Chinese Han Dynasty “Hu” Vase
Circa 2nd Century BCE – 2nd Century CE
A Chinese gray pottery hu vase with relief decoration of hunting scenes depicting mounted archers and animals, lions, monkeys, pair of taotie mask and fixed-ring handles; mottled surface with earthen encrustations. Later drilled and mounted as a table lamp with wood base
Height of vase 14 inches
Provenance: Property from a Upper East Side, New York City Apartment
Condition: Drilled for lamp conversion; surface wear, encrustations, repaired rim, loss, and accretions consistent with age and burial.
Three Piece Southeast Asian Porcelain Group to include
crackle glaze vase vase now mounted as lamp, Korean plate along with small covered bowl
vase height 9 inches
Condition: repairs throughout
Chinese Porcelain Grey Crackle Vase having Lion Mask Handles
collection numbers 90 and 162, Tang dynasty
height 15 inches
Provenance: Property of a Northeast Private Institution from the collection of Geraldine Rockefeller Dodge
Japanese Stoneware Vase with Applied Decoration, Meiji Period
A bulbous stoneware vase with applied relief decoration of cranes among lotus and aquatic plants, surmounted by a beaded rim. Glazed in a pale celadon tone. height 10 inches Condition: chips to rim and base; surface wear consistent with age
Provenance: From a Park Avenue, New York Estate
The rectangular case fitted with a pair of paneled doors carved with vases of flowers and scholar’s objects, opening to shelving, over a lower carved apron. Retains brass hinges and lock plate.
Arthur Fitzwilliam Tait (American 1819-1905)
Man with White Horse after Hunt
Depicting a resting hunter seated beside his white horse and spaniel, with hunting rifle, bag, and quarry including hare and game birds.
Oil on canvas
Signed lower left A.F.Tait R.A
19″ x 15″
Jean Charles Cazin (French 1841-1901)
Landscape with Haystacks
Depicting a rural French field with haystacks beneath a cloud-filled sky, painted with the tonal naturalism characteristic of the Barbizon School and early Naturalists.
Oil on canvas
Signed lower right J. C. Cazin, old gallery label verso
22″ x 18″
Condition: Light surface wear and craquelure consistent with age; frame with abrasions.
American School (19th Century)
Portrait of a Young Girl with Bonnet and Flowers
Depicting a young girl in a coral-red dress holding her bonnet with blue ribbons, a basket of flowers tipped at her feet. The direct gaze, flattened modeling, and bold palette are characteristic of American folk portraiture, circa 1840-1860
Oil on canvas
36″ x 28″
John Wesley Jarvis (American 1780-1840)
Portrait of Judge Josiah Ogden Hoffman (American 1766-1837)
Half-length portrait of Judge Josiah Ogden Hoffman, New York jurist and Attorney General, depicted in black coat with white stock, seated before a dark background
Oil on board, ebonized and gilt frame
Verso with old labels including Knoedler & Co., Inc., and a handwritten note dated September 8, 1969, identifying the sitter and attributing the work to John Wesley Jarvis.
26 1/2″ x 19 1/4″ sight size
Provenance: Parke-Bernet Galleries, April 7-8, 1971
Property of Colden H. Whitman; Knoedler & Co., New York.
Condition: Craquelure, surface toning, minor scattered retouch.
Pair of Baltimore American Folk Portraits (19th Century)
Depicting a gentleman holding a letter and a lady with a book, both seated in red upholstered chairs. The gentleman’s letter bears a red circular postal stamp and illegible name, marked “Baltimore”
Oil on canvas in matching giltwood frames
30″ x 24″ sight size, 38″ x 32″ frame size
American School (Connecticut 19th Century)
Portrait of Four Children from the Family of Davy Crockett (American 1786-1836)
A large folk portrait of Davy Crockett’s niece and nephews in a landscape (most likely the children of Davy’s brother Theodore Crockett) a girl with bonnet, a toddler in dark dress, and two boys in matching sailor-style outfits and caps, the youngest boy identified as David Theodore Crockett (1835-1903) along with pentimento sketch of a dog, Painted with the flat modeling, strong outlines, and direct gazes characteristic of Connecticut folk portraiture.
