Two Joel Myers for Blenko Glass Air Twist Decanters
Large olive or jungle green decanter and ball stopper model no.6716, height 16 inches along with tangerine amberina beaker shaped decanter and clear stopper, height 20 inches
Four Piece Blenko Glass Amberina Group to include
John Nickerson apothecary or milk can jug, tangerine large flared rim moonshine jug, large orange bottle neck vase along with large square apothecary jar having leaf design
tallest height 18 inches
Two Wayne Husted for Blenko Glass Decanters
shot glass decanter in turquoise blue, circa 1960s, height 16 inches, along with tangerine amberina footed decanter, height 18 1/2 inches
Attributed to Napoleone Martinuzzi for Venini
hand-blown Murano glass vase featuring a mottled green body transitioning to a lighter tone at the flared rim, having applied pink loop handles at the neck and a spiraling applied pink glass band encircling the body, decorated by an applied print element to the lower section, signed Arte Luce #21 Milano, circa 1930
height 14 inches
Four Piece Blenko Glass Group to include
honey or amber red long neck vase having sticker label, amberina square vase, large slate gray jug, along with Don Shepherd tangerine amberina bamboo vase
tallest height 25 inches
Six Piece Blenko Amberina and Blue Glass Decanter Group to include
Wayne Husted orange tangerine crackle jug, red crackle bottle having spiral twist stopper, two other crackle decanters, red teardrop shaped stopper to one decanter along with turquoise blue flared neck bottle vase
tallest height 19 inches
Six Piece Group of Blenko Glass Amberina Pitchers to include
one crackle glaze, tangerine orange pitcher, twisted pitcher, one amphora style, one having subtle fluting to body along with one hourglass shaped pitcher
tallest height 16 inches
Six Piece Blenko Glass Amberina Group to include
tangerine applied leaf crackle vase, flared neck crackle vase, ruby red flared crackle vase, Joel Myers narrow neck flange vase, squat melon shaped vase along with Joel Myers double handled amphora
tallest height 17 inches
Eight Piece Blenko Glass Decanter Grouping to include
turquoise blue crackle decanter, large purple and smaller purple decanters, purple crackle bent neck decanter, tall aqua decanter, deep green decanter, bell shaped decanter having original label, along with short dark teal or peacock decanter having round stopper, each with stopper
tallest height 23 inches
Eight Piece Blenko Green Glass Grouping to include
four sided decanter, two blue/green crackle glass decanters, two Winslow Anderson seeded pouch vases, two winged vases, along with Flavio Poli Seguso planter
tallest height 18 1/2 inches
Nine Piece Blenko Green Crackle Glass Group
to include a tall pitcher having an applied handle and flared spout, six drinking glasses, along with two Winslow Anderson “Horn of Plenty” elongated freeform serving dishes, each executed in textured green glass.
pitcher height 15 inches, horn length 18 inches
15 Piece Blenko Amberina Glass Group
to include a squat pitcher having an applied handle and flared spout, six drinking glasses, twisted and ruffled rim vase, two bubble vases, one bubble pitcher, fluted bottle vase, clover vase by Joel Myers, strata vase,along with fish bowl
pitcher height 11 inches
33 Piece Group of Crystal Decanters and Glass Stems to include
2 fluted and gilt decanters, 3 heavy crystal decanters, along with 28 etched glass pink and blue cocktails, cordials, wines and goblets
tallest decanter 16 1/2 inches
Six Piece Loetz and Art Deco and Nouveau Glass Lot to include
Loetz gold ruffled rim Candia Papillon oil spot bowl, Steuben gold iridescent stem, WMF Myra Kristal green ribbed vase having flared rim and pedestal vase, a green bulbous vase having wide mouth, and a phenomenon pulled feather decorated vase in green and silver tones
tallest height 6 1/2 inches
Two Pairs of Art Glass Shades to include
pair of Art Nouveau Muller Fres Luneville cameo “Anemones” lamp shades along with a pair of Quezal iridescent gold shades
both heights 5 3/4 inches
Two Piece Tiffany Studios Favrile Glass Lot to include
gold iridescent ruffled rim plate having onion skin pattern, signed on underside L.C.T 1263 along with small ruffled edge finger bowl signed L.C.T
diameters 6 3/4 inches, 2 3/4 inches
Tiffany Studios Gold Favrile Glass Bowl
iridescent art glass center bowl or compote having flared rim over footed base, in onion skin pattern, signed L.C Tiffany Favrile 5-1561
height 2 1/2 inches, diameter 12 inches
Preston Singletary (Native American/Tlingit, B.1963)
“Moon Mask”, 2021
Sandblasted glass mask depicting a stylized moon face
Signed and dated P. Singletary 2021
4 1/4″ x 4″
Provenance: Property from a Park Avenue New York City Collector
Three Indian Pietra Dura Jewelry Boxes
Including two white marble boxes, one octagonal and one circular, each featuring floral hardstone inlay, together with a rectangular black stone example in the Persian style decorated with a vase of flowers and foliate motifs.
