2026 Fine Art, Furnishings, and Decorative Accessories Auction

  • Lot 98: 2007 Fender Stratocaster Electric Guitar

    2007 Fender Stratocaster Electric Guitar
    having black finish, Serial # MZ7096758, along with original hardshell case

    Estimate: $400 - $600

  • Lot 99: 1995 Guild X-170 Manhattan Semi-Hollow Electric Guitar

    1995 Guild X-170 Manhattan Semi-Hollow Electric Guitar
    in Flame Maple, Serial # AK 170130
    USA, along with original hardshell case

    Estimate: $1800 - $2000

  • Lot 100: 1957 Guild CE-100 Capri Semi-Hollow Electric Guitar

    1957 Guild CE-100 Capri Semi-Hollow Electric Guitar
    having natural blonde finish, Serial # 5475, along with vintage brown
    hardshell case

    Estimate: $2000 - $2500

  • Lot 101: 2011 Fender Stratocaster Electric Guitar

    2011 Fender Stratocaster Electric Guitar
    having sunburst finish, Serial # MX 10270332, along with hardshell case

    Estimate: $400 - $600

  • Lot 102: 1995 Fender Stratocaster Electric Guitar

    1995 Fender Stratocaster Electric Guitar
    having sunburst finish and original contour body, serial # MN5189775, along with hardshell case

    Estimate: $400 - $600

  • Lot 103: Five Electric/Acoustic Guitar Hardshell Cases

    Five Electric/Acoustic Guitar Hardshell Cases

    Estimate: $200 - $300

  • Lot 104: Fender Jaguar Electric Guitar

    Fender Jaguar Electric Guitar
    having black lacquer finish, made in Japan, serial number V038054. Along with hard case

    Estimate: $200 - $400

  • Lot 105: Signed Joseph Alfred Laing Gold Wrapped Violin Bow

    Signed Joseph Alfred Laing Gold Wrapped Violin Bow
    stamped A.Laing Paris, having gold wrapped stick and accents on frog along with mother of pearl
    length 29 inches

    Estimate: $1000 - $1500

  • Lot 106: Johannes Gagliano Violin

    Johannes Gagliano Violin
    having paper label signed “Johannes Gagliano Nepos Januari fecit Neapoli 1800”, likely late 19th/20th C. copy, along with case and bow
    overall length 22 inches
    Provenance: From a Briarcliff Manor Estate

    Estimate: $100 - $200

  • Lot 107: Violin Bow by G.A. Pfretzschner

    Violin Bow by G.A. Pfretzschner
    stamped above the frog, mounted in ebony and silver with leather wrapping
    length 29 1/4 inches

    Estimate: $100 - $300

  • Lot 108: Two Violin Bows

    Two Violin Bows
    marked Tourte, one “Tourte Model” and other “Francois Tourte” Both with Mother of Pearl and silver wrap
    length 29 1/4 inches

    Estimate: $300 - $500

  • Lot 109: Four Violin Bows

    Four Violin Bows
    two unmarked, one silver wrapped stamped Gustav Schindler/Germany, one silver wrapped stamped Conrad Gotz
    longest 29 1/4 inches

    Estimate: $150 - $350

  • Lot 110: Two Signed Violin Bows

    Two Signed Violin Bows
    one stamped Vuillaume a Paris (Jean-Baptiste Vuillaume), the other is silver wrapped and stamped illegibly
    both 29 1/4 inches long

    Estimate: $150 - $250

  • Lot 111: Twelve Violin Bows

    Twelve Violin Bows
    two stamped Bausch, one stamped Roman Werner, one stamped illegibly, all in various states some are just the stick
    longest 29 1/4 inches

    Estimate: $100 - $200

  • Lot 112: Two 19th/20th C. Reproduction Violins

    Two 19th/20th C. Reproduction Violins
    one a copy of antonius Stradivarius, the other of a Michele Angelo Bergonzi (son of Carlo Bergonzi), each with paper label, both with cases and one bow
    both overall length 23 1/3 inches

    Estimate: $150 - $250

  • Lot 113: Josef Klotz Violin

    Josef Klotz Violin
    having paper label “Josef Klotz in Mittenwalde Anno 1795”, along with case
    overall length 23 1/2 inches

    Estimate: $200 - $400

  • Lot 113A: Francesco Ruggieri Model Violin

    Francesco Ruggieri Model Violin
    having paper label reading ” Francesco Ruggeri det il per/ in Cremona I Anno 16″, most likely 19th/20th c. reproduction, has handwritten repair history inside dating to 1945, along with case and bow
    overall length 23 1/2 inches

