Bernard Langlais (American, 1923 – 1977), The Gull of the Inner Eye, wood relief with paint, 1969, unsigned, 48″ x 48″ overall, remnants of original paper label on verso along with a Galeria De Arte label, (as is with wood loss).
Gene Davis (1920 – 1985), set of five screen prints in color on canvas on board from Series II, to include No. 6 sweet carbusetos; Yoyo; Series 2; Zebra; Battle for grown ups; four of five numbered 113/150, signed on back, having Petersburg Press London stamp, 30″ x 20″. Provenance: Property from the Estate of Alexis Gregory, Sold to Benefit the Alexis Gregory Foundation.
Elisee Maclet (1881 – 1962), oil on board, Street Scene, Hotel, Vins Et Liqueurs, signed lower left Maclet, Christie’s tag on back dated February 13, 1991, lot 44, Puttick and Simpson label on back, 18″ x 24″.
Elisee Maclet (1881 – 1962), oil on canvas, Montmartre La Rue Saint Rustique et le Sacre Coeur, signed lower right E. Maclet, Christies tag on back, 21 1/2″ x 18″.
Raoul Dufy (1877 – 1953), Araut La Course: Epsom, watercolor and gouache on paper, signed lower left Raoul Dufy and titled lower left Epsom, written on cardboard backing in pencil, “Mr. Furse 925 Park 7C”, paper size 19 7/16″ x 26 1/16″. Accompanying this piece is a certificate of authenticity from Fanny Guillan – Laffaille which states that this piece is now in the “Catalogue raisonne des Aquarelles gouaches et pastels de Raoul por Fanny Guillan – Laffaille” certificate # A21-9647. Provenance: Perls Galleries New York label, no. 3091, artist Dufy, Arsut La Course: Epsom, Robert Ludlow Fowler and Charlotte Cram Fowler to Charlotte Pamela Fowler Furse.
Edward Lear (1812 – 1888), Jerusalem, April 24, 1858, watercolor and pencil on paper, sketch with writing or notes, sight size 13″ x 19 1/2″, sheet size 14 1/8″ x 20 1/8″. Pitt and Scott London, Ltd. label on back.
Maurice Utrillo (1883 – 1955), Le Lapin Agile Sous La Neige, Montmartre winter landscape, gouache, signed and dated lower right Maurice Utrillo V. 1938, titled lower left Montmartre, Superior-Paris stamp lower left corner, tack holes in corners, sight size 9 1/2″ x 12 1/2″, paper size 9 3/4″ x 12 5/8″, Original 1946 M. Knoedler and Company Gallery Receipt. Provenance: Robert Ludlow Fowler and Charlotte Cram Fowler to Charlotte Pamela Fowler Furse.
Marcel Dyf (French, 1899 – 1985), Day at the Beach, oil on canvas, signed lower right Dyf, 15″ x 18 1/2″, Provenance: Sotheby’s Arcade, October 9, 1992, paid $4,950, New York, lot 197. Private New York City collection acquired from the above.
Ludwig Blum (1891 – 1971), Jerusalem landscape, oil on canvas, signed lower left L. Blum, Safari Art Gallery Jerusalem stamp on stretcher, 13″ x 18 1/8″.
Alain Jacquet (1939 – 2008), Bulldozer Strip, color key process on plexiglass, 96″ x 24″. Provenance: Waddell Gallery New York label on back, two other partial labels on back, purchased 12/6/68.
Jiri Kolar (1914 – 2002), Arches 1967, collage on paper made up of currency, does not appear to have a signature, 78 1/2″ x 47″. Provenance: Solomon R. Guggenheim Museum label, Jiri Kolar Exhibition.
