Pair of Austrian Biedermeier Burl Walnut Commodes
each with rectangular top above three drawers fitted with gilt-bronze rosette pulls, flanked by turned and fluted column supports, raised on tapering square feet, richly figured burl walnut veneers, one commode reworked to accommodate a pop-up television concealed within, the three drawers now configured as faux fronts, circa 1820s
height 34 1/2 inches, width 47 inches, depth 23 1/4 inches.
Provenance: A Collection from a New York City Townhouse Built by Stanford White, Interior Designed by Cullman and Kravis
Cullman & Kravis, 10/23/2007 ($78,000) sale receipt available
Karl Kemp and Associates Ltd.
Castle Sigmaringen, a Hohenzollern property, Austria Germany, circa 1820
Louis XV Provincial Walnut Commode
with a molded top above two short drawers and a central small drawer over two long drawers, all with shaped panels and finely cast bronze handles depicting opposing hunting dogs, centered by foliate escutcheons, the sides with raised panels, and a shaped apron raised on short curved legs, retains rich patina and original hardware, mid-18th century
height 33 1/2 inches, width 44 inches, depth 23 inches
George II Mahogany Linen Press in Two Parts
having molded cornice above dentil frieze and a pair of paneled cupboard doors opening to an unfitted interior, over two short and two long drawers, ending in bracket feet, upper section with two brass carrying handles to the sides, mid-18th century
height 72 inches, width 49 inches, depth 24 inches
Provenance: Property from a Private Collection at 791 Park Avenue Designed by Cullman & Kravis, Inc
George Subkoff Antiques; purchased 2/21/1990 for ($10,283) copy of sale receipt and appraisal available
Regency Giltwood Marble-Top Low Table
Rouge marble set on giltwood scrolling body with X-stretcher, early 20th century
height 15½ inches, top 20 3/4″ × 24 1/2″
Provenance: From a Park Avenue, New York Estate
French Louis XV Walnut Games Table
of rectangular form, fitted with four functional drawers—one on each side—beneath a molded edge top, each with carved shell and foliate ornament below, raised on cabriole legs finely carved at the knees and terminating in hoof feet, rich warm walnut patina throughout, 19th century
height 26 inches, width 31 inches, depth 31 inches
Provenance: From a Park Avenue, New York Estate
Louis XVI Marquetry and Gilt-Bronze Marble-Top Commode
the shaped Rouge Royal marble top above three drawers inlaid with urn, floral, and ribbon motifs, framed by geometric banding. Fluted stiles mounted with gilt-bronze ormolu, raised on tapering legs ending in sabots, 19th century
height 36 inches, width 51 inches, depth 20 inches
Provenance: From a Park Avenue, New York Estate
Three Piece Louis XV Gilt-Metal and Meissen Porcelain Garniture de Cheminée
an elaborate three-piece garniture comprising a central mantel clock and a pair of two-light candelabra, each richly mounted with hand-painted German porcelain figures in 19th-century pastoral dress, the clock surmounted by an enameled dial with open escapement, framed by gilt-metal foliate mounts and flanked by a courting couple seated upon a rocaille-molded porcelain base adorned with applied flowers, sheep, and scrolling gilt details, the candelabra each centered by a standing shepherd or shepherdess figure modeled in polychrome porcelain, raised on scroll-cast gilt-metal bases, crossed swords mark to verso
clock height 15 inches, candelabras 16 inches
Pair of French Louis XVI Verde Marble and Gilt-Bronze Covered Urns
each urn finely carved in deep verde marble, surmounted by a gilt-bronze acorn finial and domed lid with stiff-leaf and beaded borders, the shoulders mounted with bold gilt-bronze ram’s-head masks issuing scrolling foliate handles, above a frieze of laurel and rosette decoration, the bodies rise on a waisted marble socle with gilt laurel wreath mounts, set on stepped square verde marble bases with gilt edging
height 20 inches
Near Pair of Figural Bronzes After Jean-Louis Grégoire (French, 1840–1890)
Each finely cast gilt-bronze four-light candelabra featuring putti standing on a naturalistic gilt rocky mound, holding aloft an elaborate gilt-bronze branching candelabrum issuing acanthus-carved scrolls, berry clusters, and foliate candle nozzles. The figures display expressive facial modeling, detailed curled hair, and crisply chased draped sashes. Mounted on stepped circular verde marble pillar bases with gilt mounts
Each signed L.Grégoire on the base
Height 22 1/2 inches
Large French Établissements Vergne & Cie Butcher’s Block Table, 19th Century
Substantial laminated beechwood butcher’s block top composed of tightly set end-grain sections,the front fitted with a brass maker’s plaque reading “Établissements Vergne & Cie, Villeneuve s/ Lot – Paris”, raised on robust fluted and turned legs with shaped apron having pierced and molded Gothic-inspired cutouts, retains original iron trim, bracing, and hardware, the tall backsplash features a pair of cast-iron bull’s-head medallions—an emblematic boucherie motif—set beneath a molded, scroll-ended crest