    Estimate: $200 - $400

  • Lot 114: Harvard Disc Phonograph

    Harvard Disc Phonograph
    overall length 30 inches, horn diameter 9 1/4 inches

    Estimate: $150 - $300

  • Lot 115: Group of Three Antique Phonographs: Victor Victrola Orthophonic VV 4-40 and VV-405 Consoles, and Columbia Grafonola Floor Model

    Group of Three Antique Phonographs: Victor Victrola Orthophonic VV 4-40 and VV-405 Consoles, and Columbia Grafonola Floor Model
    to include Victor Victrola Talking Machine VV 4-40 Orthophonic Phonograph Console
    height 37 inches, width 36 inches, depth 19 inches

    Columbia Grafonola Cabinet Floor Model Phonograph
    height 43 inches, width 19 inches, depth 21 inches

    Victor Victrola Talking Machine VV-405 Console having B.B. Todd (Philadelphia) marked cabinet with two drawers over two double doors, serial #13438
    height 35 inches, width 37 inches, depth 21 1/2 inches

    Estimate: $100 - $200

  • Lot 116: Sir Cecil Beaton (British, 1904-1980)

    Sir Cecil Beaton (British, 1904-1980)
    “Lady Tavistock in an Amethyst Dress”
    Watercolor, gouache and ink on paper depicting a woman wearing an elaborate purple gown featuring puffed sleeves and a high collar, standing in an interior.
    Signed lower right Beaton, titled and inscribed along lower edge
    17″ x 11 1/2″ sight
    Provenance: Sotheby’s, New York, Dance, Theater and Opera, December 9, 1998, sale 7236, lot 144, purchased for $1,150, copy of original receipt available
    From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $500 - $1000

  • Lot 117: Two: Eugene Berman (Russian/American, 1899-1972)

    Two: Eugene Berman (Russian/American, 1899-1972)
    Costume and Designs for Balanchine’s Ballet “Roma”, 1955
    Watercolor, gouache, ink on paper to include two theatrical costume designs depicting male figures in red and black costumes, each titled “Roma” at top
    Each bearing the artist’s monogram beneath the image E.B. 1955
    8 1/2″ x 6 1/2″ sight
    Provenance: likely Sotheby’s, New York, Dance Theatre, December 15, 1981, Sale 4762M, Lot 87, purchased for $880 copy of original receipt available;
    From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $200 - $400

  • Lot 118: Tony Walton (British, 1934-2022)

    Tony Walton (British, 1934-2022)
    “Anything Goes,” 1987
    Watercolor and gouache on paper, original theatrical costume design depicting Billy Crocker wearing a navy blue blazer and white trousers, holding a cigarette.
    Signed lower right T.W, inscribed “Anything Goes,” “Billy Crocker,” “Howard McGillin,” and dated 1987
    17″ x 11 1/2″ sight
    Provenance: From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $300 - $500

  • Lot 119: Robert Fletcher (American, 1922-2021)

    Robert Fletcher (American, 1922-2021)
    “Costume for Paul Taylor from Beauties and Their Beasts,” 1960
    Gouache on paper depicting a theatrical Anubis costume design for Paul Taylor in Beauties and Their Beasts by Bertram Ross.
    Original label verso
    20″ x 12″ sight, 26 1/2″ x 18 1/2″ frame
    Provenance: Charles Spencer Theatre Gallery, London, purchased for $350,
    From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $200 - $400

  • Lot 120: Eugene Berman (Russian/American, 1899-1972)

    Eugene Berman (Russian/American, 1899-1972)
    Scenic Design for Balanchine’s Ballet “Roma”, 1955
    Watercolor, gouache, ink on paper depicting a winged angel standing atop a decorative pedestal
    Signed in artist’s monogram beneath the image E.B. 1955
    11 1/2″x 8 1/2″ sight, 15″ x 11 1/2″ frame
    Provenance: likely Sotheby’s, New York, Dance Theatre, December 15, 1981, Sale 4762M, Lot 86, purchased for $880 copy of original receipt available;
    From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $200 - $400

  • Lot 121: Eugene Berman (Russian/American, 1899-1972)

    Eugene Berman (Russian/American, 1899-1972)
    “Costume Design for Rigoletto Act II, Scene IV,” 1951
    Watercolor, gouache and ink on paper
    Signed in initials E.B. 1951
    15″ x 9″ sight, 23″ x 17″ frame
    Provenance: Sotheby’s, New York, June 22, 1983, Sale No. 5071, Lot 167, sold for $550, copy of original receipt available
    Larcada Gallery 23 E. 67th St., NYC
    From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $200 - $400

