Signed Joseph Alfred Laing Gold Wrapped Violin Bow
stamped A.Laing Paris, having gold wrapped stick and accents on frog along with mother of pearl
length 29 inches
Johannes Gagliano Violin
having paper label signed “Johannes Gagliano Nepos Januari fecit Neapoli 1800”, likely late 19th/20th C. copy, along with case and bow
overall length 22 inches
Provenance: From a Briarcliff Manor Estate
Two Signed Violin Bows
one stamped Vuillaume a Paris (Jean-Baptiste Vuillaume), the other is silver wrapped and stamped illegibly
both 29 1/4 inches long
Twelve Violin Bows
two stamped Bausch, one stamped Roman Werner, one stamped illegibly, all in various states some are just the stick
longest 29 1/4 inches
Two 19th/20th C. Reproduction Violins
one a copy of antonius Stradivarius, the other of a Michele Angelo Bergonzi (son of Carlo Bergonzi), each with paper label, both with cases and one bow
both overall length 23 1/3 inches
Francesco Ruggieri Model Violin
having paper label reading ” Francesco Ruggeri det il per/ in Cremona I Anno 16″, most likely 19th/20th c. reproduction, has handwritten repair history inside dating to 1945, along with case and bow
overall length 23 1/2 inches
Group of Three Antique Phonographs: Victor Victrola Orthophonic VV 4-40 and VV-405 Consoles, and Columbia Grafonola Floor Model
to include Victor Victrola Talking Machine VV 4-40 Orthophonic Phonograph Console
height 37 inches, width 36 inches, depth 19 inches
Columbia Grafonola Cabinet Floor Model Phonograph
height 43 inches, width 19 inches, depth 21 inches
Victor Victrola Talking Machine VV-405 Console having B.B. Todd (Philadelphia) marked cabinet with two drawers over two double doors, serial #13438
height 35 inches, width 37 inches, depth 21 1/2 inches
Sir Cecil Beaton (British, 1904-1980)
“Lady Tavistock in an Amethyst Dress”
Watercolor, gouache and ink on paper depicting a woman wearing an elaborate purple gown featuring puffed sleeves and a high collar, standing in an interior.
Signed lower right Beaton, titled and inscribed along lower edge
17″ x 11 1/2″ sight
Provenance: Sotheby’s, New York, Dance, Theater and Opera, December 9, 1998, sale 7236, lot 144, purchased for $1,150, copy of original receipt available
From the Robert E Gilroy Estate of Hampton, Connecticut
Two: Eugene Berman (Russian/American, 1899-1972)
Costume and Designs for Balanchine’s Ballet “Roma”, 1955
Watercolor, gouache, ink on paper to include two theatrical costume designs depicting male figures in red and black costumes, each titled “Roma” at top
Each bearing the artist’s monogram beneath the image E.B. 1955
8 1/2″ x 6 1/2″ sight
Provenance: likely Sotheby’s, New York, Dance Theatre, December 15, 1981, Sale 4762M, Lot 87, purchased for $880 copy of original receipt available;
From the Robert E Gilroy Estate of Hampton, Connecticut
Tony Walton (British, 1934-2022)
“Anything Goes,” 1987
Watercolor and gouache on paper, original theatrical costume design depicting Billy Crocker wearing a navy blue blazer and white trousers, holding a cigarette.
Signed lower right T.W, inscribed “Anything Goes,” “Billy Crocker,” “Howard McGillin,” and dated 1987
17″ x 11 1/2″ sight
Provenance: From the Robert E Gilroy Estate of Hampton, Connecticut
Robert Fletcher (American, 1922-2021)
“Costume for Paul Taylor from Beauties and Their Beasts,” 1960
Gouache on paper depicting a theatrical Anubis costume design for Paul Taylor in Beauties and Their Beasts by Bertram Ross.
