Thomas Webb & Sons for Tiffany & Co. Cameo Glass Vase with Honeysuckle
yellow-ground cameo glass vase carved in white relief with flowering honeysuckle vines, rim overlaid and cut with foliate band, underside marked ‘Exhibited at the Paris Exhibition 1889 / Thomas Webb & Sons / Cameo’ and ‘Tiffany & Co.’
height 11 inches
Exhibited: World’s Fair Exposition “Exposition Universelle 1889”, Paris
Tiffany Studios Agate Glass Vase
brilliantly mottled Favrile agate glass vase with flowing vertical striations in cream, ochre, caramel, deep cobalt, and oxblood tones, imitating natural banded agate, the body shows a softly swelling form tapering to a circular foot, underside with engraved L.C.T. Favrile signature
height 9 inches
Tiffany Studios “Tel el-Amarna” Vase
iridescent Favrile glass vase in deep lapis and midnight blue, the broad ovoid body rising to a cylindrical neck decorated with the classic Tel el Amarna “zig-zag” motif in pale silver-blue, subtle color transitions and lustrous surface typical of Tiffany’s Near Eastern–inspired series, underside engraved L.C.T. Favrile and numbered 1856E
height 8 1/2 inches
Tiffany Studios Bronze Table Lamp Base, No. 23563
Patinated bronze table lamp base by Tiffany Studios, New York, the underside stamped “TIFFANY STUDIOS N.Y. 23563” with the firm’s monogram, the base features a tapered, organic-form standard with paneled sides and out curved arms, raised on a circular beaded-edge base, retains an attractive, untouched verdigris patina, later wiring and sockets
height 13 inches
Black Lacquer Vase with Silvered-Metal Mounts, Now a Lamp
the tall baluster-form black lacquer body applied with cast silvered foliate and floral mounts, raised on a conforming stepped silvered base and fitted as a two-socket lamp
height 29 inches overall
Tiffany Studios “Turtleback Tile” Table Lamp
the domed leaded-glass shade composed of geometric green favrile panels surmounted by a band of iridescent favrile “turtleback” tiles displaying rich peacock hues with deep petrol, violet, and gold tonalities, set upon the original patinated bronze base with inset matching turtleback tiles and tripod strut supports, the whole with a dark brown/green patina of pleasing depth
Favrile glass and patinated bronze
height 24 inches, shade diameter 16 inches
Tiffany Studios “Pansy” Table Lamp
the domed leaded-glass shade intricately composed of variegated favrile glass in a painterly palette of lavender, cobalt, gold, cream, and deep green, forming a continuous band of blooming pansies against a mottled white and green geometric upper register, the flowers exhibit exceptional “plating” effects and strong striations, lending depth and luminosity typical of the firm’s finest floral shades, set upon an original patinated bronze twisted stem base with a scalloped platform foot cast with radiating lotus motifs, the surface retaining a rich dark brown patina
Favrile glass and patinated bronze
height 23 inches, shade diameter 16 inches
Tiffany Studios “Apple Blossom” Table Lamp
domed leaded-glass shade composed of delicately mottled favrile glass in a pastoral palette of whites, pale pinks, celadon, and soft leaf greens, depicting clusters of early spring apple blossoms interwoven with slender branches and new foliage, the blossoms are articulated with subtle striations and milky opalescence, producing a gentle, atmospheric glow when lit, mounted on an original patinated bronze, chased pod base, its organic contours and flaring foot enriched with a deep brown patina showing desirable untouched surface
Favrile glass and patinated bronze
height 23 inches, shade diameter 16 inches
Max (Louis Octave Maxime) Le Verrier (French 1891-1973)
“Rain” Monkey with Umbrella Table Lamp, 1925
A whimsical Art Deco table lamp by Max Le Verrier, inspired by the artist’s observations of monkeys at the Jardin des Plantes in Paris and awarded a medal at the Salon des Humoristes, Paris, 1927. Cast in antique-green patinated iron, the seated monkey clasps the upright pole supporting its original frosted glass umbrella shade. Raised on a hexagonal base of veined black marble.
