Pair of Upholstered Open Armchairs, with silvered frames, slight imperfections to top of one chair, height 51 inches, seat height 16 inches, width 29 inches.
Two Steuben Art Glass Vases, to include green jade glass vase, along with a vase with flared rim and pink threading, both unmarked, heights 6 1/2 and 8 1/2 inches. Provenance: Estate of James Wadhams
Two Steuben Art Glass Pieces, to include blue iridescent Steuben aurene glass bowl, having footed base, along with gold iridescent vase marked Aurene, (cracked), height 10 1/2 inches, diameter 11 5/8 inches.
Charles Lotton Art Glass Vase, having yellow and red flowers, signed and dated to the underside “Charles Lotton, 1974”, height 8 1/2 inches, diameter 4 1/4 inches. Provenance: Estate of James Wadhams
Five Piece Art Glass Lot, to include a Tiffany & Company favrille toothpick holder marked “Lot 105” to the underside; an Orient & Flume iridescent glass vase marked “Orient & Flume, 1979, 0268” to the underside; along with a small Steuben blue iridescent glass footed bowl marked “Steuben 3198” to the underside, two iridescent vases unmarked, Orient & Flume height 9 inches. Provenance: Estate of James Wadhams
Five Piece Group of Murano Glass, to include a Lundberg Studios paperweight vase signed on the underside; a Charles Lotton “Multiflora” decanter, signed on the underside; an Orient & Flume paperweight vase, signed to the underside, along with two unmarked pieces including a Millefiori compote and paperweight vase having fish motif, compote height 6 inches, diameter 7 1/8 inches. Provenance: Estate of James Wadhams
Group of Three Mount Washington Coralene Vases, in pink, yellow, and green, heights 6 3/4, 6 3/4, and 7 1/2 inches. Provenance: Estate of James Wadhams
Lalique “Ermenonville” Frosted Crystal Footed Vase, signed to the underside “Lalique, France”, height 6 inches, diameter 3 7/8 inches. Provenance: Estate of James Wadhams
Group of Five Lalique and Steuben Paperweights, to include a crystal horse head marked Steuben to the underside, along with a Lalique bison, owl, pigeon, and female figure, all marked Lalique, tallest 6 3/4 inches. Provenance: Estate of James Wadhams
Contemporary paperweight having five Stacks of One Dollar Bills in Acrylic, 1969 C series, this appears to be a $500 in one dollar bills, ‘no guarantee’, buy it as a great paperweight, 7 1/4″ x 3 1/2″ x 2 1/2″. Provenance: Estate of James Wadhams
Three Box Lots of Satin Glass, to include a Burmese cup and creamer, a pink saucer, two decanters, a pink candle stick, a quilt pattern, pink biscuit jar, pair of multicolored quilt pattern vases, pair of pink and blue vases, along with several other pieces, height of candlestick 9 inches. Provenance: Estate of James Wadhams
French Enameled Brass Mantle Clock, having painted enameled sides of a female figure and a mountain landscape painted under the clock face, and a cloisonne finial, height 12 inches, width 5 3/4 inches, depth 4 3/4 inches. Provenance: Estate of James Wadhams
Two Contemporary Mirrors, to include Continental style rectangle mirror with gilt and glass frame, along with a painted, framed mirror, 27 1/2″ x 24″ and 39″ x 26″.
Baroque Style Ebonized and Faux Tortoiseshell Painted Rectangular Mirror, having a cushion molded frame, height 48 inches, width 36 inches. Provenance: The Estate of Gloria Schiff, 630 Park Avenue, New York.
Five Piece Framed Group, to include two autographed posters from the WIlliamstown Theater Company; a Robert Bass autographed page from the Opera Verdi; a Bernard Buffet reproduction print; along with a Henry Bernstein mural reproduction, largest sight size 18″ x 39″.
Six Piece Group of Contemporary Prints, to include a Gabrielle Brill lithograph in colors, figures dancing on pink background, signed, editioned, and dated in pencil through the lower margin; an orange and black abstraction, signed “Pomey” in plate, numbered ‘195/275’ in pencil lower left; a contemporary green landscape lithograph in colors on paper, inscribed in plate “Chisholm Estate 1931”, signed, titled, dated, and editioned indistinctly in pencil; Two Flowers with a figure, etching in colors, signed and dated indistinctly in the lower margin; “Boy Feeding Pigeon” etching in color, signed “Jack Bilander”, titled and dated in pencil in the lower margin; along with an abstract cityscape, lithograph in colors, signed indistinctly in pencil lower right, sight size of largest: 19 1/2″ x 26 1/4″.
