Abraham Rattner (American 1893-1978)
“Two Women Reading”, 1945
Watercolor and gouache on paperboard
Signed and dated lower left Rattner ’45, inscribed upper right “To Bernard, A Happy Birthday Mar. 17, 1972, with love Abe”
11″ x 15″
Exhibited: Whitney Museum of American Art, 1947 Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings
Provenance: Paul Rosenberg & Co. 20 East 79th Street, New York
Zao Wou-Ki (Chinese/French 1920-2013)
“Forêt Perdue”, 1955
Lithograph, edition 70/125
Signed and dated lower right, L’Oeuvre Gravée embossed stamp lower left
24 3/4″ x 19″
Provenance: Allen Smith Gallery, Elmira, NY
Collection of Lee and Betty Lee Kolker, New York
From a Private Institution Located in New York
Marino Marini (Italian 1901-1980)
“Acrobata”, Horse and Rider, 1956
Lithograph in black and orange, edition 40/50
Signed lower right Marino
24″ x 18 1/2
Provenance: Collection of Lee and Betty Lee Kolker, New York
From a Private Institution Located in New York
Robert Motherwell (American 1915-1991)
“Calligraphy”, 1966
Lithograph on Rives BFK paper, edition 77/80
Signed lower right Motherwell, printed and published by Hollander Workshop, New York blindstamp lower right
19″ x 26″ sheet size
Provenance: Gift of David Mandeville
From a Private Institution Located in New York
George Barris (American 1922-2016)
Marilyn Monroe “The Warm Up”, 1962
Lithograph from “The Last Photos” series , edition 68/325
Pencil signed lower right George Barris
19″ x 18″
Two: Hans Erni (Swiss 1909-2015)
“Venus”
Depicting nude within geometric abstract composition
Lithograph, edition 60/95
Signed lower right Erni
36″ x 27 1/2″
“Vier Madchen” (Four Girls)
Lithograph, edition 28/100
Signed lower right Erni
33″ x 42″
Provenance: Collection of Lee and Betty Lee Kolker, New York
From a Private Institution Located in New York
Three: Hans Erni (Swiss 1909-2015)
“Bulls”
Lithograph, edition 157/200
Signed lower right Erni
16″ x 20″
Illustration for “Terre Promise D’Afrique”
Lithograph, edition 224
14″ x 13 1/2″
“The Eagle”
Lithograph, edition 40/200
Signed lower right Erni
20″ x 16″
Provenance: Purchased from Ferdinand Roten Galleries, Baltimore, MD
Collection of Lee and Betty Lee Kolker, New York
From a Private Institution Located in New York
Marino Marini (Italian 1901-1980)
“Trois Cheveux”, Three Horses
Lithograph in black and yellow, edition 7/50
Signed lower right Marino
25″ x 19″
Provenance: Collection of Lee and Betty Lee Kolker, New York
From a Private Institution Located in New York
Marino Marini (Italian 1901-1980)
“Due Acrobati Con Cavallo” Two Acrobats with Horse
Lithograph in black and yellow, edition 29/50
Signed lower right Marino
24 1/2″ x 18 1/2″
Provenance: Collection of Lee and Betty Lee Kolker, New York
From a Private Institution Located in New York
Three: Georges Rouault (French 1871–1958)
“The Juggler”, 1921
Lithograph
Signed in plate
9″ x 6 1/2″
“Les Visages” The Faces, 1933
Woodcut engraving
Signed in plate
6″ x 8″
Woman and Two Men
Woodcut engraving
Signed in plate
7 1/2″ x 8″
Provenance: From a Private Institution Located in New York
Three: Marino Marini (Italian 1901-1980)
“The Rider”
Lithograph in black, orange, blue, edition 4/50
Signed lower right Marino
“Cheval et Deux Cavalier”, 1957
Lithograph in black and yellow ochre, edition 7/50
Signed lower right Marino
“Cavalier”
Lithograph in black and red, edition 9/50
25″ x 19″ each
Provenance: Collection of Lee and Betty Lee Kolker, New York
Provenance: From a Private Institution Located in New York
Marc Chagall (Russian/French 1887-1985)
“Job en Priere” (Job at Prayer), circa 1960
Lithograph (cropped)
14″ x 10″
Provenance: From a Private Institution Located in New York
Georges Rouault (French 1871–1958)
“Christ in Prayer” (Christ praying in the garden of Gethsemane) from the series The Passion, circa 1939
Woodcut engraving
Signed in plate lower right G.R.
7 3/4″ x 8″ plate size
Provenance: From a Private Institution Located in New York
Georges Rouault (French 1871–1958)
“Christ in Conversation” (Christ and Disciples) from the series The Passion, circa 1939
Woodcut engraving
Signed in plate lower left G.R.