Patinated cast iron, frosted glass, and marble; electrified.
Signed Le Verrier along the edge of the metal terrace
Height 18 inches
Gorham Manufacturing Co. Leaded Glass Desk Lamp
handcrafted leaded-glass desk lamp in a geometric and organic motif, the shade composed of variegated green, amber, and red glass tiles arranged in a domed form, set on a silver plated base with molded details and a shaped foot, consistent with Gorham’s early electric lighting production
height 24 inches
Handel Leaded Glass and Patinated Bronze Table Lamp
the square, gently domed shade executed in mottled opalescent glass, decorated with a continuous frieze of cattails and reeds in green, brown, and cream tones, each panel leaded and soldered; interior rim impressed HANDEL and PAT’D NO. 979664; raised on the original patinated bronze vase-form base with flared foot and original sockets.
27 inches high, the shade 17½ inches in diameter.
Caramel Glass and Leaded Castle Light by Tom Guerrette
having four turret corners, 5,028 pieces of hand-cut glass, along with a custom stand and documentation and photos of the many awards it has won
appraised by Pelegano Stained Glass for $9,500
height 13 1/2 inches, 27″ x 29″, approximate weight 56 pounds
Attributed to William Parker, George III Cut-Glass Nine-Light Chandelier
sparkling nine-light chandelier with sweeping cut-crystal arms and a deeply faceted central stem, richly dressed with pendant teardrop prisms, beaded swags, and scalloped bobeches, upper canopy features a cut-crystal dome with drops, above a tiered arrangement of additional swags and cascading crystal strands, gilt-metal bowl at the base provides contrast and adds depth to the design, English, mid-19th century
Provenance: A Collection from a New York City Townhouse Built by Stanford White, Interior Designed by Cullman and Kravis
Purchased from Kentshire Galleries by Cullman & Kravis, later sold by Cullman & Kravis, 7/25/2008 ($81,281) sale receipt available
diameter 32 inches, height 50 inches
Swedish Gustavian Sixteen-Light Crystal Chandelier with Cobalt Glass Centers
impressive sixteen-light chandelier with scrolling gilt-metal arms, each supporting a candle nozzle, surrounding a dramatic pair of deep cobalt-blue glass bowls, the frame richly dressed with strands of faceted crystal drops, prisms, and pendants cascading from the corona to the lower ring, additional cut-crystal swags and pear-form drops accentuate the blue-glass centers and gilt-metal trim, highly decorative and striking chandelier of generous scale, crystal, cobalt glass, and gilt metal, electrified.
diameter 32 inches, height 58 inches
Provenance: From a Park Avenue, New York, estate (no receipt available, information came from family database)
Ronald Phillips Ltd. London 3/17/2000 ($103,401)
Large Cut Crystal Eight-Light Chandelier
Baluster-form central column composed of finely cut crystal elements, issuing eight sweeping crystal arms, each supporting a scalloped bobeche hung with faceted teardrop prisms. Additional cascades of cut crystal drops adorn the upper canopy and the deeply engraved lower bowl, which terminates in an elongated faceted pendant. Brilliant clarity throughout with well-matched hand-cut components and elegant proportion, 19th century, not electrified
approximately 46 inches long, 43 inches in diameter
Regency Brass Hexagonal Hall Lantern
circa 1820, with later electrification, the finely cast and chased hexagonal brass frame fitted with six beveled glass panels and surmounted by ornate anthemion and scroll crestings, the base with pierced foliate gallery and pendant finials, interior with three electrified candle arms
Approximately 33 inches long, 16 inches in diameter
Provenance: A Collection from a New York City Townhouse Built by Stanford White, Interior Designed by Cullman and Kravis
Purchased from Kentshire, New York by Cullman & Kravis, later sold by Cullman & Kravis 7/30/2008 ($36,000) sale receipt available
Neoclassical Giltwood Twelve-Light Chandelier