  • Lot 122: Two: Eugene Berman (Russian/American, 1899-1972)

    Two: Eugene Berman (Russian/American, 1899-1972)
    “Female Saint” (possibly the Virgin Mary) 1959
    “Dancing Shepherd,” 1952
    Watercolor, gouache and ink on paper, depicting a robed religious figure and a dancing shepherd, respectively, each bearing an artist’s monogram E.B. and dated, housed in matching decorative gilt frames.
    Saint 12″ x 8 1/2″ sight, 18″ x 14 1/2″ frame, Shepherd 10″ x 8″ sight, 17″ x 14″ frame
    Provenance: Sotheby’s, New York, March 27, 1982, No. 4849, Lot 108, purchased for $660, copy of original receipt available
    M. Knoedler & Co., New York, inventory numbers A-10108 and A-10107;
    Frank Perls Gallery, Beverly Hills, California, inventory numbers 1127 and 1136;
    From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $400 - $800

  • Lot 123: Two: Leon Bakst (Russian, 1866-1924)

    Two: Leon Bakst (Russian, 1866-1924)
    Two Costume Designs for a Boeotian in “Narcisse” and Nijinsky’s Faun Costume in “L’Après-midi d’un Faune,” 1911
    Screen Prints in color
    Each signed Bakst
    20″ x 14″ sight
    Provenance: Woodbury Auction Services, Inc., Woodbury, Connecticut, March 9, 1996, inventory no. 108, purchased for $1,100, accompanied by original receipt
    From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $200 - $400

  • Lot 124: Hein Heckroth (German, 1901-1970)

    Hein Heckroth (German, 1901-1970)
    “Costume for a Musician,” 1935
    Gouache on paper, theatrical costume design for “Ballade,” a ballet by Kurt Jooss, Gaiety Theatre, London
    Signed and dated lower right Heckroth 35
    11 1/2″ x 8″ sight
    Provenance: Charles Spencer Theatre Gallery, London, original label verso, purchased in 1986 for $200, copy of original receipt available
    From the Robert E Gilroy Estate of Hampton, Connecticut
    Exhibition: Theater Exhibition, Liestal, Switzerland, 1976, catalog no. 115, per label verso

    Estimate: $150 - $300

  • Lot 125: Raoul Henri Pene DuBois (American, 1912-1985)

    Raoul Henri Pene DuBois (American, 1912-1985)
    “Stage Design Sketch”
    Pencil on paper depicting a stylized female figure in flowing drapery, standing among architectural and decorative elements,
    16″ x 11″ sight
    Provenance: Broadway Cares, Broadway Flea Market & Grand Auction, New York
    From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $200 - $400

  • Lot 126: Two: Gaston Noury (French, 1866-1936)

    Two: Gaston Noury (French, 1866-1936)
    “Le Parisien”
    Watercolor and pencil on paper studies of two elegant French women
    Each signed lower right Gaston Noury
    13 1/2″ x 7 3/4″ sight
    Provenance: Marina Henderson, London, purchased November 27, 1986, for £350, accompanied by the original invoice
    From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $200 - $400

  • Lot 127: Two: Count Ladislas Czettel (Hungarian, 1904-1949)

    Two: Count Ladislas Czettel (Hungarian, 1904-1949)
    Pair of Theatrical Costume Designs for “A London Rhapsody,” 1937
    Gouache and metallic paint on paper depicting two elaborate Hungarian costumes in vibrant colors and decorative patterns, designed for the London Palladium production.
    Each signed lower right Czettel
    19″ x 13″ frame
    Provenance: Charles Spencer Theatre Gallery, London, per original label verso.
    From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $200 - $400

  • Lot 128: Christian Berard (French, 1902-1949)

    Christian Berard (French, 1902-1949)
    Theatrical Costume Design of a Bride
    Watercolor, pen and ink on paper
    Signed lower left C. Berard
    12″ x 9″ sight
    Provenance: Sotheby’s, New York, Modern Haitian & Latin American Paintings and Drawings, March 27, 1982, sale 4849M, lot 98, purchased for $275, copy of original receipt available
    From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $200 - $400

  • Lot 128A: Christian Berard (French, 1902-1949)

    Christian Berard (French, 1902-1949)
    Theatrical Costume of a Queen and Attendants
    Watercolor, pen and ink on paper
    Signed lower left C. Berard
    12″ x 9″ sight
    Provenance: Sotheby’s, New York, Modern Haitian & Latin American Paintings and Drawings, March 27, 1982, sale 4849M, lot 98, purchased for $275, copy of original receipt available
    From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $200 - $400

  • Lot 129: Eugene Berman (Russian/American, 1899-1972)