Original label verso
20″ x 12″ sight, 26 1/2″ x 18 1/2″ frame
Provenance: Charles Spencer Theatre Gallery, London, purchased for $350,
From the Robert E Gilroy Estate of Hampton, Connecticut
Eugene Berman (Russian/American, 1899-1972)
Scenic Design for Balanchine’s Ballet “Roma”, 1955
Watercolor, gouache, ink on paper depicting a winged angel standing atop a decorative pedestal
Signed in artist’s monogram beneath the image E.B. 1955
11 1/2″x 8 1/2″ sight, 15″ x 11 1/2″ frame
Provenance: likely Sotheby’s, New York, Dance Theatre, December 15, 1981, Sale 4762M, Lot 86, purchased for $880 copy of original receipt available;
From the Robert E Gilroy Estate of Hampton, Connecticut
Eugene Berman (Russian/American, 1899-1972)
“Costume Design for Rigoletto Act II, Scene IV,” 1951
Watercolor, gouache and ink on paper
Signed in initials E.B. 1951
15″ x 9″ sight, 23″ x 17″ frame
Provenance: Sotheby’s, New York, June 22, 1983, Sale No. 5071, Lot 167, sold for $550, copy of original receipt available
Larcada Gallery 23 E. 67th St., NYC
From the Robert E Gilroy Estate of Hampton, Connecticut
Two: Eugene Berman (Russian/American, 1899-1972)
“Female Saint” (possibly the Virgin Mary) 1959
“Dancing Shepherd,” 1952
Watercolor, gouache and ink on paper, depicting a robed religious figure and a dancing shepherd, respectively, each bearing an artist’s monogram E.B. and dated, housed in matching decorative gilt frames.
Saint 12″ x 8 1/2″ sight, 18″ x 14 1/2″ frame, Shepherd 10″ x 8″ sight, 17″ x 14″ frame
Provenance: Sotheby’s, New York, March 27, 1982, No. 4849, Lot 108, purchased for $660, copy of original receipt available
M. Knoedler & Co., New York, inventory numbers A-10108 and A-10107;
Frank Perls Gallery, Beverly Hills, California, inventory numbers 1127 and 1136;
From the Robert E Gilroy Estate of Hampton, Connecticut
Two: Leon Bakst (Russian, 1866-1924)
Two Costume Designs for a Boeotian in “Narcisse” and Nijinsky’s Faun Costume in “L’Après-midi d’un Faune,” 1911
Screen Prints in color
Each signed Bakst
20″ x 14″ sight
Provenance: Woodbury Auction Services, Inc., Woodbury, Connecticut, March 9, 1996, inventory no. 108, purchased for $1,100, accompanied by original receipt
From the Robert E Gilroy Estate of Hampton, Connecticut
Hein Heckroth (German, 1901-1970)
“Costume for a Musician,” 1935
Gouache on paper, theatrical costume design for “Ballade,” a ballet by Kurt Jooss, Gaiety Theatre, London
Signed and dated lower right Heckroth 35
11 1/2″ x 8″ sight
Provenance: Charles Spencer Theatre Gallery, London, original label verso, purchased in 1986 for $200, copy of original receipt available
From the Robert E Gilroy Estate of Hampton, Connecticut
Exhibition: Theater Exhibition, Liestal, Switzerland, 1976, catalog no. 115, per label verso
Raoul Henri Pene DuBois (American, 1912-1985)
“Stage Design Sketch”
Pencil on paper depicting a stylized female figure in flowing drapery, standing among architectural and decorative elements,
16″ x 11″ sight
Provenance: Broadway Cares, Broadway Flea Market & Grand Auction, New York
From the Robert E Gilroy Estate of Hampton, Connecticut
Two: Gaston Noury (French, 1866-1936)
“Le Parisien”
Watercolor and pencil on paper studies of two elegant French women
Each signed lower right Gaston Noury
13 1/2″ x 7 3/4″ sight
Provenance: Marina Henderson, London, purchased November 27, 1986, for £350, accompanied by the original invoice
From the Robert E Gilroy Estate of Hampton, Connecticut
Two: Count Ladislas Czettel (Hungarian, 1904-1949)
Pair of Theatrical Costume Designs for “A London Rhapsody,” 1937
Gouache and metallic paint on paper depicting two elaborate Hungarian costumes in vibrant colors and decorative patterns, designed for the London Palladium production.
Each signed lower right Czettel
19″ x 13″ frame
Provenance: Charles Spencer Theatre Gallery, London, per original label verso.