impressive neoclassical giltwood chandelier, the scalloped-edge circular corona above a fluted baluster standard issuing twelve boldly carved scrolling arms with lion-mask terminals, each supporting a fluted candle cup, the lower section carved with full acanthus and a stepped pendant finial, retains a rich gilded surface, later electrified
Giltwood, electrified
diameter 28 inches, height 36 inches
Provenance: A Collection from a New York City Townhouse Built by Stanford White, Interior Designed by Cullman and Kravis
H.M. Luther, New York, July 25, 2008 for $56,000, sale receipt available
Empire Ormolu and Patinated Bronze Six-Light Chandelier with Owl Mounts
fine Empire six-light chandelier, the patinated bronze bowl issuing six gilt-bronze scrolling arms, each mounted with a finely cast gilt-bronze owl perched at its base, the bowl is encircled with crisp ormolu mounts of classical figures, foliage, and anthemia, and surmounted by an ormolu sphere and a patinated bronze eagle finial, suspended by three heavy ormolu chains from a conforming canopy, a striking early 19th-century French chandelier with exceptional detail and strong contrast between the matte patination and bright gilding, ormolu and patinated bronze, electrified
diameter 27 inches, height 29 1/2 inches
Provenance: A Collection from a New York City Townhouse Built by Stanford White, Interior Designed by Cullman and Kravis
Ariane Dandois, Paris; The Collection of Emanuel Shemin; Sotheby’s, Lot 124, 11/20/2007 ($28,500)
Giltwood Twelve-Arm Chandelier with Scalloped Dish, Continental, Possibly Italian, Early 20th Century
large giltwood chandelier featuring a scalloped and radiating dish carved with bouquets and scrolling foliage, issuing twelve scrolling tendril arms each supporting a candle cup, suspended from a crown-like canopy by six chains, rich gilt surface with strong decorative presence, later electrified
Giltwood, electrified
diameter 38 inches, height 36 inches
Provenance: A Collection from a New York City Townhouse Built by Stanford White, Interior Designed by Cullman and Kravis
Bernd Goeckler Antiques, New York, purchased 11/07/2007 ($41,182) copy of sale receipt available
Empire Gilt-Metal Chandelier with Patinated Bronze Globe and Stars
empire-style chandelier centered by a patinated bronze globe with a warm brown surface, applied with gilt-bronze stars, and suspended by three gilt chains from a conforming canopy, six scrolling gilt-metal arms radiate from the upper ring, each fitted with a candle-for light and classical drip pan, finished below with a gilt acorn finial, strong neoclassical contrast between the dark bronze globe and the bright gilding, gilt metal and patinated bronze, electrified
diameter 27 inches, height 39 inches
Provenance: Property from a Private Collection Designed by Cullman & Kravis, Inc
Gerard Nicolas, Galerie Steinitz, Paris, 9/13/2006, purchase price ($15,269) copy of sale receipt available
Biedermeier Carved & Gilt Lindenwood Four-Arm Chandelier, Early 19th Century
with carved gilt lindenwood body, spider-web form central basket, and four scrolling candle arms, later electrified
height 24 inches, diameter 20 inches
Provenance: Property from a Private Collection Designed by Cullman & Kravis, Inc
Iliad Antik, New York, 4/23/2007, purchase price ($11,200) copy of sale receipt available
Rare Six-Arm Gilt-Bronze Chandelier with Clock
Unusual Empire chandelier fitted with six finely cast gilt-bronze scrolling arms, each terminating in classical candle nozzles with foliate ornament. The circular patinated bronze dish below is centered by a built-in clock, framed by a gilt bezel and supported by three small gilt masks. The upper section features alternating gilt turned elements and cut-glass roundels, rising to a matching canopy. A rare survival combining timekeeping with early 19th-century lighting design.
Gilt bronze, patinated bronze, and glass, electrified.
16 3/4 inches diameter, 19 1/4 inches high.