height 57 inches, width 79 inches, depth 30 inches
Monumental Continental Rococo-Style Giltwood Mirror
an impressive and heavily carved giltwood mirror of monumental scale, the elaborately scrolled Rococo-style frame features deep relief carving throughout, with acanthus leaves, floral sprays, C-scrolls, and shell-form crests, designed with multiple mirror plates, an elongated central rectangular plate flanked by shaped oval and serpentine outer plates, each set within molded gilt surrounds, and displays putti faces
80″ x 44″
Monumental French Louis XVI Trumeau Mirror
the upper panel carved in deep relief with a ribbon-tied floral swag and tassels, framed by molded borders and bead-and-reel trim, below, a large rectangular mirror plate within a carved surround
84″ x 43″
Provenance: From a Park Avenue, New York Estate
Pair of Italian Carved and Giltwood Mirrors
having carved frame with foliate, floral, and basket-weave motifs, surmounted by a flame crest, original panel back
45″ x 24″
Provenance: Estate of Nina Silberstein, former CEO of David Webb
Rococo Carved Giltwood Mirror
with shell and scroll cresting above a shaped frame adorned with foliate and rocaille motifs, enclosing an old plain mirror plate, retains traces of original gilding and gesso, 18th / 19th century
40 1/2″ x 22″
Provenance: Estate of Nina Silberstein, former CEO of David Webb
Italian Giltwood Rococo-Style Mirror
carved giltwood frame with scrolls, leafage, and pierced crest, original mirror plate with expected age spotting, early 20th century
51″ x 26″
Provenance: From a Park Avenue, New York Estate
Louis XV Carved and Giltwood Pier Mirror
rectangular frame carved with scrolling foliate and rocaille ornament in gilt and gesso over a cream-painted ground, surmounted by an asymmetrical crest, fitted with a two-part mirror plate, probably original, 19th century
height 67 inches, width 29 inches
Provenance: From a Park Avenue, New York Estate
Louis XVI Painted and Giltwood Pier Mirror
having rectangular frame painted in soft green and gilt, carved with continuous laurel leaf border surmounted by a classical female mask crest and corner rosettes; fitted with a two-part mirror plate, likely original; retains original wood-paneled back, 19th century
height 60 1/2 inches, width 36 inches
Provenance: From a Park Avenue, New York Estate
66 Piece French Locke Porcelain Dinner Service, Late 18th Century
large French porcelain partial dinner service, each piece decorated with scattered blue cornflowers within gilt line and garland rims, many with molded or scalloped edges, undersides with crossed torches marks, the service comprises:
10 dinner plates, 13 salad bowls, 17 soup bowls, 8 oval serving dishes, 2 square serving dishes (8 3/4 × 9 inches), 6 round trays (including three circular serving dishes, 13 inches diameter, a large perforated platter…), 2 gravy boats, 2 gravy boat underplates, 3 reticulated baskets, 2 covered tureens (13 inches wide over handles), and one lid
Provenance: From a Park Avenue, New York Estate
48 Piece Baccarat Crystal Glass in Compiegne Pattern
each crystal footed coupes, each with a paneled bowl rising from a faceted hexagonal foot, the bases acid-etched with the Baccarat France circular trademark, set for 12 to include: 12 (6 inch) water goblets, 12 (5 3/4 inch) red wine, 12 (5 1/8 inch) stems, 12 champagne chalice (5 inch)
Set of Twenty-Four Baccarat Signed Crystal Wine/Water Goblets with Gilt Rims
each signed Baccarat on the underside and finished with a gilt rim, suitable for use as wine or water goblets, with the clarity and balance characteristic of Baccarat production
height 7 1/2 inches, diameter 4 inches
17 Piece Herend “Bermuda” Pattern Tea and Coffee Service
hand-painted porcelain service in the “Bermuda” floral pattern with gilt accents, comprising a coffee pot with cover, teapot with cover, handled serving tray, covered sugar bowl, creamer, and 6 cups with 6 matching saucers, each piece decorated with scattered blossoms and leaves in pastel tones, with gilt rims and molded basketweave borders typical of Herend’s classic forms
coffee pot height 10 inches
Approximately 94 Piece Assembled Herend Rust “Chinese Bouquet” Porcelain Tea Service
or Apponyi Orange pattern, each piece hand-painted with rust floral sprays and gilt foliate borders, many with applied rose finials, to include 10 cups, 10 saucers, teapot, coffee pot, chocolate pot, covered sugar, and creamer; 7 bread and butters, covered dish, 15 covered pot-de-crème cups, 26 underplates and 16 egg shaped salt and pepper shakers along with 4 additional serving pieces
coffee pot height 7 inches
