
14″ x 23″ canvas, 22″ x 31″ frame
Accompanied by a Beman Galleries appraisal identifying the work and dating it circa 1870–1880.
After Barend Cornelis Koekkoek (Dutch 1803-1862)
“Figures on a Frozen River Before a Castle”
Oil on tin board
Name plaque inscribed J.H.B.Koekkoek, old auction label verso
7″ x 9″ board, 13″ x 15″ frame
Olaf Carl Wieghorst (Danish/American 1899-1988)
“Cowboy on Bucking Horse”,
Watercolor on paper
Signed lower left O.Wieghorst
11″ x 11″ sight , 24″ x 24″ frame
Provenance: Part of a large Western art collection from Massachusetts
Altermann and Morris Galleries, Dallas, Texas, 7/14/1993 ($4,000) copy of invoice and receipt available
Charles Meryon (French 1821-1868)
“La Morgue”, The Mortuary, 1854
Etching with drypoint on laid paper
plate 8 1/2″ x 7 1/2″, 11″ x 10″ sheet
Provenance: Kennedy Galleries Rare Prints, 693 & 5th Ave, New York
John Bachmann (American 1814-1896)
“Panorama of the Seat of War”, 1864
Bird’s Eye View of Virginia, Maryland, Delaware, the District of Columbia, and of the Chesapeake Bay and beyond at the peak of the American Civil War
Chromolithograph, published New York: Charles Magnus, 1864
22″ x 30″ sheet
Provenance: Property from a Upper East Side, New York City Apartment
Russian Icon of the Life of Christ
tempera and gilt on panel depicting the Resurrection at center with surrounding narrative scenes illustrating events from the life of Christ including the Annunciation, Nativity, Baptism, Crucifixion, and related episodes, arranged in registers with inscriptions, Russia, 18th/19th century
12″ x 10″
Provenance: DuMouchelles Auction Gallery, 3/17/2015, Lot 69