Provenance: Property from a Private Collection Designed by Cullman & Kravis, Inc
Antichità (Alberto di Castro SRL), Rome, 3/22/2007 for ($81,854) copy of sale receipt available
Dark Alabaster Mosaic Pendant Dish Fixture
large dark alabaster mosaic hanging dish light, the bowl composed of irregularly fitted alabaster segments creating a dramatic variegated surface, suspended from three chains and mounted with a brass canopy, France, circa 1900
diameter 20 inches
Provenance: Property from a Private Collection Designed by Cullman & Kravis, Inc
Galerie Camoin Demachy, Paris, 3/15/2006 ($12,325) sale receipt available
Pair of Neoclassical Gilt-Bronze and Alabaster Hanging Fixtures
each three chain suspension with pierced gilt-bronze canopy, supporting a carved alabaster bowl fitted within a molded gilt-bronze rim with acanthus mounts and scroll supports, ending in a pinecone finial, electrified
bowl diameter 16 inches
Provenance: Property from a New York Townhouse Designed by Cullman and Kravis
Gilt-Bronze Scenic Panel Lamp with French Views
19th century, fitted with four convex scenic panels under glass, each panel depicting a finely printed or hand-colored French landscape view with estates, gardens, and parkland. The shaped frames are mounted with elaborate rococo gilt-bronze foliate ornaments, the central lamp standard rises from an ornate cast gilt-bronze base with scroll and acanthus decoration.
height 30 inches
Pair of Eugène Bazart Louis XVI Gilt Bronze Two-Light Candelabra
each candelabrum with spiraling fluted stem wrapped in a naturalistic laurel branch, issuing two foliate candle arms with thistle-form nozzles, all raised on an oval gadrooned and beaded base
Signed “Eug. Bazart, Paris”
Height 13 1/2 inches
Set of Five Metal and Cut-Glass Basket-Form Wall Sconces
set of five basket-form wall lights, each with a metal frame hung with strings of oval and faceted cut-glass prisms, terminating in a circular lower band, upper register fitted with radiating starburst appliqués centered by cut-glass rosettes
height 26 inches, width 17 inches each
Provenance: From a Park Avenue, New York Estate
Pair of Henri Picard (French 1831-1864) Dore Bronze Five-Light Candelabra
Gilt bronze cast in elaborate asymmetrical Rococo form with scrolling candle arms and acanthus-wrapped nozzles, rising from an openwork base adorned with shells, foliate scrolls, and a seated putto figure. Rich gilt surface with warm patination. Very decorative and finely cast examples.
Signed on base H.Picard 1101
height 23 1/2 inches
French Gilt-Bronze Bouillotte Lamp with Porcelain Flowers
the four-light bouillotte-form lamp with pierced and scrolled gilt-metal stem issuing candle arms adorned with applied porcelain flowerheads, surmounted by an adjustable tole-painted red shade with gilt decoration, raised on a shaped foliate base, electrified
height 27 inches
Pair of Italian Gilt Bronze Two-Arm Sconces, 19th Century
each with an urn-shaped fluted backplate surmounted by a stylized fleur-de-lis crest, issuing two scrolling candle arms with molded drip pans and nozzles, now wired for electricity, rich gilt surface with decorative foliate elements throughout
height 13 inches
Provenance: Property from a New York Townhouse Designed by Cullman and Kravis
Pair of Empire Gilt-Bronze and Molded Glass Three-Light Wall Sconces
each sconce with gilt-bronze classical mask-head mounts issuing three molded-glass candle cups, hung with cut-glass prisms, faceted drops, and pendant spears, designed for wall mounting
height 7½ inches, length 11 inches
Provenance: From a Park Avenue, New York Estate
Pair of Rock Crystal and Gilt-Bronze Parrot Two-Light Wall Sconces
featuring a long-tailed parrot perched upon a curling rocaille branch issuing three foliate candle arms, the gilt-bronze is richly detailed with acanthus, shell, and floral ornament late 19th–early 20th century, each adorned with faceted rock crystal drops including large teardrop, flower-form, and oval prisms, the parrots exhibit sharply defined plumage and elegant movement; crystal elements are bright, in the manner of François Linke (French, 1855–1946)
Height 27 inches, width 12 inches
Pair of Monumental Cast-Metal Oak Leaf and Acorn Wall Sconces
each elongated backplate cast in bold relief with naturalistic oak leaves and acorns, issuing three scrolling candle arms with acorn-form bobeches, dark, weathered surface with oxidation consistent with age and outdoor use, striking architectural scale and presence