William and Mary Oyster-Veneered Walnut Chest of Drawers
having rectangular top with circular oyster veneers above two short drawers and three long drawers with brass drop handles and escutcheons; raised on bracket feet, circa 1700
height 34 1/2 inches, width 40 inches, depth 22 inches
Provenance: Property from a Private Collection at 791 Park Avenue Designed by Cullman & Kravis, Inc
Purchased from Philip Colleck of London, Ltd., New York by Cullman & Kravis, 11/19/1990 ($22,500) sale receipt available
English Regency Mahogany Tilt-Top Center Table
having circular top with molded edge above a plain frieze fitted with brass lion’s head ring pulls, raised on a turned and faceted support with four splayed legs terminating in brass paw feet and castors, top tilts on a brass latch mechanism, early 19th century
height 29 1/2 inches, diameter 46 inches
Provenance: A Collection from a New York City Townhouse Built by Stanford White, Interior Designed by Cullman and Kravis
Kentshire, New York; later sold by Cullman & Kravis, 11/13/2008 for $48,768, sale receipt available
William & Mary Oyster-Veneered Walnut Chest of Drawers (English, circa 1712)
straight-front chest fitted with two short drawers over three long drawers, each veneered in finely cut oyster walnut laid in radiating circular patterns, the top with extensive oyster veneers arranged in concentric scroll motifs, framed by molded edges, brass drop handles and escutcheons, and bracket feet, retains an old typed label inside top drawer
height 34 inches, width 38 inches, depth 23 inches
Provenance: A.G. Askew & Son, Shere, Surrey, England, April 1959. Purchase by H.W., Aug. 1959
George I Burl Walnut Kneehole Desk
having rectangular top with feather-banded inlay above a long drawer opening to a fitted writing surface and compartments, over a drawer and arched kneehole recess fitted with a cupboard door flanked by three drawers to each side, large brass side handles, raised on bracket feet, early 18th century
height 32 1/2 inches, width 32 inches, depth 21 inches
Provenance: From a Park Avenue, New York, estate (no receipt available, information came from family database)
Apter-Fredericks, London; purchased ($38,384)
Louis XVI Giltwood Settee and Pair of Fauteuils
to include a settee and two armchairs, each with carved giltwood frames with laurel leaf borders, ribbon-tied crest rails, and fluted legs; upholstered in needlepoint and petit point tapestry with pastoral scenes, early 20th century
settee height 43 inches, width 52 inches, depth 22 inches; chairs height 41 inches, width 25 inches, depth 20 inches
Regency Mahogany Chest with Canted (Cookie) Corners
having rectangular top with cookie corners above two short drawers and two long drawers fitted with circular brass lion-mask pulls, turned column supports, and compressed ring-turned feet, early 19th century
height 34 inches, width 41 inches, depth 22 inches
Provenance: Property from a Private Collection at 791 Park Avenue Designed by Cullman & Kravis, Inc
Kentshire; appraised $7,500, appraisal available
Eldred Wheeler Tiger Maple Secretary Desk
The arched bonnet top with central turned finial above two paneled doors opening to fitted shelves; over a slant-front writing surface that opens to an interior of valanced pigeonholes, document drawers, blocked concave drawers, and a central prospect door with carved sunburst. The lower case fitted with three long graduated drawers raised on ogee bracket feet, late 20th century
height 89 inches, width 35 inches, depth 20 inches
Italian Walnut Prie-Dieu, 18th/19th Century
four devotional drawers, geometric inlay, stepped base
height 31 1/2 inches, width 22 1/2 inches, depth 20 1/2 inches
Provenance: Collection of Barbara Rothschild Michaels and Roger Michaels of New York City and Ossining, New York; many items passed through the family from the Estate of Herbert and Nannette Rothschild
Louis XV Provincial Walnut Desk / Dressing Table
having a serpentine-front top above a central drawer flanked by two paneled cupboard doors, with shaped apron and short cabriole legs ending in scroll feet, retains original iron hardware and rich patina throughout, mid-18th century
height 30 inches, width 62 1/2 inches, depth 22 1/2 inches
Provenance: Collection of Barbara Rothschild Michaels and Roger Michaels of New York City and Ossining, New York; many items passed through the family from the Estate of Herbert and Nannette Rothschild
Pair of Gray Marble and Gilt-Bronze Mounted Urn-Form Lamps
elegant pair of neoclassical urn-form lamps carved in gray marble, each fitted with gilt-bronze acanthus-scroll handles and applied laurel-leaf swags, mounted on stepped gilt-bronze bases with beaded borders and classical ornament, later electrified and fitted with pleated shades
height 31 1/2 inches
Provenance: Estate of Nina Silberstein, former CEO of David Webb