Alfred Henry Maurer (1868 – 1932), Flappers, executed circa 1925 – 1927, tempera on gessoed board, signed top right A. H. Maurer, signed again on the reverse, 21 3/4″ x 18 1/8″. Provenance: Wadsworth Atheneum, Connecticut; E. Weyhe Gallery, New York, Ella Gallup Sumner and Mary Catlin Sumner Collection. Sold at Christie’s 11/30/1990, #189. Exhibited: Minneapolis, Walker Art Center, A.H. Maurer, September – October 1949, no. 42, (this exhibition later travelled to New York, Whitney Museum of American Art, November – December 1949).
Jules Rene Herve (French, 1887 – 1981), Children at Play, oil on canvas, signed lower right “Jules R. Herve”, also signed on back of canvas, 13″ x 16″. Provenance: Sotheby’s Arcade, New York, October 9, 1992, lot 221; Private collection, New York City, acquired from the above with a copy of the receipt for $3,080.
Etienne Adolphe Piot (1850 – 1910), young girl holding poppies, oil on canvas laid on panel, signed A. Piot lower right, 45 1/2″ x 35″. Provenance: George Walter Vincent Smith Museum, Springfield, Massachusetts, sold at auction to a private client.
Attributed to Andrea Belvedere (1642 – 1732), floral still life with a parrot and ducks, oil on canvas, unsigned, 49 1/2″ x 39 1/4″. Provenance: Offered for sale by Sotheby’s, important old master paintings and sculpture sale, January 26, 2012.
Old Master School, portrait painting scene of fighting soldiers that put Jesus on the cross, having skull and Mary in center, oil on canvas, 17th or 18th century, unsigned, 36″ x 21″, relined.
In The Manner of Severin Roesen (1815 – 1872), still life with birds nest, oil on canvas laid on board, unsigned, 18″ x 21″ oval. Provenance: Sotheby’s Arcade, sale 1279, lot 24, 4/14/89.
Christo (1935 – 2020), original piece, wrapped, “Package on Carozza, Project for A Chile Berdinger, Taranto, Italy”, 1971, mixed media, pencil, cloth, and string, 3 dimensional on cardboard in plexiglass box, signed lower right, title across bottom in pencil, this piece is registered at the Christo & Jeanne-Claude archive, 22 1/4″ x 28 1/4″. Provenance: Property from the Estate of Alexis Gregory, Sold to Benefit the Alexis Gregory Foundation.
Ronald Allen Kleeman (American, 1937 – 2014), “Mic Mac”, 1991, acrylic on board, Louis K. Meisel Gallery and Bernarducci Meisel Gallery labels on the reverse, Sotheby’s New York #266 label, 2012 sold for $10,000, sight size: 16″ x 17 1/2″.
Joan Miro (1893 – 1983), Homage to Miro, 1974, abstract color lithograph, numbered in pencil lower left 15/150, signed in pencil lower right “Miro”, 35″ x 24″. Provenance: From The Museum of Modern Art, New York.
Ansel Adams (American, 1902 – 1984), Antelope House Ruin, Canyon de Chelly National Monument, Arizona, 1942, gelatin silver printed1974, signed and numbered VI-2 45/110, in pencil on the mount, image size 19 1/2″ x 15 1/2″, labels on back.
George Bellows (American, 1882 – 1925), Going to the Park, lithograph, edition of 54, signed lower right recto margin Geo Bellows, initialed GB in the plate, Bellows catalog #154, 14″ x 17″.
Emilio Sanchez Perrier (1855 – 1907), River Ulol, depicting two men encamped on river bank, signed lower right “E. Sanchez Perrier”, titled and dated on the back, 13″ x 16″. Provenance: Estate of James Dana English of New Haven to benefit the New Haven CT Museum.
William Kay Blacklock (British, 1872 – 1922), A Quiet Backwater, oil on canvas, signed lower left W. Kay Blacklock, 33″ x 23 1/2″. Provenance: Richard Green Gallery, London, 1996, paid $45,000; Private collection New York City.