From the Robert E Gilroy Estate of Hampton, Connecticut
Christian Berard (French, 1902-1949)
Theatrical Costume Design of a Bride
Watercolor, pen and ink on paper
Signed lower left C. Berard
12″ x 9″ sight
Provenance: Sotheby’s, New York, Modern Haitian & Latin American Paintings and Drawings, March 27, 1982, sale 4849M, lot 98, purchased for $275, copy of original receipt available
From the Robert E Gilroy Estate of Hampton, Connecticut
Christian Berard (French, 1902-1949)
Theatrical Costume of a Queen and Attendants
Watercolor, pen and ink on paper
Signed lower left C. Berard
12″ x 9″ sight
Provenance: Sotheby’s, New York, Modern Haitian & Latin American Paintings and Drawings, March 27, 1982, sale 4849M, lot 98, purchased for $275, copy of original receipt available
From the Robert E Gilroy Estate of Hampton, Connecticut
Eugene Berman (Russian/American, 1899-1972)
Study depicting figures in a public garden featuring a statue on a pedestal, 1932
Pen and ink on paper
Signed and dated lower right E. Berman 1932
22″ x 17 1/2″ frame
Provenance: From the Robert E Gilroy Estate of Hampton, Connecticut
Eugene Berman (Russian/American, 1899-1972)
Female costume study for Romeo and Juilet, 1943
Watercolor, gouache, pen and ink on paper
Signed and dated in intials lower center E.B. ’43
12″ x 9″ sight
Provenance: From the Robert E Gilroy Estate of Hampton, Connecticut
Two: Eugene Berman (Russian/American, 1899-1972)
Study of woman in a long dress standing beside a chair, 1943
Watercolor, and ink on paper
Signed in initials E.B. and dated 1943
16 1/2″ x 12″ sight
along with a lithograph depicting six figures, circa 1935
Provenance: Gift from Henry-Russell Hitchcock to A.P., per handwritten label verso; Christie’s East, New York, American Watercolors & Works on Paper, September 25, 1990, Sale 7069, Lot 152, purchased as part of a group of three for $3,960, copy of original receipt available
From the Robert E Gilroy Estate of Hampton, Connecticut
Four: Lester Polakov (American, 1916-2006)
Theatrical Costume and Set Designs
Watercolor, gouache, ink and pencil on paper, to include two costume designs depicting figures in elaborate birdlike costumes, identified as Fabian and Feste; a costume design for Malvolio (Fritz Weaver) from “Twelfth Night,” 1959, having fabric swatches and handwritten annotations; and a theatrical stage set design depicting an architectural interior from “Beggar’s Opera” 1959
Each signed and inscribed throughout, Palokov ’59
15 1/2″ x 18 1/2″ largest frame
Provenance: Broadway Cares, Broadway Flea Market & Grand Auction, New York, September 20, 1991; purchased for $300, copy of receipt available
From the Robert E Gilroy Estate of Hampton, Connecticut
Oliver Messel (British, 1904-1978)
Costume Design of a Renaissance Knight
Pen and ink and watercolor wash on paper depicting a theatrical figure in elaborate armor featuring puffed sleeves, decorative doublet, feathered hat, and holding a tall staff, standing before an architectural setting
Inscribed lower left Oliver Messel to Jo Mielziner.
14″ x 11″ sight
along with four pencil and on paper sketches depicting 18th-century military and figural scenes, including soldiers, Native Americans, women in period dress, each initialed J.D., artist unidentified
Provenance: Richard Stoddard Performing Arts Books, New York; purchased September 17, 1988, for $250, copy of original receipt available
From the Robert E Gilroy Estate of Hampton, Connecticut
Walford Graham Robertson (British, 1866-1948)
“Costume design for Sir Herbert Beerbohm Tree as Richard II”, 1903
Cut paper, mixed media, watercolor on paper
Signed upper right Graham Robertson
19″ x 13″ sight
Provenance: Charles Spencer Theatre Gallery, London, 1986, purchased for $125
From the Robert E Gilroy Estate of Hampton, Connecticut
Anthony Nelle (Polish/American, 1894-1977)
“Grande Valse,” Film Production Decor
Mixed media, gouache and silver paint on cut paper, original theatrical film set design depicting an elaborate Art Deco stage setting in black, white, and silver
Inscribed lower left 57.R – Grande Valse – Film Productions.
