Daniel Cressman (American 20th Century)
“On to Roanoke” Panoramic Mountain Landscape, 1982
Oil on board
Signed and dated lower left Dan Cressman III ’82
24″ x 48″
George W Aikman (Scottish 1830-1906)
Quiet River Bed, Norham Castle Landscape
Oil on board
Signed lower right G.Aikman
20″ x 36″
Provenance: Gift of Mr. Novogrod, W&E Sloane 414 Fifth Avenue New York, NY
From a Private Institution Located in New York
Two: R.Eusebio (20th Century)
Oval Still Life of Flowers
Oil on canvas
Signed lower left R.Eusebio
27″ x 19″
Bouquet of Flowers
Oil on canvas
Signed lower left R.Eusebio
27″ x 19″
Provenance: Gift of Mr. Novogrod, W&E Sloane 414 Fifth Avenue New York, NY
From a Private Institution Located in New York
Karl Schrag (German/American 1912-1995)
“Blue Arches”, 1979
depicting still life with flowers
Aquatint etching, edition 25/50
Signed and dated lower right
24″ x 17 1/2″
Alexander Mikhailovich Rodchenko (Russian 1891-1956) After Vadim Georgievich Meller (Russian 1884-1962)
“Costume Design for a Production of Mask”
Gouache on paper
Signed lower left in Cyrillic, Rodchenko
11″ x 8″
Two: Francisco Jose De Goya Y Lucientes (Spanish 1746 – 1828) From “Disasters of the War” Series
“Con Razon o Sin Ella” (With Reason or Without) 1863
Drypoint etching with aquatint, plate 2, 1st edition
6″ x 8″
“Si Son De Otro Linage” (Do They Belong to Another Race) 1863
Drypoint etching with aquatint, plate 61, 1st edition
6″ x 8″
Provenance: From a Private Institution Located in New York
Three: Tom Jackson (American B.1950)
“Manhattan Pyramid”, 1980
“Manhattan Pyramid Study”, 1979
“Corner Store”, 1980
Colored pencil and pen on paper
Each signed lower right T.Jackson
16 1/2″ x 20″ largest frame size
Approximately 136: Terence Koh (Canadian/Chinese B.1977)
“The Making of a Unicorn is More Dangerous than GOD,” 2007
edition 2/2 along with one 1 artist edition, approximately 134 black and white dye coupler prints, some with paint, sparkles and mixed media, overall dimensions vary with installation
Provenance: Purchased from Art Basel, Miami, December 2007 for $315,000
Two: After Pablo Picasso (Spanish 1881-1973)
“Femmes à Leur Toilette” (Women at their Toilette)
Heliogravure intaglio etching/print on two sheets
Published Paris. Maeght for Derriere le Miroir No. 36-37-38
15″ x 22″ sheet size, 13 3/4″ x 20 1/2″ image size
Two: After Pablo Picasso (Spanish 1881-1973)
“Femmes à Leur Toilette” (Women at their Toilette)
Heliogravure intaglio etching/print on two sheets
Published Paris. Maeght for Derriere le Miroir No. 36-37-38
15″ x 22″ sheet size, 13 3/4″ x 20 1/2″ image size
Two: After Pablo Picasso (Spanish 1881-1973)
“Femmes à Leur Toilette” (Women at their Toilette)
Heliogravure intaglio etching/print on two sheets
Published Paris. Maeght for Derriere le Miroir No. 36-37-38
15″ x 22″ sheet size, 13 3/4″ x 20 1/2″ image size
Seven: Paul Klee (Swiss/German 1879-1940)
“Der Verliebte” (The One In Love) 1923
Lithograph printed in black and white, and some in color, on wove paper
Signed, titled and dated in plate, additional pochoir verso
12″ x 9″ sheet size, 9″ x 6 1/4″ image size
Eleven: Paul Klee (Swiss/German 1879-1940)
“Christlicher Sectierer” Christian Sectarian, 1920
Lithographs and pochoir
Each marked Collection of the Museum of Modern Art, an Esther Gentle Reproduction
13 1/2″ x 9 1/2″ sheet size, 9 3/4″ x 6 1/2″ image size
Ten: Paul Klee (Swiss/German 1879-1940)
“Christlicher Sectierer” Christian Sectarian, 1920
Lithographs and pochoir
Each marked Collection of the Museum of Modern Art, an Esther Gentle Reproduction
13 1/2″ x 9 1/2″ sheet size, 9 3/4″ x 6 1/2″ image size
Seven: Abraham Rattner (American 1893-1978)
“House of Incest”
Woodcut, Artist Proof edition
Pencil signed lower right Rattner
28″ x 22″
“Seekers”
Lithograph
Signed lower left Rattner
21″ x 15″
Two: “Blind Men”, 1952
Lithograph, by Esther Gentle Reproductions, New York
26″ x 19 1/2′
Portrait of a Man, 1963
Lithograph, edition 42/45
Signed and dated Rattner ’63
26″ x 19 1/2″
“In Memory of My Beloved Bettina”
Etching
Signed lower left Rattner
8″ x 6″ image size
“Among Those Who Stood”