Largest 4″ x 4″
Provenance: Property from a Park Avenue New York City Collector
Louis C. Tiffany Furnaces Art Deco Cigarette Box
gilt bronze cigarette box decorated in turquoise blue enamel in geometric shapes, marked to underside Louis C. Tiffany Furnaces Inc. 350
height 2 1/4 inches, length 6 1/4 inches, depth 3 3/4 inches
Provenance: Property from a Park Avenue New York City Collector
Mark Matthews (American B.1954)
“Leopard Skin” Marble from the Animal Skin series, 2000
Glass sphere, cased layers of opaque white, yellow and brown, sandblasted and cased with colourless glass (‘graal’ technique)
Signed and dated to base Matthews 2000
Diameter 2 1/2 inches
Provenance: Property from a Park Avenue New York City Collector
Two: Mark Matthews (American B.1954)
“12 Cane Filigrana” Marble, 2005
Glass marble sphere
Signed and dated to base Matthews 2005
Diameter 2 1/2 inches
“12 Cane Filigrana” Marble, 2001
Glass marble sphere
Signed and dated to base Matthews 2001
Diameter 2 1/2 inches
Provenance: Property from a Park Avenue New York City Collector
Petrified Wood Sphere
Polished petrified wood sphere having dramatic natural grain and crystalline inclusions in shades of cream, brown, black, and mauve.
Diameter approximately 14 inches
After Gabriel Argy-Rousseau (French 1885-1953)
Pate-de-Verre Moth Paperweight
Colorless, ice-blue, and cobalt-blue glass powders using the pâte de verre mold-fusing technique featuring two moths in high relief
Incised mark G ARGY ROUSSEAU
Height 2 3/4 inches
Provenance: Property from a Park Avenue New York City Collector
Lalique Crystal “Duncan” Perfume Atomizer
Art Deco atomizer featuring relief of a nude women
total height 8 inches
Provenance: Property from a Park Avenue New York City Collector
Ten: Jo Ludwig (Canadian 20th/21st Century)
“TOBs”, or “Things of Beauty”
Fused dichroic glass bowls featuring vibrant polychrome iridescent interiors and textured surfaces, some having contrasting rims
Each signed and numbered to underside
Largest diameter 4 3/4 inches
Provenance: Property from a Park Avenue New York City Collector
Large Collection of Art Glass Beads
Extensive assortment of art glass beads including millefiori, floral, Murano Venetian Lamp Work, and iridescent examples in a wide variety of colors, shapes, and sizes, presented in grouped bowls
largest length 3 inches
Provenance: Property from a Park Avenue New York City Collector
Set of Three Daum Pate-De-Verre Glass Monkey Figurines
in amber glass depicting Hear, See, Speak No Evil. Etched Daum, France to bases
height 3 1/2 inches
Provenance: Property from a Park Avenue New York City Collector
Three Piece Bronze Vessel Group to include
Alexander Lamont Hammered Bowl
Textured bronze globe lined in gold leaf, signed to underside
height 3 1/4 inches, diameter 4 3/4 inches
Sara Thompson “Chirality Set” Minimally designed hammered brass tray set having a warm patinated surface, conceived as both functional serving pieces and sculptural decorative forms, signed
tray length 4 1/2 inches
Provenance: Property from a Park Avenue New York City Collector
Five Archaic Burmese Bronze Temple Bells
Cast bronze temple bells having figural and foliate relief decoration, each surmounted by a loop handle and stylized finials, the bodies decorated in panels and bands of animal themed ornaments, along with two smaller bronze bells
Tallest height 6 1/2 inches
Provenance: Property from a Park Avenue New York City Collector
Four Archaic Burmese Bronze Temple Bells
Group of cast bronze temple bells of varied form, including examples with figural and animal-form finials and relief decoration, one polychrome Foo dog example raised on a stepped base, the surfaces having aged patina consistent with use
Tallest height 9 1/2 inches
Provenance: Property from a Park Avenue New York City Collector
Southeast Asian Borneo Bronze Ritual Kettle
Heavy cast vessel featuring bands of applied animals including deer, dogs, dragons, elephants and mythical creatures, along with guardian figures, the domed lid surmounted by an animal finial, having a tall arched handle, possibly 19th century
height 15 inches
Provenance: Property from a Park Avenue New York City Collector
Constantin Terechkovitch (Russian/French 1902-1978)
Cape Martin Garden Landscape
Vibrant Impressionist composition depicting a sunlit garden with flowering trees, lush greenery, and vivid blossoms in shades of red, orange, and violet beneath a soft blue sky. The scene conveys Terechkovitch characteristic joie de vivre and expressive colorism, executed with lively, textured brushwork and radiant light.