13 1/2″ x 18″ sight
Provenance: Sotheby’s, New York, Dance, Theater and Opera, December 9, 1998, Sale 7236, Lot 205, purchased for $805, copy of original receipt available
Provenance: From the Robert E Gilroy Estate of Hampton, Connecticut
Two Framed Theatrical Costume Designs to include
Martin Pakledinaz (American, 1953-2012), “Virgilia” for “Coriolanus,” 1986; and Elizabeth Montgomery Evans (American, 1899-1988), “The Witch of Edmonton,”
Mixed media, watercolor, pen and ink on paper
Each marked and inscribed
18″ x 14″ largest frame
Provenance: From the Robert E Gilroy Estate of Hampton, Connecticut
Three: Franco Colavecchia (American, B.1937)
two mime doll designs for “La Cenerentola,” Los Angeles Opera, 1987; along with set design for “Casanova” 1985
Mixed media, watercolor, gouache on paper
Each signed and annotated
17″ x 22″ largest frame
Provenance: From the Robert E Gilroy Estate of Hampton, Connecticut
Four: James Reynolds (American, 1891-1957)
Costume Designs for “Goyescas”, 1932
Watercolor and pencil on paper depicting theatrical costume designs for singers in the opera “Goyescas,”
Each signed with the artist’s initials
31″ x 23 1/2″ frame
Provenance: Sotheby’s, New York, April 23, 1986, No. 5448, Lot 120A, purchased for $935, copy of original receipt available
From the Robert E Gilroy Estate of Hampton, Connecticut
Three: Desmond Heeley (British 1932-2016)
costume design for the National Ballet of Canada “The Merry Widow,” 1986; costume for “Gadshill, Bruna, Henry IV”, 1965; costume for “Rosencrantz and Guildenstern Are Dead” Roger Kemp, Player King”
Signed Heeley
22″ x 18″ largest frame
Provenance: (Shakespeare) Sotheby’s, New York, April 23, 1986, No. 5448, Lot 158, purchased for $220, copy of receipt available
(Rosencrantz) Broadway Cares, Broadway Flea Market & Grand Auction, New York, September 20, 1991; purchased for $350, copy of receipt available
From the Robert E Gilroy Estate of Hampton, Connecticut
Four Framed Theatrical Set Designs by James Ryan (American, 1933-2020)
depicting various stage interiors, architectural settings, and decorative scenery, including a cafe interior and an elaborate architectural stage setting
Watercolor, gouache, and pencil on paper
Signed and inscribed James Ryan
19″ x 35″ largest frame
Provenance: From the Robert E Gilroy Estate of Hampton, Connecticut
Large Grouping of Decorative Theatrical Designs, Drawings, and Prints
To include a portfolio of unframed original watercolor theatrical set designs by James Ryan, a large mixed media Harlequin composition, two prints after John Taylor Arms, architectural prints depicting classical Roman doors and windows, photographs of ballerinas, and assorted theatrical and decorative works on paper
41″ x 31″ largest frame
Provenance: From the Robert E Gilroy Estate of Hampton, Connecticut
Four: Lloyd R. Evans (American, 1934-1989)
costume designs for “Barber,” New York City Opera, 1967 and three theatrical set designs
Watercolor, gouache, pen and ink
Each signed L.Evans, United Scenic Artists label affixed to verso
24″ x 20″ largest frame
Provenance: From the Robert E Gilroy Estate of Hampton, Connecticut
Two Framed Costume Designs to include
Charles Williams (British, 19th/20th Century)
Pantomime costume, likely for Cinderella, circa 1930s
Watercolor and gouache on paper
Signed lower right Williams
20″ x 14 1/2″
along with “Porzia” (Portia), Costume Design for “The Merchant of Venice”
Watercolor and gouache on paper depicting Porzia from William Shakespeare’s The Merchant of Venice
Signed lower right illegibly Mele P___
15 1/2″ x 11″ sight
Provenance: (Williams) Charles Spencer Theatre Gallery, London, purchased September 27, 1985, for £200, original signed receipt accompanies the work
From the Robert E Gilroy Estate of Hampton, Connecticut
Three Framed Costume Designs to include
P.Bosco costume design for “Henry IV”, Michael Annals (American, 1938-1990) costume for “The Royal Hunt for the Sun”, Marco Montedoro (Italian, 1887-1947), depicting a woman in a pink dress
Mixed media, watercolor, gouache, ink on paper
Each signed and annotated
largest frame 22″ x 15″
Provenance: (Montedoro) Broadway Cares, Broadway Flea Market & Grand Auction, New York, September 20, 1991; purchased for $100, copy of receipt available
From the Robert E Gilroy Estate of Hampton, Connecticut
Chinese Monochrome Blue Glazed Porcelain Rouleau Vase
rich cobalt-blue glaze, pooling slightly at the base and showing a glossy finish
height 17 1/4 inches