    Eugene Berman (Russian/American, 1899-1972)
    Study depicting figures in a public garden featuring a statue on a pedestal, 1932
    Pen and ink on paper
    Signed and dated lower right E. Berman 1932
    22″ x 17 1/2″ frame
    Provenance: From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $300 - $500

  • Lot 130: Eugene Berman (Russian/American, 1899-1972)

    Eugene Berman (Russian/American, 1899-1972)
    Female costume study for Romeo and Juilet, 1943
    Watercolor, gouache, pen and ink on paper
    Signed and dated in intials lower center E.B. ’43
    12″ x 9″ sight
    Provenance: From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $300 - $500

  • Lot 131: Two: Eugene Berman (Russian/American, 1899-1972)

    Two: Eugene Berman (Russian/American, 1899-1972)
    Study of woman in a long dress standing beside a chair, 1943
    Watercolor, and ink on paper
    Signed in initials E.B. and dated 1943
    16 1/2″ x 12″ sight
    along with a lithograph depicting six figures, circa 1935
    Provenance: Gift from Henry-Russell Hitchcock to A.P., per handwritten label verso; Christie’s East, New York, American Watercolors & Works on Paper, September 25, 1990, Sale 7069, Lot 152, purchased as part of a group of three for $3,960, copy of original receipt available
    From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $300 - $500

  • Lot 132: Four: Lester Polakov (American, 1916-2006)

    Four: Lester Polakov (American, 1916-2006)
    Theatrical Costume and Set Designs
    Watercolor, gouache, ink and pencil on paper, to include two costume designs depicting figures in elaborate birdlike costumes, identified as Fabian and Feste; a costume design for Malvolio (Fritz Weaver) from “Twelfth Night,” 1959, having fabric swatches and handwritten annotations; and a theatrical stage set design depicting an architectural interior from “Beggar’s Opera” 1959
    Each signed and inscribed throughout, Palokov ’59
    15 1/2″ x 18 1/2″ largest frame
    Provenance: Broadway Cares, Broadway Flea Market & Grand Auction, New York, September 20, 1991; purchased for $300, copy of receipt available
    From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $200 - $400

  • Lot 133: Oliver Messel (British, 1904-1978)

    Oliver Messel (British, 1904-1978)
    Costume Design of a Renaissance Knight
    Pen and ink and watercolor wash on paper depicting a theatrical figure in elaborate armor featuring puffed sleeves, decorative doublet, feathered hat, and holding a tall staff, standing before an architectural setting
    Inscribed lower left Oliver Messel to Jo Mielziner.
    14″ x 11″ sight
    along with four pencil and on paper sketches depicting 18th-century military and figural scenes, including soldiers, Native Americans, women in period dress, each initialed J.D., artist unidentified
    Provenance: Richard Stoddard Performing Arts Books, New York; purchased September 17, 1988, for $250, copy of original receipt available
    From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $300 - $500

  • Lot 134: Walford Graham Robertson (British, 1866-1948)

    Walford Graham Robertson (British, 1866-1948)
    “Costume design for Sir Herbert Beerbohm Tree as Richard II”, 1903
    Cut paper, mixed media, watercolor on paper
    Signed upper right Graham Robertson
    19″ x 13″ sight
    Provenance: Charles Spencer Theatre Gallery, London, 1986, purchased for $125
    From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $100 - $300

  • Lot 135: Anthony Nelle (Polish/American, 1894-1977)

    Anthony Nelle (Polish/American, 1894-1977)
    “Grande Valse,” Film Production Decor
    Mixed media, gouache and silver paint on cut paper, original theatrical film set design depicting an elaborate Art Deco stage setting in black, white, and silver
    Inscribed lower left 57.R – Grande Valse – Film Productions.
    13 1/2″ x 18″ sight
    Provenance: Sotheby’s, New York, Dance, Theater and Opera, December 9, 1998, Sale 7236, Lot 205, purchased for $805, copy of original receipt available
    Provenance: From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $300 - $500

  • Lot 136: Two Framed Theatrical Costume Designs

    Two Framed Theatrical Costume Designs to include
    Martin Pakledinaz (American, 1953-2012), “Virgilia” for “Coriolanus,” 1986; and Elizabeth Montgomery Evans (American, 1899-1988), “The Witch of Edmonton,”
    Mixed media, watercolor, pen and ink on paper
    Each marked and inscribed
    18″ x 14″ largest frame
    Provenance: From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $100 - $300

  • Lot 137: Three: Franco Colavecchia (American, B.1937)