Lithograph, 1st State, by Esther Gentle Reproductions, New York
Signed AR
Abraham Rattner (American 1893-1978)
“Variations for the Menorah”
Folk Art Composition in Blue, Yellow and Black
Lithograph
Signed lower right Rattner, inscribed “To Flossie & Bernard with all my love Esther 12/25/79″
26″ x 19 3/4”
Three: Abraham Rattner (American 1893-1978)
“God’s Light”
Featuring Jewish symbols of the Ark of the Covenant, the Ten Commandments, the Tabernacle …
Lithographs in color
Unsigned
30″ x 22″ sheet size
Three: Abraham Rattner (American 1893-1978)
“God’s Light”
Featuring Jewish symbols of the Ark of the Covenant, the Ten Commandments, the Tabernacle …
Lithographs in color
Unsigned
30″ x 22″ sheet size
Two Mid Century Compositions to include
Jacques Soisson (French 1928-2012)
“Masked Man”, Art Brut Composition, 1973
Serigraph, edition 146/150
Signed and dated lower right Soisson ’73
32 1/2″ x 25″ sheet size
Sven Lukin (Latvian B.1934)
Biomorphic Abstraction, 1969
Silkscreen, edition 121/175
Signed on verso Sven Lukin ’69
29″ x 23″
Six Mid Century Circular Prints to include
Two: Marko Spalatin (Croatian/American B.1945)
“Panel VI”, edition 18/70
“Panel II”, edition 38/70
Screenprints, Each signed lower right Marko Spalatin
25″ x 25″ image size
Two: Albert Gregory (American 20th Century)
Color Moire in Blue and Green
Color Moire in Red and Green
Serigraphs
28″ x 28″
Geri Obler (20th Century)
“Mountain Counterpoint V”, Mixed media lithograph, A.P., Signed lower right Obler
22″ x 22″
along with Ethel Fried (20th Century) “Viewpoint from Outer Space”
Five Contemporary Geometric Prints to include
Jurgen Peters (German 1936-1997)
“Arc”, 1976
Silkscreen, edition 52/175
Signed lower right J.Peter ’76
23 1/2″ x 23 1/2″ image size
Two: Bill Jacklin (British B.1943)
“Night Light”, edition 52/65
“Ancient Light”, edition 52/65
Lithographs
Each signed lower right Jacklin ’75
25″ x 25″ sheet size
Two: Tim Van Campen (American 20th Century)
Untitled Squares, 1978
Silkscreen, editions 5/10, 6/20
Signed and dated lower right Van Campen ’78
30″ x 30″ each sheet size
Jacob Pins (Israeli 1917-2005)
“Jesus” Christ on the Cross, 1957
Woodcut in black and red, edition II 1/28
Signed and dated lower left Pins 1957
33″ x 8″
Provenance: From a Private Institution Located in New York
Benton Spruance (American 1904-1967)
“Icarus Mourned”, 1961
Lithograph, edition 27
Signed and dated lower right B.Spruance ’61
22″ x 29″
Provenance: From a Private Institution Located in New York
Three: Bruce Halpin (American 20th/21st Century)
Black and Red Kite Form
Oil on canvas
Signed on verso Halpin
21″ x 27″
along with two oil on paper abstract pieces
Provenance: Ericson Gallery, 23 E 74th St. New York, NY
Five Framed Decorative Prints to include
Frances Barth (American B.1946)
Monochrome Composition
Etching, edition 9/20
Tom Zetterstrom (American B.1949)
“Picket Fence”
Photograph
Tim Spelios (American 20th/21st Century)
“Wall-Board and Graphite”, 1981
Mixed media
Thom De Jong (Dutch 1940-1988)
Two Figures and a Tent
Monoprint, signed lower right
24 1/2″ x 30 1/2″ largest frame size
Four: Gerald David Wolfe (American B.1963)
Gray and Blue Triangle, 1981
Oil pastel on paper
13″ x 13″
Yellow and Blue Square, 1981
Oil pastel on paper
18″ x 16″
Orange, Green and Gold, 1981
Oil pastel on paper
14″ x 16″
Gray and Blue ZigZag,
Oil pastel on paper
14″ x 12″
Provenance: Ericson Gallery, 23 E 74th St. New York, NY
Two: Tim Van Campen (American 20th Century)
Untitled Circuit Compositions, circa 1978
Silkscreens, A.P. and edition 13/20
Both signed and dated lower right Van Campen
41″ x 27″ each frame size
Two: Gordon House (British 1932-2004)
“Triangle A”, 1971
Screenprint, edition 36/75
Signed and dated lower right Gordon House ’71
35″ x 18″
“Arc B”, 1971
Screenprint, edition 51/75
Signed and dated lower right Gordon House ’71
35″ x 18″
Robert Goodnough (American 1917-2010)
“Confetti Pattern” Portfolio #2, 1973
Screenprint, artist proof edition
Signed and dated lower right Goodnough ’73
22″ x 30″
Two: Salvador Dali (Spanish 1904-1989) From Song of Songs of King Solomon Suite
“The Beloved Feeds Among the Lilies”, E.A.