12″ x 7 3/4″ plate size
Provenance: From a Private Institution Located in New York
Marc Chagall (Russian/French 1887-1985)
“The Green Clown”, circa 1966
Lithograph, editio 2000, from Derrière Le Miroir
10″ x 7″
Provenance: Purchased from Ferdinand Roten Galleries, Baltimore, MD.
From a Private Institution Located in New York
Alexander Calder (American 1898-1976) Israeli Museum Poster
“Homage to Calder/ Israel Museum Jerusalem” 1977
Lithograph Poster
Signed in plate Calder
26 1/2″ x 34″
Two Framed Mid Century Pieces to include
Warrington Wickham Colescott Jr. (American 1921-2018)
“Park Sunday”, 1962
Etching, Artist Proof edition
Signed and dated lower right Colescott ’62
18 1/2″ x 24″
Arturo Carmassi (Italian 1925-2015)
Untitled, 1958
Etching, edition 3/30
Signed and dated lower left Carmassi 1958
21″ x 16″
Provenance: From a Private Institution Located in New York
Mario Avati (French 1921-2009)
“Nature Morte à la Feuille Timide”, 1961
Mezzotint etching, edition 60/60
Signed and dated lower right Avati ’61
10″ x 12″
Provenance: From a Private Institution Located in New York
Four: Abraham Rattner (American 1893-1978)
“April Showers”, circa 1950
Screenprints by Esther Gentle Reproductions, New York
Both signed in plate Rattner, Composition, April Showers, from the Collection of Mr. and Mrs. Roy R Neuberger
22″ x 27 1/2″ image size
Two: Abraham Rattner (American 1893-1978)
“Figures Waiting”, 1947
Scene with five figures sitting around a dining table
Screenprints by Esther Gentle Reproductions, New York
Both signed in plate Rattner, Composition, Figures Waiting, 1947, Collection of Mr. and Mrs. Milton Lowenthal
23″ x 35″ image size
Two: Abraham Rattner (American 1893-1978)
“Figures Waiting”, 1947
Scene with five figures sitting around a dining table
Screenprints by Esther Gentle Reproductions, New York
Both signed in plate Rattner, Composition, Figures Waiting, 1947, Collection of Mr. and Mrs. Milton Lowenthal
23″ x 35″ image size
Pair of Gary Haven Smith (American, Connecticut 1948-2017)
“Connections IX”, 1989
Mixed media, oil on canvas
Signed and dated verso Gary Haven Smith ’89
23″ x 18″
“Connections VII”, 1989
Mixed media, oil on canvas
Signed and dated verso Gary Haven Smith ’89
23″ x 18″
John James Audubon (American 1785-1851)
“American Crow”, 1833
Chromolithograph, Plate CLVI, from the R.Havell edition of Audubon’s Birds of America
39″ x 26″
Provenance: W.Graham Arader III Galleries
Morris Blackburn (American 1902-1979)
“Rio Grande Canyon Landscape”, 1959
Mixed media, pastel, watercolor, gouache on paper
Signed lower left Morris Blackburn
22″ x 30″
Three Framed Mid Century Pieces to include
Two: Robert Ernst Marx (American 1925-2020)
“Man and a Mask”
Etching and intaglio, edition 6/30
Signed lower right Marx
22″ x 18″
“Woman and a Bird”
Etching and intaglio, edition 6/30
Signed lower right Marx
22″ x 18″
Alfred Blaustein (American 1924-2004)
“The Tangle”
Etching and intaglio, edition 24/30
Signed lower right Al Blaustein
24″ x 18″
Provenance: From a Private Institution Located in New York
Two Cityscape Etchings to include
Rudolf Kugler (German 1921-2013)
“Citta Antica”, 1960
Intaglio etching, edition 74/200
Signed and dated lower right R.I.Kugler 1960
16″ x 20″
Rudy Pozzatti (American 1925-2021)
“Roman Ruins”, 1962
Intaglio etching, 10/30
Signed and dated lower right Rudy Pozzatti 1962
18″ x 21 1/2″
Provenance: From a Private Institution Located in New York
Gabor Peterdi (Hungarian/American 1915-2001)
“Landscape”
Drypoint etching
Signed lower right Peterdi
19″ x 23″
Provenance: From a Private Institution Located in New York
Zao Wou-Ki (Chinese/French 1920-2013)
“La Vieille Ville”, 1953
Lithograph, edition 80/95
Signed and dated lower right
18″ x 24″
Provenance: Collection of Lee and Betty Lee Kolker, New York
From a Private Institution Located in New York
Zao Wou-Ki (Chinese/French 1920-2013)
“Les Voiliers”, 1953
Lithograph, edition 20/90
Signed lower right