    Three: Franco Colavecchia (American, B.1937)
    two mime doll designs for “La Cenerentola,” Los Angeles Opera, 1987; along with set design for “Casanova” 1985
    Mixed media, watercolor, gouache on paper
    Each signed and annotated
    17″ x 22″ largest frame
    Provenance: From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $100 - $300

  • Lot 138: Four: James Reynolds (American, 1891-1957)

    Four: James Reynolds (American, 1891-1957)
    Costume Designs for “Goyescas”, 1932
    Watercolor and pencil on paper depicting theatrical costume designs for singers in the opera “Goyescas,”
    Each signed with the artist’s initials
    31″ x 23 1/2″ frame
    Provenance: Sotheby’s, New York, April 23, 1986, No. 5448, Lot 120A, purchased for $935, copy of original receipt available
    From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $500 - $1000

  • Lot 139: Three: Desmond Heeley (British 1932-2016)

    Three: Desmond Heeley (British 1932-2016)
    costume design for the National Ballet of Canada “The Merry Widow,” 1986; costume for “Gadshill, Bruna, Henry IV”, 1965; costume for “Rosencrantz and Guildenstern Are Dead” Roger Kemp, Player King”
    Signed Heeley
    22″ x 18″ largest frame
    Provenance: (Shakespeare) Sotheby’s, New York, April 23, 1986, No. 5448, Lot 158, purchased for $220, copy of receipt available
    (Rosencrantz) Broadway Cares, Broadway Flea Market & Grand Auction, New York, September 20, 1991; purchased for $350, copy of receipt available
    From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $100 - $300

  • Lot 139A: Four Framed Theatrical Set Designs by James Ryan (American, 1933-2020)

    Four Framed Theatrical Set Designs by James Ryan (American, 1933-2020)
    depicting various stage interiors, architectural settings, and decorative scenery, including a cafe interior and an elaborate architectural stage setting
    Watercolor, gouache, and pencil on paper
    Signed and inscribed James Ryan
    19″ x 35″ largest frame
    Provenance: From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $100 - $300

  • Lot 139B: Large Grouping of Decorative Theatrical Designs, Drawings, and Prints

    Large Grouping of Decorative Theatrical Designs, Drawings, and Prints
    To include a portfolio of unframed original watercolor theatrical set designs by James Ryan, a large mixed media Harlequin composition, two prints after John Taylor Arms, architectural prints depicting classical Roman doors and windows, photographs of ballerinas, and assorted theatrical and decorative works on paper
    41″ x 31″ largest frame
    Provenance: From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $100 - $300

  • Lot 140: Four: Lloyd R. Evans (American, 1934-1989)

    Four: Lloyd R. Evans (American, 1934-1989)
    costume designs for “Barber,” New York City Opera, 1967 and three theatrical set designs
    Watercolor, gouache, pen and ink
    Each signed L.Evans, United Scenic Artists label affixed to verso
    24″ x 20″ largest frame
    Provenance: From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $100 - $300

  • Lot 140A: Two Framed Costume Designs

    Two Framed Costume Designs to include
    Charles Williams (British, 19th/20th Century)
    Pantomime costume, likely for Cinderella, circa 1930s
    Watercolor and gouache on paper
    Signed lower right Williams
    20″ x 14 1/2″
    along with “Porzia” (Portia), Costume Design for “The Merchant of Venice”
    Watercolor and gouache on paper depicting Porzia from William Shakespeare’s The Merchant of Venice
    Signed lower right illegibly Mele P___
    15 1/2″ x 11″ sight
    Provenance: (Williams) Charles Spencer Theatre Gallery, London, purchased September 27, 1985, for £200, original signed receipt accompanies the work
    From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $150 - $300

  • Lot 140B: Three Framed Costume Designs

    Three Framed Costume Designs to include
    P.Bosco costume design for “Henry IV”, Michael Annals (American, 1938-1990) costume for “The Royal Hunt for the Sun”, Marco Montedoro (Italian, 1887-1947), depicting a woman in a pink dress
    Mixed media, watercolor, gouache, ink on paper
    Each signed and annotated
    largest frame 22″ x 15″
    Provenance: (Montedoro) Broadway Cares, Broadway Flea Market & Grand Auction, New York, September 20, 1991; purchased for $100, copy of receipt available
    From the Robert E Gilroy Estate of Hampton, Connecticut

    Estimate: $100 - $300

  • Lot 141: Chinese Monochrome Blue Glazed Porcelain Rouleau Vase

    Chinese Monochrome Blue Glazed Porcelain Rouleau Vase
    rich cobalt-blue glaze, pooling slightly at the base and showing a glossy finish
    height 17 1/4 inches

    Estimate: $300 - $500

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