Oil on canvas
Signed C. Terechkovitch lower left
32″ x 26″
Lori Zummo (American B.1962)
“Rose Cottage”
Oil on board
Signed lower right Zummo
16″ x 24″ board
Provenance: Robert Wilson Gallery, Nantucket, Massachusetts, 9/23/1993 ($3,500)
John Austin (American 1918-2001)
“White House, Chatham, Cape Cod”
Tempera on board
Label on verso, artist’s name and title
7 1/2″ x 11″ board
Provenance: Munson Gallery, Chatham, Massachusetts, 8/25/1988 ($200)
Edwin Fulwider (American 1913-2003)
“Florida Oxford Station, Ohio”
Watercolor on paper
Signed lower right Edwin Fulwider
14″ x 21″ sight
Provenance: Sotheby’s, New York, Arcade, 04/05/1995, Lot: 227 ($1,162)
John Mellencamp (American B.1951)
“Adam and Eve”, 1990
Pastel on paper, Composition depicting a male and female figure flanking a tree, the male holding a serpent, rendered in a muted palette with simplified forms.
Signed and dated lower left Mellencamp 1990
21″ x 20 1/4″ sight, 32 1/2″ x 31″ frame
Provenance: Property from the Collection of Thomas D. Mottola sold to Benefit the Museum of Contemporary ArtCT.
The Phoenix and Dragon Art Gallery, Bloomington, Indiana; gift from the artist (1990s).
Rose O’Neill (American 1874-1944)
“Dance Record” (Oh. I got that discount on sister’s gas-range)
Pen and ink, pencil on paper, illustration drawing depicting a dancing couple in close embrace, rendered in expressive, fluid line work capturing movement and gesture
Signed lower left O’Neill
19″ x 13 3/4″ image, 23 1/2″ x 14″ board
Provenance: Property sold to Benefit the Museum of Contemporary ArtCT.
Rose O’Neill (American 1874-1944)
“The first time I looked into your eyes, Mr. Higginbottom, I knew you were psychic.”
Watercolor and ink on paper, illustration depicting a seated couple in animated conversation, the man holding beads and a box, the woman in a flowing yellow dress leaning toward him, Executed for publication, likely for an American humor magazine such as Puck, Judge, or Life, circa 1910–1920.
Signed and inscribed lower left “Rose O’Neill, Day Post Office, via Reed’s Spring, Missouri.”
20″ x 14″ image, 22 1/2″ x 15″ sheet
Provenance: Property sold to Benefit the Museum of Contemporary ArtCT.
Rose O’Neill (American 1874-1944)
“Christabel” (Christabel sat down all in a heap and looked about her)
Charcoal on paper, illustration study depicting a seated female figure reaching upward, inspired by the poem Christabel by Samuel Taylor Coleridge
Signed upper right O’Neill
21″ x 10″ image, 22″ x 15″ sheet
Provenance: Property sold to Benefit the Museum of Contemporary ArtCT.
David Fertig (American B.1946)
“Strong Wind in July”, 1979
Oil on canvas
Titled and dated verso
22″ x 31″ canvas
Provenance: Property from a Private Collection
Leonard Everett Fisher (American 1924-2024)
“Cockenoe Island Moonrise”, 2008
Acrylic, polymer emulsion on canvas
Signed and dated verso Leonard Everett Fisher
36″ x 48″
Provenance: Property sold to Benefit the Museum of Contemporary ArtCT.
Exhibited: “Made in Connecticut” exhibition at the Wadsworth Atheneum, 2020-2021
Peter Coes (American B.1946)
“Girl on the Cliff”, 1975
Tempera on board
Signed and dated lower right Peter Coes 75
36″ x 48″
Provenance: Arts Exclusive, 6/04/1975 ($425)
Adomas Galdikas (Lithuanian/American 1893-1969)
Autumn Landscape with Rolling Fields
depicting a winding country road under a cloudy sky, rendered in bold, expressive brushwork with vibrant autumnal tones
Watercolor, gouache, pastel on paper
Signed lower right A.Galdikas
13 1/2″ x 19″ sight, 21″ x 26″ frame
Niles Lewandowski (American 20th/21st Century)
“Railroad Crossing”,
Oil on canvas
Signed lower left Lewandowski, signed verso
28″ x 28″ canvas
Provenance: Property from a Private Collection
Gross McCleaf Gallery, Philadelphia, Pennsylvania ($500)
David Zimmerman (American B.1946)
“Zachary Taylor Run: Summer”
A tranquil woodland landscape, with dappled light filtering through the trees and illuminating the stream below
Oil on canvas
Signed lower right David Zimmerman
30″ x 40″ canvas
Provenance: Property from a Private Collection
Two: Henry Pascall (19th Century)
Continental Countryside Landscapes
Both oil on board set within gilt frames, each depicting a rural landscape with cottages, trees, and a stream, rendered in warm tonal hues
Both signed lower margin H.Pascall, old paper label verso
8″ x 10″ boards