18″ x 22 1/2″
Provenance: Collection of Lee and Betty Lee Kolker, New York
From a Private Institution Located in New York
Zao Wou-Ki (Chinese/French 1920-2013)
“Les Cerfs”, 1956
Lithograph, edition 70/125
Signed and dated lower right
18″ x 25 1/2″
Provenance: Collection of Lee and Betty Lee Kolker, New York
From a Private Institution Located in New York
Sadao Watanabe (Japanese/American 1913-1996)
“The First Miracle”, Christ turning water into wine at the wedding at Cana, 1971
Woodblock, stencil, edition 37/70
Signed and dated lower right Sadao Watanabe 1971
27 3/4″ x 23 1/4″
Three: Abraham Rattner (American 1893-1978) Original Portrait Studies
Portrait of a Woman in Red
Watercolor and gouache on paperboard
Signed lower right Rattner
10 1/2″ x 8″
Black and White Portrait No. 1691, 1961
Pen and ink and gouache on paper
Signed and dated lower left Rattner ’61, inscribed “BK VI b 10″
14″ x 10 1/2”
Two Figures Sitting at a Table
Watercolor and gouache on paper
Signed lower right Rattner, inscribed “Tio Bernard and Flossie, with love, Abe”
10″ x 13 1/2″
Three: Abraham Rattner (American 1893-1978) Original Studies
Green and Purple Flowers, Miami, 1973
Watercolor on paper
Signed and dated lower left Rattner ’73, inscribed “To Flossie & Bernard Love from Esther and Abe Best Wishes for happy holidays and New Year”
5″ x 6 3/4″
Bouquet of Flowers, 1973
Watercolor on paper
Signed and dated lower left Rattner 12-73, inscribed “To Bernard and Flossie Love and Best Wishes and Happy New Year from Abe and Esther”
13 1/2″ x 11″
Original Card to Zipkin Family with Figure and Color Swatches, 1955
Watercolor, pen and ink on paper
Signed, inscribed, with postage stamp
9 3/4″ x 7″ (folded)
Sadao Watanabe (Japanese/American 1913-1996)
“St. Francis Preaches to the Birds”, 1971
Woodblock, stencil, edition 43/70
Signed and dated lower right Sadao Watanabe 1971
27 3/4″ x 23 1/4″
Two: Gilou Brillant (Swiss/French B.1935)
“Falaise”, 1978
Embossed aquatint etching, edition XII/XV
Signed and dated lower right Brillant ’78
32″ x 22″
“La Voute”, 1974
Embossed aquatint etching, edition 94/99
Signed and dated lower right G.Brillant ’74
32″ x 22″
Two: After Pablo Picasso (Spanish 1881-1973)
“Poire Coupée, Verre, Pipe” (Still Life of Cut Pear, Glass, Pipe) 1952
Lithographs, editions 36/200, 37/200
Signed in plate Picasso, stamped lower right Esther Gentle 1952
20 1/2″ x 26″ sheet size
Two: After Pablo Picasso (Spanish 1881-1973)
“Poire Coupée, Verre, Pipe” (Still Life of Cut Pear, Glass, Pipe) 1952
Lithograph, edition 4/200
Signed in plate Picasso, stamped lower right Esther Gentle 1952
20 1/2″ x 26″ sheet size
“Les Deux Amoureux” (The Two Lovers) 1952
Sealed lithograph
Signed in plate Picasso, labeled verso Esther Gentle – copyright 1952
15″ x 11″
Thomas McKnight (American B.1941)
“Manhattan”, 1981
Interior with a New York City view through the windows
Serigraph, edition 18/175
Signed lower right McKnight
26″ x 30″
Meryl Taradash (American 1953-2024)
Untitled Blue, Yellow and Pink Construction
Mixed media, watercolor, paper collage
Signed lower right Taradash
26″ x 40″ sight, 33″ x 49″ frame size
Charles Cushing (American B.1959)
“Lowtide, Waterworks”, Fairmount Philadelphia, 1994
Pastel on paper
Signed lower left Cushing, signed and dated verso
24″ x 30″ frame size
Two: Francois (Fanch) Ledan (French B.1949)
“Le Paradis” Le Planche de Deauville, 1982
Lithograph, edition 52/275
Signed lower right Fanch
24″ x 20″ image
“Course de Hobby-Cats” Sailboat Racing
Lithograph, edition 61/200
Signed lower right Fanch
20″ x 24″ image
Provenance: The Art Center, Scarsdale, New York
Two Framed Mid Century Pieces to include
Richard Kemble (American 1932-2007)
“Don’t Hurry Tomorrow”, 1974
Woodcut, edition 14/25
Signed and dated lower right Kemble ’74
22″ x 29 1/2″
Robert Freimark (American 1922-2010)
“Blue Wave”, 1974
Lithograph, edition 22/60
Signed and dated lower right Freimark ’74
30″ x 17 1/2″