Two: Charles Schmidt (American B.1939)
“Pear Scale”
Watercolor on Arches paper
Signed lower left Charles Schmidt, signed and titled verso
19″ x 29″
“The Element”
Watercolor on Arches paper
Signed lower right Charles Schmidt, signed and titled verso, inscribed “Rosenfeld Gallery” verso
29″ x 21 1/2″
Three Decorative Framed Abstracts to include
Clinton Cline (American 1934-2019)
“Divided Panels”, 1979
Mixed media, watercolor on paper
Signed and dated lower right Clinton Cline ’79
Enrico Embroli (American B.1954)
“Tabloid XVIII”
Monotype, edition 52/130
Signed lower right Enrico Embroli
Antoine Desjardins (French B.1955)
“Study for an Architectural Sculpture”, 1985
Mixed media, guache, pencil on paper
Signed and dated lower right Antoine Desjardins 85
42″ x 28″ largest frame size
Alexander Semyonovitch Liberman (Russian / American 1912-1999)
Untitled Green, Yellow, Red Triangle, 1969
Crayon / oil pastel on paper
Signed and dated lower right “A. Liberman 69″
23″ x 30”
Provenance: The Betty Parsons Gallery, New York City
Doug Anderson (American B.1954)
“Wild Roses”, 1988
Acrylic, oil on fabric
Signed, titled and dated on verso, Anderson 1988
68″ x 70″
Provenance: Stux Gallery, 411 W. Broadway, New York
Ed Ruscha (American B.1937)
Question & Answer, from Etc.; If; South; Question & Answer (Engberg 210), 1991
Lithograph on Rives BFK paper, edition 1/50
Signed and dated lower right Ed Ruscha ’91
Published by Creative Works Editions, Osaka, Japan, with the blindstamp of the printer, Hamilton Press, Venice, California
9 1/4″ x 12 1/2″ plate size
Two: Joseph Sweeney (American B.1950)
Neighborhood Street Scene, 1985
Oil on board
Signed and dated Joseph Sweeney June ’85
9 1/2″ x 11 1/2″
Neighborhood Street Scene II, 1985
Oil on board
Signed and dated Joseph Sweeney June 25, 1985
8″ x 11″
Complete Set of Six: Carol Summers (American 1925-2016) from “Inside the Palace, A Bow to India”
“Nurpur”, “Bundi”, “Mankot”, “Kulu”, “Chamba”, “Malwa”, Circa 1980
Woodblock prints in color on Japanese Paper, edition 114/200
Signed, titled and numbered Carol Summers
13″ x 13” each frame size
Mike and Doug Starn (American B.1961)
Plant Leaf, 1988
Mixed media, lucite photograph on wood board
Signed on verso Doug & Mike ’88
48″ x 7″
Provenance: Gift from the artists Mike and Doug to the current owners, Christmas 1988, inscribed on verso
Victor Vasarely (French/Hungarian 1906-1997)
Untitled Black and White Dots
Silkscreen
Signed in crayon Vasarely
“Denise René Vous Présente Ses Meilleurs Vœux 1959”
8″ x 6 1/2″
John Singer Sargent (American 1856-1925)
“Study of a Seated Male in a Roundel”, circa 1921
for the Rotunda of the Museum of Fine Arts, Boston
Collotype on Michallet, France laid paper
Signed in plate
Published by the Museum of Fine Art, Boston, after a drawing in the collection of the Isabella Stewart Gardner Museum
20″ x 17″ sight size
Richard Linder (German / American 1901-1978)
Parrot Lady Banner, 1971
Felt tapestry collage with suede satin, velvet, and feathers
Signed and dated lower left “R. Linder 1971″
76″ x 50”
Lazar Vozarević (Serbian 1925-1968)
“Glava Žene” (Head of a Woman)
Boldly stylized modernist portrait depicting a woman’s head rendered in a striking bifurcated composition, the face divided into contrasting chromatic planes of muted lavender and saturated yellow, outlined with heavy black contours, executed in Vozarević’s distinctive post war modernist idiom, blending elements of Cubism, Expressionism, and Balkan folk abstraction
Tempera on paper (or board)
18 1/2″ x 13 1/2″
Provenance: Accompanied by a certificate of authenticity issued by the National Museum, Belgrade, dated October 15, 1984, confirming the work as an original by Lazar Vozarević
Three: Bernar Venet (French B.1941) from Line, Arc, Angle Suite
“Position of an Undetermined Line”, 1981
Lithograph, edition 30/35
Signed and dated lower right Venet Bernar ’81
20″ x 26″ (without glass)
“Position of Two Acute Angles of 42.5° Each”, 1981
Lithograph, edition 30/35
Signed and dated lower right Venet Bernar ’81
20″ x 26″
“Position of Three Major Arcs of 256.5° Each”, 1981
Lithograph, edition /35
Signed and dated lower right Venet Bernar ’81
20″ x 26″
Thomas Fogarty Jr. (American 1916-1989)
Park Scene
Oil on canvas
Signed lower right Fogarty
29″ x 40″
Provenance: Gifted to The Bronx Historical Society by the Estate of Joan Schneeweiss
Rene Margotton (French 1915-2009)
“Mas Aux Oliviers D’Or”, Farmhouse at the Golden Olive Trees
Oil on canvas
Signed lower left Margotton, signed and titled on verso Mas Aux Oliviers D’Or Rene Margotton