“The Bridegroom Leaps Upon the Mountains” (The Voice of My Beloved! Behold) E.A
Etchings with hand coloring and gold dust
Each pencil signed lower right Dali
16″ x 10″ plate size, 22″ x 29″ frame
Two: Salvador Dali (Spanish 1904-1989) From Song of Songs of King Solomon Suite
“The Shepherd” (Look Not Upon Me That I Am Black) E.A.
“I Have Compared Thee, O My Love” (to a Company of Horses in Pharaoh’s Chariots) E.A.
Etchings with hand coloring and gold dust
Each pencil signed lower right Dali
16″ x 10″ plate size, 22″ x 29″ frame
Two: Salvador Dali (Spanish 1904-1989) From Song of Songs of King Solomon Suite
“Thou art Fair, My Love, and They Breasts…” E.A.
“Return, O Shulamite”, E.A.
Etchings with hand coloring and gold dust
Each pencil signed lower right Dali
16″ x 10″ plate size, 22″ x 29″ frame
Two: Salvador Dali (Spanish 1904-1989) From Song of Songs of King Solomon Suite
“Let Him Kiss Me With The Kisses of His Mouth”, E.A.
“The Dovelike Eyes of the Bride”, edition 170/250
Etchings with hand coloring and gold dust
Each pencil signed lower right Dali
16″ x 10″ plate size, 22″ x 29″ frame
Salvador Dali (Spanish 1904-1989)
“King Solomon”, E.A.
From Song of Songs of King Solomon Suite
Etching with hand coloring and gold dust
Each pencil signed lower right Dali
16″ x 10″ plate size, 22″ x 29″ frame
Two: Salvador Dali (Spanish 1904-1989) From Song of Songs of King Solomon Suite
“The Fruits of the Valley” (I Went Down into the Garden of Nuts to See Fruits) edition 105/250
“The King’s Train”, E.A.
Etchings with hand coloring and gold dust
Each pencil signed lower right Dali
16″ x 10″ plate size, 22″ x 29″ frame
Four: Faripour Forouhar (American/Connecticut B.1946)
“Late Fall Scene”, 1981
“Sandy Beach”, 1981
“Old Farms Road”, 1979
“Snow Scene”, 1981
Watercolors on paper
Each signed and dated
20 1/2″ x 28″ largest frame size
Provenance: Arts Exclusive Inc. Simsbury, CT
Two: Giovanni Battista Piranesi (Italian 1720-1778)
“View of the remains of the Praetorian Fort, Hadrian’s Villa, Tivoli. (Veduta degli avanzi del Castro Pretorio nella Villa Adriana a Tivoli.)” circa 1770.
Engraving
Signed in plate ‘Cavalier Piranesi delin. ed inc.’
14″ x 25 1/2″ plate size
“Vedute dell’Arco di Costantino e dell’Anfiteatro Flavio, detto il Colosseo” “Views of the Arch of Constantine and the Flavian Amphitheatre, called the Colosseum”
Engraving
Signed in plate “Piranesi del. sculp.”
17″ x 24″ plate size
From “Vedute di Roma” (Views of Rome) series, circa 1760
Provenance: From a Private Institution Located in New York
Two: Jacques Gerard Milbert (French 1766-1840)
“General View of the Military School or West Point”
Hand colored lithograph, No.8
10″ x 12″
“View of New York taken from Warhawk”
Hand colored lithograph, No.1
10″ x 12″
Published in Paris by Henri Gauguin, circa 1828
Provenance:The Old Print Shop, New York City
Four: Mario Micossi (Italian 1922/1926-2005)
“Spoleto de Sud”
Aquatint etching, edition 9/75
Signed lower right Micossi
8″ x 24″
“Piazza San Marco in Venezia”
Aquatint etching, edition 77/80
Signed lower right Micossi
8″ x 24″
along with “Julian North Italian Alps” edition 53/80 and “Veduta a Firenze” edition 40/80
Two: Arun Bose (Indian 1934-2007)
“Magical Flight”, circa 1980
Embossed aquatint etching, edition 41/99
Signed lower right Arun Bose
30″ x 22″
Untitled Orange Abstract, circa 1980
Embossed aquatint etching, edition 41/99
Signed lower right Arun Bose
30″ x 22″
Two Unframed Mid Century Lithographs to include
Ben Shahn (American 1898-1969)
“The Lynching”
Offset lithograph
Signed in the plate Ben Shahn
12” x 9”
Marc Chagall (Russian/French 1887-1985)
“The Artist’s Bouquet” Derriere Le Mirroir #147
Published by Maeght, Paris, France 1964
15″ x 11″
Kyu-Baik Hwang (Korean B.1932)
“Sky-BL”
Embossed aquatint etching, edition 18/75,
Signed lower right K.B. Hwang, stamped on verso “Nabis Fine Arts Inc. Editions”
30″ x 22 1/4″
Two Framed Cubist Pieces to include
Julio Camino Sanchez (Peruvian 1914-2007)
“Mochica” Village Woman with Fish
Oil on board
Signed lower left Camino Sanchez
18″ x 14 1/2″
Geometric Portrait of a Family
Oil on canvas
Signed lower right Boltin
18″ x 12″