Oil on panel
59″ x 45″
Provenance: Yonderhill Dwellers, Palisades, New York, August 1967 ($1,500) along with family documents
Condition: Darkened varnish, craquelure, surface soiling, scattered abrasions; frame with wear.
Attributed to Charles Jervas (Irish c.1675-1739)
“Sophia, Duchess of Kent”, 1729
Full length portrait of Lady Sophia Bentinck (British 1701-1748), the second duchess and wife of Henry Grey, 1st Duke of Kent (British 1671-1740), in a blue silk dress standing in a garden landscape
Oil on canvas
Titled and dated lower left
90″ x 54″
Provenance: Gift of Mr. Novogrod, W&E Sloane 414 Fifth Avenue New York, NY
Property of a Northeast Private Institution
Follower of Sir Thomas Lawrence (British 1769-1830)
“Portrait of Miss Fanny Kemble”
Oil on canvas
Inscribed on verso, labels verso
17″ x 13″
Provenance: Newhouse Galleries, New York
Property from a Prominent New York City Collector
Sotheby’s Sale 1240, June 8, 1988 (lot 43)
Continental School (19th Century)
“Juno and the Peacock”
Oil on canvas, gilt frame
Depicting a semi-draped classical female figure, traditionally identified as the goddess Juno, accompanied by her attribute, the peacock, in a wooded landscape.
Signed illegibly lower left
31″ x 22″
Provenance: Property from a Prominent New York City Collector
Condition: Craquelure, minor surface wear, frame with age losses.
Daniel Huntington (American 1816-1905)
“Little Princess”
Portrait of a girl in a red bead necklace and white dress
Oil on canvas in giltwood frame
Signed lower right D.Huntington
19″ x 15″ sight size, 28″ x 24″ frame size
Provenance: From the Estate of Lawrence W. Hoyt Jr. of Ridgefield, Connecticut
Continental School (19th Century)
Female Nude Draped in Red Cloth in a Classical Landscape with Putti
Oil on canvas, laid on board
27″ x 13″
Provenance: Property from a Prominent New York City Collector
Continental School (Dutch or Flemish 17th Century)
Portrait of a Gentleman with Wig and Coat of Arms
Depicting a seated gentleman wearing wig and clerical robe, with hands resting on a book. At right, a painted coat of arms with red chevron and three red hearts, inscribed “1667.”
Oil on canvas
29″ x 14″ sight size
Provenance: Property from a Prominent New York City Collector
Condition: Craquelure, scattered restorations, relined. Frame with wear and losses.
Continental School (18th Century)
Portrait of a Bavarian Court Official, 1738
Oil on canvas, carved giltwood frame
bust-length portrait of a gentleman wearing a powdered wig and richly embroidered velvet coat, shown with one hand tucked at his waist, the sitter identified on verso with an inscription as a Hofkammer Rat (Court Chamber Councilor) and Commissarius for salt and provisions under the Elector of Bavaria, portrayed at the age of 36 and painted in the year 1738, verso also bears a painted family coat of arms with unicorn crest
33″ x 26″ sight size
Provenance: From a Park Avenue, New York Estate
Condition: Craquelure, surface wear and scattered restorations; frame with age wear and losses.
George de Forest Brush (American 1855-1941)
Portrait of a woman with green eyes and brown hair, in a red dress and shawl
Oil on panel
Signed upper right Geo de Forest Brush
Label on verso “on loan from Mrs. Pujol 7/7/75″
25″ x 18”
Provenance: The Estate of John L. Hughes of Southport, Connecticut
After Giovanni Battista Salvi, Il Sassoferrato (Italian 1609-1685)
“The Holy Family”
Old master style portrait of the Virgin Mary with the infant Jesus and Saint Joseph
Oil on canvas in Newcomb-Macklin Co. gilt frame
29″ x 38″
American or English School (18th/19th Century)
Portrait of a Gentleman
Depicting a gentleman in a dark coat with gilt buttons and a white cravat, his powdered hair tied back. Painted with restrained realism typical of late 18th century Anglo-American portraiture.