height 46 inches
Provenance: Estate of Nina Silberstein, former CEO of David Webb
Napoleonic Sarreguemines Imitation Porphyry Vase
ovoid vase on a square base, finished in porphyry glaze developed at Sarreguemines during the Napoleonic period, now wired as lamp, circa 1810; the piece exemplifies the factory’s early 19th-century innovations in pulverized-stone ceramic bodies, designed to imitate costly hardstones such as porphyry, basalt, and jasper
Height of vase 14 inches
Provenance: Property from a Private Collection Designed by Cullman & Kravis, Inc
Mallet, London 3/14/2006 for $13,638, sale receipt available
Pair of Serpentine Marble Urn-Form Table Lamps
each of baluster vase form with variegated green, red, and cream veining, mounted as lamps with brass fittings and stepped circular bases.
height of urns 13 inches
Provenance: Property from a Private Collection at 791 Park Avenue Designed by Cullman & Kravis, Inc
Linda Horn Antiques; sold 1/23/1990 for ($3,800) sale receipt available
Pair of French Bronze Mounted Figural Ewer Lamps
pair of French gilt-bronze mounted figural ewer-form lamps, each with scrolling acanthus and rocaille decoration, stylized dragon-form spouts, and tiered circular bases with red marble and gilt-bronze accents, later converted to electric lamps, modern shades included, late 19th century
height 29 inches
Pair of Louis XV Bronze and Cut Glass Girandoles
composed of a bronze foundation with a footed base supporting scrolling candle arms, each girandole fitted with four lights and hung with cut-glass pendants, star-form rosettes, and faceted prism drops, surmounted by a tall molded pointed glass finial and stacked cut-glass shaft elements in the traditional Louis XV manner
height 28½ inches
Provenance: From a Park Avenue, New York Estate
Continental Carved Alabaster Group of the Three Graces Lamp
carved alabaster figural group depicting the Three Graces in a classical tripod arrangement, each draped figure standing back-to-back and joined at the shoulders, raised on a tiered variegated alabaster base, mounted as a lamp fitted for electricity with a single light socket and pleated shade, early 20th century
alabaster height 21 inches
Provenance: Property from a Prominent New York City Collector
Near Pair of Italian Bronze Blackamoor Figural Torchbearers
matched pair of cast bronze figural candlesticks, each modeled as a standing youth in ornate feathered headdress and foliate tunic, holding aloft a torch-form standard, the figures with dark patinated surfaces contrasting with the costume and bases, each raised on a shaped plinth with rocky ground, possibly brass
height 16 inches
Provenance: Property from a Prominent New York City Collector
French Bouillotte Lamp (19th Century)
classical gilt-bronze bouillotte lamp with an adjustable green tole shade decorated with applied gilt rosettes, three-light candelabra-form standard with scrolling arms, fluted column, and foliate circular base on paw-from feet, gilt bronze and tole, electrified
height 35 inches
Condition: Presents well, slight lean, one ball on foot replaced, minor dings and paint loss
Pair of Chinese Stone Horses
mounted on fitted bases, pair of carved Chinese stone horses, each standing on a fitted rectangular base, one horse with loss to the end of the tail; one base has been repaired, otherwise with expected wear from age, 19th–20th century
height 15 1/2 inches
Provenance: Estate of Nina Silberstein, former CEO of David Webb
Franz Xaver Bergman (Austrian 1861-1936)
Erotic Art Deco Figural Cigar Cutter
bronze figural cigar cutter in the form of a reclining nude woman, the extended right leg operating as the cutter lever and the aperture concealed at the hip
Cast in gilt-bronze tones and mounted on a veined black marble base
Unsigned; Austrian novelty casting, early 20th century
Bronze figure length 8 inches, marble plaque length 10 inches
Louise Robert Carrier-Belleuse (French 1848-1883)
Allegory of French Liberty
figural group depicting a heroic female standard-bearer striding forward with arm raised, sheltering beneath her sweeping cloak a second woman holding a broken sword. The dramatic composition symbolizes patriotic sacrifice, protection, and resilience, characteristic of late 19th-century French allegorical sculpture after the Franco Prussian War.