18″ x 24″
Provenance: Newman Galleries, 1625 Walnut St, Philadelphia, PA
Three: Gordon Mansell (American B.1932)
“Grand Teton and Mount Moran – From Jackson Lake Evening”, August 1981
“Mount Moran and Grand Teton from North Jackson Lake – Afternoon”, August 15th, 1981
“Shiprock from Mesa Verde- Colorado – Evening” August 1980
Watercolors on paper
Each signed and dated lower right Gordon Mansell
20″ x 37″ largest frame size
Elger Esser (German B.1967)
“Under the Manneporte, France”, 2000
C-print, printed in 2002, mounted under Diasec
Gallery label bearing the title, date, and edition number ‘6/7’ (back of frame)
31 1/2″ x 49″
Provenance: Christies, 11/09/2021, Lot 39 ($1,100)
Prestigious French Private Collection, 2010-2021
Thaddaeus Ropac Gallery, Paris
Peter Hvidt and Orla Molgaard-Nielsen Open Front Bookcase
in two parts, having Soborg Mobler tag on back, can be separated into two stand alone bookcases if desired
height 30 inches, width 35 1/2 inches, depth 11 inches each
Pair of Faux Bamboo Etageres
with Chinersarie shelves all in Chinese taste, late 19th century
height 50 inches, width 14 1/2 inches, depth 12 inches
Provenance: Property from a Upper East Side, New York City Apartment
Five Piece Faux Bamboo Dinette Set
to include a set of four faux bamboo chairs and a table having rattan and lucite legs with a glass top
table height 28 1/2 inches, table diameter 42 inches, chair height 40 inches
Provenance: Estate of Nina Silberstein, former CEO of David Webb
Brass and Rock Crystal Six Light Chandelier
having teardrop and flower form accents, now wired for electricity, height approximately 38 inches
Condition: very good condition, a few missing balls
Schonbek “Scheherazade” Nine Light Chandelier
featuring black metal scrolling arms wired with clear Swarovski Elements crystal, hand blown hanging spheres and hand cut bohemian crystal
height 40 inches, diameter 32 inches
Provenance: From an Upper East Side, Fifth Avenue Apartment
Bernard Corey (American 1914-2000)
Early Spring Hills Landscape
Oil on canvas board
Label on verso with signed certificate of authenticity by Paul Royka
10″ x 14″
Provenance: Royka’s Fine Art, Massachusetts, from the Estate of Bernard Corey
Bernard Corey (American 1914-2000)
“Mountain River
Oil on masonite
Signed lower right Bernard Corey
Label on verso with signed certificate of authenticity by C.Kenneth Corey (nephew and heir to the estate)
7″ x 12”
Provenance: Royka’s Fine Art, Massachusetts, from the Estate of Bernard Corey
Bernard Corey (American 1914-2000)
Early Spring Landscape with Bare Trees
Oil on masonite
Label on verso with signed certificate of authenticity by Paul Royka
9″ x 12″
Provenance: Royka’s Fine Art, Massachusetts, from the Estate of Bernard Corey
Robert Dash (American 1931-2013)
“Violet’s Weather”, 1981
Pastel on paper
Signed lower right Robert Dash
22 3/4″ x 31 1/2″
Provenance: Hirschl & Adler Galleries, New York
Kenneth (Ken) Batista (American 20th/21st Century)
“Firm Foundation” from the Geometric Progression Series, 1982
Mixed media, pencil, acrylic/oil on paper
Signed and dated lower right K.Batista ’82
22 1/2″ x 30″
Osamu Tezuka (Japanese 1928-1989)
“Astro Boy”
Pencil on paper pamphlet
Signed lower left O.Tezuka
8″ x 11″
Provenance: Japan Week “Friendship Through Understanding”, Hartford, CT, September 17-23, 1987
Franklin P. Modell (American 1917-2016)
“Why Don’t You Go and Fetch Something?”
Pen and ink on paper of a cat and dog
Signed lower right Modell
14″ x 12″
Osamu Tezuka (Japanese 1928-1989)
Samurai Character and Sword
Marker on paper
Signed lower left O.Tezuka
32″ x 27″
Provenance: Japan Week “Friendship Through Understanding”, Hartford, CT, September 17-23, 1987
Osamu Tezuka (Japanese 1928-1989)
Cowboy Character
Marker on paper
Signed lower right O.Tezuka
32″ x 27″
Provenance: Japan Week “Friendship Through Understanding”, Hartford, CT, September 17-23, 1987
Keith Milow (British B.1945)
Untitled (Beuys) 1988
Oil on lead
Signed and dated lower right Keith Milow ’88
24 1/2″ x 14″
Provenance: The Harcus Gallery, 3/05/1988 ($1,500) copy of sale receipt available
Henry-Gabriel Ibels (French 1867-1936)
“L’Acrobate”
Pastel on paper
Signed lower left H.G.Ibels
17″ x 10″
Provenance: Barnabas McHenry , Esq. 7/31/1984
Mercury Gallery, London
Gino Severini (Italian 1883-1966)
“Les Arlequins” The Harlequins, 1954
Lithograph, edition 37/220
Signed lower right Gino Severini, published by Guilde de la Gravure, Pully-Lausanne
15″ x 11″ plate size