Oil on canvas, in giltwood frame
23″ x 17 1/2″
Provenance: Property from the Estate of Ross McKenzie long time 30 year employee of Clearing House Auction Galleries in Wethersfield, CT
Condition: Craquelure, surface wear, canvas relined on later stretcher, frame with age wear
In the Manner of Chester (Charles) Harding (American 1792-1866)
Portrait of a Gentleman
Depicting a man, possibly a judge, in a black coat and white stock, painted with the restrained realism and dark background characteristic of early 19th-century Anglo-American portraiture.
Oil on canvas
26″ x 21″
Provenance: Property from the Estate of Ross McKenzie long time 30 year employee of Clearing House Auction Galleries in Wethersfield, CT
Condition: Pronounced craquelure across the surface, minor losses; relined or later stretcher likely; frame with wear.
Henry Inman (American 1801-1846)
“Portrait of Miss Clifford”
Depicting a seated woman with curled dark hair, wearing a black dress with elaborate lace collar and satin bow, one hand resting on a leather-bound book, circa 1930
Oil on canvas
30″ x 24″
Provenance: Property of a Northeast Private Institution
American School (19th Century)
Portrait of a Young Woman Holding a Book, 1832
Depicting a woman with parted dark hair, dressed in a black gown with lace-trimmed collar and cuffs, holding a small book in her hands. Executed with the flat modeling and direct gaze characteristic of American folk portraiture of the early 19th century
Oil on canvas
Signed with initials and dated lower right M.J. 32
30″ x 24″
After Sir Godfrey Kneller (British 1646-1723)
Portrait of Queen Mary II (British 1662–1694)
A period or later copy of Kneller’s well-known portrait type of Queen Mary II, shown in ermine-lined coronation robes adorned with pearls and jewels. Kneller, principal painter to the monarch, established the standard image of the queen, which was repeated and adapted by followers throughout the late 17th and 18th centuries.
Oil on canvas, laid on board
28″ x 24″
Provenance: Property from the Estate of Ross McKenzie long time 30 year employee of Clearing House Auction Galleries in Wethersfield, CT
Condition: Canvas laid on board; surface craquelure, wear, and areas of inpainting consistent with age.
Large Carved and Polychrome Royal Coat of Arms of the United Kingdom
Boldly carved and painted wooden crest depicting the Royal Arms with lion and unicorn supporters, crown, and mottoes “Dieu et mon droit” and “Honi soit qui mal y pense” Likely produced for civic or ceremonial display, in the tradition of heraldic panels made for guildhalls and municipal buildings
38″ x 40″
Condition: Retains traces of original gilding and polychrome with expected wear and losses
Two Wooden Cooper’s Vessels
to include a small keg with spigot and iron bands together with a small firkin with wooden bands
Heights
Provenance: Property from the Estate of Ross McKenzie long time 30 year employee of Clearing House Auction Galleries in Wethersfield, CT
Condition: age cracks, wear, and losses consistent with age
Alexandre DeFaux (French 1826-1900)
“Printemps” (Springtime)
Barbizon School landscape depicting a farmyard in spring, with blossoming orchard trees, chickens in the foreground, and buildings beyond
Oil on canvas
Signed lower right A.DeFaux, old label on verso inscribed “Springtime by Alexandre Defaux, born at Bercy 1826. Medals 1874–1875. Legion of Honor 1881. Presented by S. P. Avery Jr.”
56″ x 78″
Provenance: Gift of Mr. Novogrod, W&E Sloane 414 Fifth Avenue New York, NY
Property of a Northeast Private Institution
Two-gallon crock with applied handles, decorated in cobalt blue with a stylized chicken perched on a dotted branch.
height 9 1/4 inches, diameter 9 1/2 inches
Provenance: Property from a Upper East Side, New York City Apartment
Condition: Small rim chips, surface wear, and imperfections consistent with age.
