Group of Shaker Items
to include two Shaker Butter Churns to include
one butter churn on rockers having opening square lid and oak supports, all in old red paint
height 30 inches, length 36 inches, depth 13 inches
with cylindrical butter churn, stave construction having wooden bands, fitted cover and tall dasher, pair of Shaker Saw Horses
height 29 inches, width 28 inches, along with a sugar mold and hooked rug 2′ 4″ x 3′ 2″
Two Shaker Rockers
each having taped seats, one stenciled MJ Lebanon New York
height 33 1/2 inches, width 35 inches, seat height 15 inches, seat width 14 inches
Provenance: From the Enfield Historical Society, 2025 Deaccession
Low Brass Bound Campaign Chest
having brass tag on top reading “The Great-Eastern Liverpool 1811”, two short drawers over one long drawer (reproduction)
height 19 inches, width 35 inches, depth 19 inches
Provenance: Collection from a Tarrytown, New York Estate
Federal Work Table
having two birdseye maple drawer fronts set on turned tapered legs
height 28 1/2 inches
Provenance: From the Enfield Historical Society, 2025 Deaccession
Three Piece Furnishing Lot to include
Louis XV Style Upholstered Wing Chair and Ottoman
having shaped back along with low sitting Queen Anne style chair and three drawer Federal stand
height 38 1/2 inches, width 34 inches
Provenance: From the Robert E Gilroy Estate of Hampton, Connecticut
American Wooden Desk Company Oak Partner’s Rotary Desk
late 19th century, top having slides to all four sides and three drawers on each side set on paneled bases, each having rotary mechanism having fitted drawers / shelves to one side
height 31 inches, top 56″ x 60″
Provenance: From the Robert E Gilroy Estate of Hampton, Connecticut
Exotic Wood Carved Cabinet
in two parts, top having two fluted/paneled doors set on ornately carved base having two draws resting on ornately carved legs ending in claw feet
height 71 1/2″, width 48″, depth 26″
Pair of L. H. Darragh (American, 19th/20th Century) Framed Portraits
Romola Morgan Parsons, 1892 and Lorenzo Ritter Parsons, 1891
Oil on canvas, depicting Romolia Morgan Parsons (1855-1941) and Lorenzo Ritter Parsons (1851-1925)
Each signed lower left L. H. Darragh and dated 1891 and 1892
30″ x 25″ canvases, 35″x 30″ frames
Provenance: From the Enfield Historical Society, 2025 Deaccession
Robert Brackman (American, 1898-1980)
“Portrait of Dr. Richard Werner,” 1924
Oil on canvas depicting the seated Harlem Hospital physician wearing a dark suit and bow tie, housed in a period Newcomb Macklin giltwood frame.
Signed and dated upper right Rob’t Brackman 1924
Inscribed verso “Dr. Richard Werner,” June 28, 1937, and “Painted June 1924″
30″ x 24″ canvas, 34″ x 28” frame
Provenance: Robert Brackman, 67 West 52nd Street, New York City, artist’s label on stretcher verso
After James Abbott McNeill Whistler (American, 1834-1903)
“Harmony in Red: Lamplight”
Oil on canvas reproduction painting depicting Beatrice Philip Godwin (1857-1896), whom Whistler married in 1888
76″ x 34″
Provenance: From the Robert E Gilroy Estate of Hampton, Connecticut
Framed 19th Century Dog Portrait
White Pointer Standing in a Wooded Landscape
Oil on board
Signed lower left F.Ch___
15″ x 21″ frame
Provenance: From the Robert E Gilroy Estate of Hampton, Connecticut
Two Framed 19th Century Dog Portraits Attributed to George Armfield (British, 1810-1893)
A Pair of Terriers in a Barn, 1883
Signed and dated illegibly lower right 1883
Oil on canvas
10″ x 12″ sight
“Playmates” two small dogs resting beside one another
Oil on canvas
label verso attributing the piece to George Armfield
8 1/2″ x 9″ sight
Provenance: From the Robert E Gilroy Estate of Hampton, Connecticut
Six Photogravures After James Abbott McNeill Whistler (American, 1834-1903)
“Limehouse,” 1859, Kennedy 40, after a proof in the collection of James McBey Esq;
“Becquet (The Fiddler),” Kennedy 52,
“Old Battersea Bridge,” Kennedy 177, after a proof in the collection of P. & D. Colnaghi & Co.;
“San Giorgio,” Kennedy 201, after a proof in the collection of P. & D. Colnaghi & Co.;
“Long Venice,” Kennedy 212, after a proof in the collection of Dr. G. Bellingham Smith;
and “Zaandam,” Kennedy 16, after a proof in the collection of P. & D. Colnaghi & Co.
Photogravures, each housed in matching giltwood frames
13″ x 11″, 11″ x 13″ frames
Provenance: From a Briarcliff Manor Estate
Two: H. Valerie (19th/20th Century), After Charles Chaplin (French, 1825-1891)
One depicting a young woman seated in a garden holding a basket of flowers, accompanied by three putti, the other depicting an interior scene of a woman and three putti.
Oil on canvases
Signed lower left H. Valerie, dated 1911, and inscribed after Ch. Chaplin.
19 1/2″ x 11 1/2″ each canvas
Two Framed Coastal Seascapes to include
Cornelius Schipper (Danish, B.1915-D.)
“Rocky Seascape”
Oil on canvas depicting waves crashing against a rocky shoreline beneath a cloudy sky, sunlight reflecting across the water, housed in a carved frame.
Signed lower left Co. Schipper
24″ x 36″ canvas, 28″ x 40″ frame
Italian School (20th Century)
“Faraglioni Rocks, Capri, Italy from Portici” 1945
Oil on canvas depicting the rock formations off the coast of Capri, featuring a natural stone arch, rocky cliffs, and the Mediterranean Sea.
Signed indistinctly lower left, inscribed 1945 Portici
10″ x 13 1/2″ canvas
Set of Four William Hogarth (British, 1697-1764) Engravings from “The Election Series,” 1755-1758
To include “An Election Entertainment,” 1755; “Canvassing for Votes,” 1757; “The Polling,” 1758; and “Chairing the Members,” 1758, each depicting satirical scenes of an eighteenth-century English parliamentary election, bearing engraved publication inscriptions and dedications beneath the images.
17″ x 21″ sight, 24″ x 28″ frame
Provenance: Purchased from James L. McKelvey (1934–1996) University of Connecticut professor and prominent antiques collector and dealer.
Pierre-Auguste Renoir (French, 1841-1919)
“Trois Esquisses de Maternite” (Three Sketches of Maternity)
Etching on paper depicting three studies of a mother and child
8″ x 9 1/2″ image, 17 1/2″ x 19 1/4″ frame
Federal Giltwood Two-Part Pier Mirror
having a molded gilt frame enclosing divided mirror plates with central horizontal divider
58″ x 31 1/2″
Provenance: Collection from a Tarrytown, New York Estate
Oriental Carpet
with central field of floral and foliate decoration within multiple borders, in muted tones of cream, rust, blue, green, and beige, with fringed ends
8′ 4″ x 9′ 7″
Oriental Bokhara Room Size Carpet
having burgundy, taupe, blue, and cream geometric field within multiple guard borders (worn)
9′ 5″ x 12′
Provenance: From a Briarcliff Manor Estate