Pair of Marble and Gilt-Bronze Mounted Obelisks
decorative pair of tapering marble obelisks in variegated cream and gray stone, each mounted with finely cast gilt-bronze appliqués including floral drops and laurel wreath medallions. The obelisks rise from stepped square plinths with beaded gilt-bronze borders and rest on gilt-bronze paw feet
height 24 inches
Pair of Italian Marble Grand Tour Obelisks
finely carved Italian marble Grand Tour obelisks, each with tapering shaft and pyramidal finial, raised on square stepped bases, classic Florentine work of the early 19th century
Height 17 1/2 inches
Provenance: Property from a Private Collection Designed by Cullman & Kravis, Inc
Galerie Jacques Ollier, 7/27/2006 for $8,000, copy of sale receipt available
Attributed to Bontems French Double Bird in Cage Automation
gilt-brass bird cage automaton featuring two feathered birds perched on a naturalistic branch, one in bright red plumage and the other in blue, the cylindrical gilt-metal base is richly cast with scrolling acanthus ornament, supporting a domed cage with ring handle, when wound, the birds move and “sing” via internal bellows and clockwork mechanism marked on base “Made in France” with serial number 321
height 20 inches
Provenance: Property from a Prominent New York City Collector
French Empire Mahogany and Ormolu-Mounted Marble-Top Cabinet
having rectangular dark gray marble top above three frieze drawers and a pair of cabinet doors flanked by columnar supports mounted with gilt-bronze eagles, doors with ormolu urn and foliate mounts, molded plinth base, interior fitted with two drawers above adjustable shelves, late 19th to early 20th century
height 45 inches, width 72 1/2 inches, depth 21 1/2 inches
Louis XVI Provincial Fruitwood D-Form Marble-Top Side Cabinet
provincial Louis XVI fruitwood D-form side cabinet, the later conforming white marble top over a shaped frieze fitted with a long drawer, above a pair of paneled cabinet doors flanked by rounded front stiles, all raised on short tapered legs, warm, well-figured fruitwood veneer with mellow patina throughout, early 19th century, later marble top
height 36 inches, width 59 inches, depth 25 inches
Provenance: From a Park Avenue, New York Estate
Louis XV Kingwood and Marble-Top Commode
Louis XV kingwood and parquetry commode, the serpentine-front Breccia marble top above two drawers with gilt-bronze ormolu mounts and escutcheons, raised on cabriole legs ending in sabots, veneered in geometric and diagonal banded patterns throughout, with slight veneer damage and small pieces missing, 19th century
Height 31 inches, width 29 inches, depth 17 inches
Pair of Louis XVI Carved and Painted Bergères
each with arched back, molded frame, and fluted legs, upholstered in yellow floral patterned silk with loose seat cushions and piped trim, the frames in dark painted finish with carved rosettes and foliate details, circa 1900
height 38 inches, width 30 inches, depth 31 inches
Provenance: From a Park Avenue, New York Estate
In the Manner of Maison Jansen Mahogany Drop-Leaf Dining Table with Two Leaves
French mahogany dining table in the manner of Maison Jansen, with rounded drop leaves supported by swing gate-legs and extended with two additional leaves; standing on tapered legs with brass-capped feet; a versatile form allowing use as a compact drop-leaf table or full dining table when extended, finished with mahogany and brass mounts, mid-20th century
height 28 inches, top closed 61″ x 30″ (drops down), extended length 61″ x 95″, having two 17 1/2 inch leaves
Provenance: From a Park Avenue, New York Estate
Set of Twelve Louis XV Carved and Painted Chairs
to include six armchairs and six side chairs, each with molded crest rails and caned backs and over-caned seats fitted with custom upholstered seat pads in pink damask fabric, 19th century
armchair height 36 1/2 inches, width 23 inches, depth 19 inches, side chair height 35 inches, width 18 1/2 inches, depth 16 3/4 inches
Provenance: From a Park Avenue, New York Estate
Continental Baroque Walnut Refectory Table
having thick rectangular plank top above bold turned trestle supports joined by a central stretcher and raised on shaped block feet, solid walnut with rich patina and hand-hewn surfaces, 18th century
height 31 inches, width 118 inches, depth 27 inches
Provenance: Collection of Barbara Rothschild Michaels and Roger Michaels of New York City and Ossining, New York; many items passed through the family from the Estate of Herbert and Nannette Rothschild
American Trestle Farm Table
(Inscribed “E.D.F 1921, E.F. Dearborn”)
sturdy American trestle-base farm table with thick single-plank top showing rich, well-worn surface and attractive age patina, the rectangular top raised on turned legs joined by a box stretcher, all with a warm, mellow finish, underside signed and dated “E.D.F 1921, E.F. Dearborn.”