Stanley Royle (Canadian, 1888 – 1961), Spring Morning Among the Bluebells, depicting the artist’s wife, oil on canvas, signed and dated lower left Stanley Royle, 1913, 25″ x 30″. Provenance: The artist’s family, Richard Green Gallery, London. Private collection, New York City, acquired from the above. Label on back with 1996 Richard Green receipt for $35,000.
Alexander Helwig Wyant (1836 – 1892), fall landscape with deer, oil on canvas, signed lower right A.H. Wyant, in Victorian gilt frame, 12 5/8″ x 10 1/2″, Christie’s tag on back.
William Frederick Ritschel (1864 – 1949), Horse Cart on the Beach, oil on canvas, signed lower right W. Ritschel, in Newcomb Macklin gilt frame, relined, 16″ x 12″. Provenance: Mary Mullowney Sotheby’s Arcade sale 1318, lot 49.
Gustave Clarence Rodolphe Boulanger (1824 – 1888), depicting four women with flowers having Orientalist style house in background, oil on panel, signed and dated lower left G. Boulanger 1868, in 19th century gilt frame, 16″ x 10″. Gustav Reichard’s Art Rooms label and Winsor & Newton Artists Colourmen label on back.
Maxine Camille Louis Maufra (1861 – 1918), Le Saut du Loup, oil on canvas, 21 3/4″ x 18 1/4″, signed and dated lower left Maufra 1912, titled on the stretcher, original Roland, Browse and Delbanco, London label on stretcher.
Huldah Cherry Jeffe (1901 – 2001), Ballerinas, oil on canvas, signed lower right Huldah, copyrighted 1950, Huldah written on back of canvas, 29 1/4″ x 24″. Provenance: Christie’s label on back reads February 13, 1991, #33.
Harriet Randall Lumis (1870 – 1953), May in New England, oil on canvas, 24″ x 28″, signed lower right Harriet R. Lumis, titled and signed on stretcher.
Edward Brian Seago (1910 – 1974), Evening, Early Spring, Cascais, oil on masonite, signed lower left Edward Seago, 12″ x 16″, original paper label P & D Colnaghi & Co., Ltd., London.
Vincenzo Caprile (1856 – 1936), Rio San Barnaba, Venezia, Venice Canal, oil on canvas, signed lower right V. Caprile, Sotheby’s label on back, lot #15, Milano, December 4, 2006. Sold 19,000 euros, estimate 25,000 – 35,000 euros, 30″ x 25 1/2″.
Edwin Henry (1900 – ), Green Couch, oil on canvas, illustration reading a newspaper on a green couch, intended for the story titled “Dark Purpose”, canvas marked not used, unsigned, 24″ x 34″, Illustration House label on back.
Gaston Bogaert (Belgian, 1918 – 2008), Trains, oil on masonite, signed lower right Bogaert, signed, having a Schleiper & Fils label on the reverse, height 18 1/2″ x 21 5/8″.
August Bleser Jr. (1898 – 1966), oil on canvas, story illustration man leaning over reclining woman “The Face” Redbook magazine, March 1938 in blue and black, signed upper left Bleser, sold at Illustration House November 2, 1991 with copy of invoice number 63, remnants of original paper label, 32 1/2″ x 30″.
Walter Granville – Smith (1870 – 1938), oil on canvas, illustration art depicting a wedding, signed and dated lower left W. Granville – Smith 32′, 24″ x 18″.
Bernard Cathelin (1919 – 2004), “Roses d’ Inde au Fond Gris, 1966″, still life of flowers in a vase, oil on canvas, signed and dated Cathelin 66 lower right, signed, dated and titled on the reverse, David Findlay Gallery label, 46″ x 29”.
Gertrude L. Pew (1876 – 1949), Atlanta’s Race, 1912, watercolor on paper, depicting a nymph reaching for an apple, in bronze frame, signed lower right Gertrude L. Pew, heights 6 1/4″ x 4 3/4″. Provenance: Waterfront Estate, Stamford, Connecticut.