Stoneware Crock, D. Weston, Ellenville, N.Y.
19th Century
Three-gallon ovoid crock with applied lug handles, impressed D. Weston, Ellenville, N.Y., and decorated in cobalt blue with a stylized floral spray.
height 10 inches, diameter 11 inches
Provenance: Property from a Upper East Side, New York City Apartment
Condition: Minor rim chips and surface wear consistent with age and use.
A rectangular lift-top blanket chest in red/ brown painted surface, with dovetailed corners and iron lock.
height 40 3/4 inches, case width 36 1/4 inches, top 17 3/4″ x 38″
Condition: Top loose from hinges; surface wear, abrasions, age cracks, and paint losses consistent with use.
A monumental apothecary cabinet in mixed woods, fitted with 52 drawers, each with brass ring pulls and inset glass panels where labels were once displayed. The long rectangular case, originally with a top, is raised on bracket feet.
height 33 1/2 inches, width 94 inches, depth 11 1/4 inches
Condition: Surface wear, age cracks, stains and scuffs from use; scattered wear to glass panels.
Bow-Back Windsor Side Chair, 18th Century, Probably Connecticut
A bow-back Windsor side chair with seven spindles, shaped saddle seat, and turned splayed legs joined by stretchers. Retains an old finish. Height 34 1/2 inches, seat height 17 inches, seat width 16 1/4 inches Condition: surface wear, scratches, and age-expected imperfections.
English Queen Anne Mahogany Side Chair, 18th Century
The shaped back with a carved shell crest above a solid vase-form splat, flanked by serpentine stiles, over a slip seat, raised on cabriole legs carved at the knees and terminating in pad feet, joined by a shaped stretcher. Rich color and patina throughout.
Pair of French Neoclassical Directoire Tole Lamps
of tapering urn form set on square stepped pedestal bases, having gilt painted accents, originally oil lamps, now wired for electricity
height 34 inches
Provenance: From a Park Avenue, New York Estate
Chapin School Chippendale Cherry Highboy with Ball-and-Claw Feet
Windsor, Connecticut Area, 18th Century
An 18th-century cherry highboy in two parts, the upper case with broken-arch pediment terminating in rosettes, above a central long drawer with carved scroll design flanked by two short drawers, over four graduated long drawers. The lower case with a central fan-carved drawer flanked by two short drawers, raised on cabriole legs ending in ball-and-claw feet. Retains an old red finish and exhibits regional characteristics associated with the Windsor, Connecticut school.
height 80 1/4 inches, upper case width 35 3/8 inches, base case width 37 3/8 inches, depth 19 1/8 inches
Condition: Three drawers chipped on the right side; one key escutcheon broken off; brasses original; surface wear and age cracks consistent with age and use.
Near Pair of Bow-Back Windsor Armchairs
18th Century
Each with continuous bow back above spindles and shaped arms, saddle seats, and turned legs joined by stretchers. Well-patinated surface.
Height 39 inches, seat 18 1/2 inches, second chair height 40 1/4 inches, seat height 19 1/2 inches
Provenance: Property from a Essex, Connecticut estate
Condition: Age-expected wear; surface scratches, losses to one arm, scattered use marks.
Pair of English Porcelain Floral-Decorated Fruit Coolers and Covers
A handsome pair of English porcelain fruit coolers, each of baluster form with domed covers surmounted by loop finials, the bodies finely hand-painted with polychrome floral sprays and butterflies, and flanked by molded scroll handles. Both raised on circular feet. 19th century
height 12 ¾ inches, Width 11 ½ inches
Provenance: From a Park Avenue, New York Estate
Condition: Good overall; lacking inner liners, one handle restuck, scattered minor edge chips, surface wear consistent with age.
Two Meissen Reticulated Porcelain Compotes
Germany, Late 19th / Early 20th Century
A fine pair of Meissen porcelain pedestal compotes, one surmounted by a standing female figure with basket, both with turquoise lattice work borders, gilt highlights, and hand-painted reserves of floral sprays and figural scenes. Each base with underglaze blue crossed swords mark.
heights 16 inches, 9 inches
Provenance: Property from the Estate of Sally G. Chubb, Bernardsville, New Jersey.