29 inches high, 88 inches long, depth 38¼ inches
Provenance: Collection of Barbara Rothschild Michaels and Roger Michaels of New York City and Ossining, New York; many items passed through the family from the Estate of Herbert and Nannette Rothschild
Near Pair of French Bronze and Crystal Floor Lamps, Attributed to Baccarat
each with a spirally fluted crystal shaft mounted with finely cast bronze foliate and latticework ornament, surmounted by a finial in the form of a cluster of berries, and raised on a large circular base with gadrooned edge; one retains original glass base, the other with later wood base, early 20th century
height 69 inches overall
Provenance: Estate of Nina Silberstein, former CEO of David Webb
Pair of English Corinthian Column Lamps (English, Late 19th Century)
each with fluted shafts beneath crisply modeled Corinthian capitals, raised on stepped square pedestal bases with applied gilt roundels, recently rewired and fitted with pleated fabric shades
height 32 inches to finial
Provenance: A Collection from a New York City Townhouse Built by Stanford White, Interior Designed by Cullman and Kravis
Purchased from Kentshire Galleries, New York, by Cullman & Kravis, later sold by Cullman & Kravis 8/07/2008 ($14,300) copy of sale receipt available
Pair of George II Mahogany Candlesticks, Now Wired as Lamps (English, Late 18th Century)
elegant carved mahogany candlesticks of tall baluster form, later converted to electricity, each with a circular stepped base and a tapered, fluted shaft rising to a carved candle nozzle now fitted for wiring, warm, rich surface consistent with age, sold together with pleated fabric shades
height 25 inches to finial
Provenance: A Collection from a New York City Townhouse Built by Stanford White, Interior Designed by Cullman and Kravis
Purchased from H.M. Luther Antiques, New York,by Cullman & Kravis, later sold by Cullman & Kravis 10/9/2008 ($10,187) copy of sale receipt available
English Neoclassical Brass Floor Lamp
fluted columnar standard with Corinthian capital and stepped base terminating in paw feet, fitted with a pleated fabric shade, electrified, circa 1875
overall height 59 inches
Provenance: Property from a Private Collection at 791 Park Avenue Designed by Cullman & Kravis, Inc
Courtyard Antiques, New Canaan, Connecticut, 5/25/1990, purchase price ($2,750) sale receipt available
Tiffany Studios and Steuben “Intarsia” Shade Floor Lamp
Steuben Green Aurene art glass shade exhibiting a rich iridescent surface with soft gold, olive, and copper undertones, the interior cased in pearly white, the lower register is adorned with the distinctive Steuben Intarsia border of stylized leaf and bud motifs in opalescent pastel tones, mounted on an elegant Tiffany Studios model no.423 patinated bronze tripod floor base rising on attenuated supports to an organic quatrefoil harp, the surface retaining a deep, even brown patina of pleasing age
shade diameter 9 3/4 inches, overall height 55 1/4″
Attributed to John Northwood (British 1836-1902) for Stevens & Williams
“Eve in the Garden of Eden” Cameo Glass Vase, Late 19th Century
Cobalt blue glass overlaid in opaque white and exquisitely wheel-carved in high relief inspired by Milton’s “Paradise Lost”, depicting Eve standing amid lush tropical foliage with finely rendered ferns, palms, and groundcover, the sculptural carving displays the characteristic depth, refinement, and classical elegance associated with John Northwood’s celebrated cameo work for Stevens & Williams, flared rim and foot with applied white accents
Height 9 inches
Exhibition piece, possibly exhibited at the World’s Fair (Exposition Universelle), Paris, 1878, together with Northwood’s other major Paradise Lost–themed cameo vase, now in the Chrysler Museum of Art.