Patinated bronze, set on a naturalistic rocky base bearing a foundry stamp, numbered 91
Signed L. Carrier-Belleuse
height 18 inches
After Pierre-Auguste Renoir (French 1841-1919) and Richard Guino (French/Spanish 1890-1973)
‘Le Feu” or “Forgeron” (The Blacksmith), after the 1916 model
Cast bronze figure of a crouching young blacksmith with textured surface.
Bronze on black stone base
Signed Renoir
Height 11 1/2 inches
Provenance: Property from a Prominent New York City Collector
Franz Xaver Bergman (Austrian 1861-1936)
“Figure with Donkey”
A finely cast and cold-painted bronze group depicting a young North African figure standing beside a saddled and fully harnessed donkey, the figure holding a staff and wearing a red cap and blue tunic, the donkey is modeled with detailed fur texture, blanket, packs, and bridle, all retaining the original matte cold-painted surface; number stamp beneath the donkey and additional workshop markings beneath the figure’s garment, consistent with Vienna bronze production
Cold-painted bronze
Marked on underside
Height 5 inches
Large Japanese Meiji Bronze Elephant Attacked by Tigers
dramatic and finely cast bronze group depicting an elephant in full stride as two tigers leap and claw at its sides, one climbing over the back and another grasping at a foreleg, elephant modeled with richly textured skin, raised trunk, and inset tusks, mounted on a large carved naturalistic hardwood base
Japanese signature to underside
overall height 32 inches
Inuit / Arctic (19th Century) Narwhal Tusk
single naturally spiraled narwhal tusk, displaying the characteristic helical twist, creamy coloration, and natural growth striations, the tusk tapers to a fine point with expected age wear at the base, a well-preserved example of this early, marine mammal material (buyer responsible for compliance)
length 44 inches
Pierre-Jules Mène (French 1810-1879)
Pair of Bronze Whippets
well-cast bronzes depicting two lively whippets in alert poses, each modeled with Mêne’s characteristic anatomical detail and textured ground, raised on oval integral bases
Patinated bronze on marble base
Each signed P.J. Mêne, Susse Freres foundry mark
Total height 9 inches
Provenance: Property from a Prominent New York City Collector
Clement Leopold Steiner (French 1853-1899)
Bust Study of an Oriental Courtesan
depicting an Arab beauty wearing a draped headwrap and decorative headband, originally fitted with small hanging chains or jewels (now lacking), the sitter is modeled with a serene, downcast gaze and sensitively rendered features, her gathered gown falling softly across the shoulders, mounted on a base bearing Arabic script
Patinated cast bronze
Signed on base L.Steiner
Height 26 inches
Sotheby’s sold lifesize model: 10/21/2009, 19th Century Furniture, Sculpture, Ceramics, Silver and Works of Art, Lot 314 ($20,000)
Evgeni Alexandrovich Lanceray (Russian 1848-1886)
“Cossack Plunder”
depicting a mounted Cossack leading a second laden horse across rugged terrain, the figures modeled with Lanceray’s characteristic anatomical precision and dynamic realism
Dark patinated bronze on black marble base
Signed and titled on base in cyrillic
Bronze height 17 inches, length 18 inches