12 Piece Grouping of Bohemian Cut-to-Clear Cranberry Glass Stemware, 19th / 20th Century
Comprising twelve stems in two different patterns, including six with diamond-point cut decoration and six with engraved panels. height 4 7/8 inches and 5 inches respectively
Provenance: From a Park Avenue, New York Estate
Condition: some with small chips; minor wear consistent with age and use.
Group of Early Blown Glass Stemware
18th/19th Century
A collection of 24 clear blown glass stemware pieces, including flared wine glasses, cordials, and goblets in various forms, some with folded feet and air twists. One example decorated with enameled design
Heights 3 1/2 inches to 6 inches
Provenance: Property from the Estate of Ross McKenzie long time 30 year employee of Clearing House Auction Galleries in Wethersfield, CT
Condition: Surface wear, scratches, small rim chips, and imperfections consistent with age and use.
Nine Piece Group of Figural Toby Jugs and Figurines
A collection of English and Continental figural toby jugs and character figurines, including seated and standing toby-type forms, miniature mugs, and related examples.
tallest height 10 inches
Provenance: Property from the Estate of Ross McKenzie long time 30 year employee of Clearing House Auction Galleries in Wethersfield, CT
Condition: chips, wear, and imperfections consistent with age and use
Pair of Blue and White Delft Pottery Lamps
19th/20th Century
A pair of blue and white Delft pottery vases, each decorated with floral scrolls and reserves, now mounted as table lamps on wooden bases.
total height 22 inches overall (including fittings), vase height 10 inches
Provenance: Estate of Nina Silberstein, former CEO of David Webb
Condition: Very good overall with minor glaze wear and small chips; lamp fittings later.
Large Delft Polychrome Deep Charger, 18th Century
Dutch Delft earthenware deep charger hand-painted in polychrome enamels with a central vase of flowers and birds within a scrolling floral border. Signed ‘H-D-K’ and marked with pennant number 2 on reverse
Diameter 16 5/8 inches
Provenance: Property from a Essex, Connecticut estate
Condition: Minor glaze wear and small rim chips consistent with age; no major cracks or repairs visible.
Large Delft Polychrome Deep Charger – Saint George and the Dragon, 18th Century
Dutch Delft earthenware deep charger hand-painted with Saint George slaying the dragon in polychrome enamels within a bold stylized border. Signed ‘AR’ on reverse.
Diameter 13 5/8 inches
Provenance: Property from a Essex, Connecticut estate
Condition: Minor glaze wear and small rim flakes consistent with age; no major cracks or repairs visible.
The rosewood case with circular painted Roman numeral dial signed E. Howard & Co., Boston, above a long throat panel with gilt and black reverse-painted glass, the lower box with curved door fitted with gilt and black glass panel centering a shaped window revealing the pendulum.
Height 29 inches, width 11 inches
Provenance: Property from a Essex, Connecticut estate
Condition: Good overall; age-expected wear, some flaking and losses to reverse-painted panels. Cracked bottom glass, likely not original Howard clock.
E. Howard & Co. Banjo Clock, Boston
19th Century, An American banjo clock by E. Howard & Co., Boston, the painted Roman numeral dial signed “E. Howard & Co. Boston,” housed in a rosewood case with eglomisé glass throat panel and lower door.
height 38 inches
Provenance: Property from a Essex, Connecticut estate
Condition: Lower eglomisé panel cracked; throat glass with losses; case with wear consistent with age.
Pair of Giltwood Pier Mirrors with Two-Part Glass
19th Century
A pair of large rectangular giltwood pier mirrors, each fitted with two-part glass plates. The frames with applied classical scroll and foliate decoration at the corners and centers, retaining their gilded surface with molded inner borders.
63 1/4″ x 52″
Condition: Very good overall; minor gilt losses and scattered age wear.