Three Piece Lot of Framed Posters, to include a Richard Lindner exhibition poster; a Tate Gallery “Modern Masters” exhibition poster, sight size 29 1/2″ x 19 1/2′; along with a framed reproduction of “Barley Field” by Carl Laubin, all unsigned.
Five Piece Lot, to include a large female portrait, oil on canvas, signed lower right “Rene Cazassus”; unframed female nude, acrylic on canvas, signed lower right “Kitt Vancee”; circle or women dancing, pastel on paper, unsigned; farmer with a shovel, gouache on paper signed illegibly lower right; along with Haitian farmers picking oranges by Jeannet Sanon, acrylic on canvas, signed “Sanon” lower left; largest 39 1/4″ x 25 1/2″.
Four Piece Lot of Abstract Art, to include an abstract cityscape, oil on board, signed indistinctly lower right; yellow geometric abstraction, oil on canvas laid on board, signed indistinctly lower right; pink flowers on a blue background, acrylic on canvas, unsigned; along with a large red abstract composition, acrylic on canvas, unsigned, largest 38 1/4″ x 44″.
Robert Allen Furniture Five Piece Lot, to include a bench, two low back, along with two high back blue leather seats, seat heights 23 1/2 inches, length 47 1/2 inches. Provenance: David and Cynthia Kim, 22 Stoney Wylde Lane, Greenwich, Connecticut. View home by visiting: https://www.zillow.com/homedetails/22-Stoney-Wylde-Ln-Greenwich-CT-06830/177238281_zpid/
Large Louis XV Style Dining Table, attributed to Auffray and Company Furniture, along with two extra 24″ leaves, open 158 inches, height 30 inches, top 48″ x 110″.
Ten Piece Group of Porcelain Lladro Figures, to include six inuit children, two girls with geese, one figure with an umbrella, each marked; along with two figures holding a poppy, all marked to the underside, height of tallest 9 3/4 inches. Provenance: Estate of James Wadhams
Ten Piece Group of Lladro Porcelain Figures, to include girls holding ducks, puppies, and a turkey; each marked to the underside, some having minor breaks and repairs, height of tallest 9 3/4 inches. Provenance: Estate of James Wadhams
Two Tray Lots of Lladro Porcelain Figures, to include a large figure of Christ, a Christmas tree, several religious figures, align with a fairy godmother, height of tallest 15 1/2 inches. Provenance: Estate of James Wadhams
Lladro Porcelain Hawaiian Girl Figure, wearing a lei and sitting with a dove, marked to the underside, height 14 inches. Provenance: Estate of James Wadhams
Two Large Lladro Porcelain Figures, to include Don Quixote with a sword, along with a violin player, both marked to the underside, height 16 1/2 inches. Provenance: Estate of James Wadhams
Two Pairs of Porcelain Cockatoo Figurines, to include a pair modeled after J. T. Jones, along with a pair of Royal Dux cockatoos, all marked to the underside, heights 16 and 12 1/2 inches. Provenance: Estate of James Wadhams
Two Pairs of Cranberry Cut to Clear Glass, to include a pair of candlesticks having flared rims, along with a pair of vases with castle, bird, and stag decoration, heights of vases 10 1/2 inches, heights of candlesticks 10 1/4 inches. Provenance: Estate of James Wadhams
Two Pairs of Cranberry Glass, having white overlay and painted foliate decoration, to include a pair of decanters and a pair of lusters with 10 prisms each, along with a flared scallop rim, luster height 12 1/2 inches, decanter height 15 inches. Provenance: Estate of James Wadhams
Three Piece Figural Girandole Set, to include a pair of candlesticks, along with three-armed candelabra, each mounted on marble base, height of tallest 17 inches. Provenance: Estate of James Wadhams
Group of Four Vue D’Optique Engravings, to include two by Israel Silvestre, “Chasteau Royal de Versailles, veu de l’avant-cour”, “Chasteau de Versailles, vue de l’avant cour”; along with two hand colored engravings, “Vue de Chateau de St. Germain en laye” and “Maison du Belvedere a Rome”; largest image 13 1/2″ x 19 1/4″.
June Leaf (American/Canadian, b. 1929), More Studies for Women Theaters, 1969, watercolor with collage on paper, signed lower right “June Leaf”, 19 3/4″ x 25 1/2″, Galerie le Chat Bernard and Virginia Lust Gallery labels verso.
Two Piece Lot, to include “Indian Summer” and “Secret Window”, geometric abstractions, oil and encaustic on canvas, each signed indistinctly and titled on the reverse, 32″ x 36″ and 36″ x 20″.
Three Piece Group of Parisian Architectural Street Scenes, to include one lithograph in colors by Pierre Clements, along with two acrylics on canvas, both signed indistinctly lower right, largest 18 1/2″ x 25 1/2″.