After Germaine Richier (French 1902–1959)
“L’Araignee Grande”, 1946
Bronze sculpture depicting a stylized spider form, cast as part of an edition of eight
Height 20 inches
Provenance: Gimpel & Weitzenhoffer Ltd., New York, 1976; acquired from the above by the present owner.
Peggy March (American 20th/21st Century)
Bust of a Woman with Flowing Hair, 1971
Mixed media, carved stone set on marble base
Signed and dated to base Peggy March 1971 AMR
Height 16 inches
Marilyn da Silva (American B.1952)
“New Normal: Chatelaine for the Cautious Traveler”, 2020
Oval brooch featuring stylized faces having winged sides and polychrome decoration, suspending chains supporting a miniature suitcase-form case
Signed, titled and dated to interior of suitcases Marilyn da Silva 2020
Height 11 inches
Provenance: Property from a Park Avenue New York City Collector
Dimitry Gerrman (Belarusian/American B.1955)
“Reflection”, 1999
Bronze, edition 5/7
Vertical composition featuring two elongated mirrored figures, one inverted and joined head-to-head, rendered in dark patina
Signed and dated on base
Overall height 44 1/4 inches
Provenance: Property from the Collection of Thomas D. Mottola sold to Benefit the Museum of Contemporary ArtCT.
Wally Findlay Galleries, New York
Literature: Y. Petrova, ed., Dimitry Gerrman: Poetry of Form, St. Petersburg Editions, 2009. p.83 (an example from this edition was illustrated)
Exhibitions: Wally Findlay Galleries, New York, Poetry of Form, 2010
Margolis Bench-Made Chippendale Style Slant Front Desk
having triple shell carved front flanked by quarter columns all set on ogee bracket feet, interior having block and shell carving and secret compartment
height 42 1/2 inches, width 39 1/2 inches, depth 23 inches
Margolis Bench-Made Chippendale Style Tea Table
having candle slides on cabriole legs terminating in ball and claw feet, signed with brand mark
height 26 inches, top 14 1/4″ x 24″
Fineberg Custom Mahogany Two Drawer Stand
having pull out slide, D shaped top, front bell flower inlays, and inlaid side, stamped on back made by A. Fineberg 100 Church St. Hartford, CT
height 30 inches, top 18″ x 25 3/4″
Margolis Mahogany Federal Style Serpentine Top
conforming drawer all set on square tapered legs with bellflower inlays
height 32 inches, top 21 1/2″ x 44″
Margolis Bench Mahogany Double Chair Back Settee
Chippendale style having paper label made especially for Mr. and Mrs. gramsC. Simpron by Mr. Nathan Margolis during October – November of 1904
height 38 1/2 inches, length 48 inches
Condition: refinished
Custom Mahogany Dining Table
having rope carved edge on double pedestal base with ball and claw feet, oval with two extra leaves (each 18 inches)
one imperfection on top surface
height 29 inches, top 43″ x 69″, top open 43″ x 105″
Attributed to Margolis Set of Six Federal Style Dining Chairs
having wheat carved backs, shield shaped, on carved stop fluted legs and over upholstered seats, two armchairs, four side chairs
height 37 1/2 inches, width 23 inches, depth 19 inches
Margolis Mahogany Bench-Made Tip and Turn Tea Table
having pie crust top on fluted and carved shaft, ending with tripod base and ball and claw feet
height 29 1/2 inches, diameter 34 inches
Near Pair of Terracotta Stoves made into End Tables
possibly Portuguese, having decorative fronts
height 34 inches, width 25 inches, depth 19 1/2 inches
John Baldessari (American 1931-2020)
“Blue Masterstroke Over Red Diagram and Two Cowboys”, 1989
Lithograph and screenprint on Arches 88 paper, edition 36/60, Publisher: Printed Matter, Inc., New York; printed by Cirrus Editions, Los Angeles.
Signed lower right
39″ x 39″ sight, 42″ x 42 1/2″ frame
Provenance: Property from the Collection of Thomas D. Mottola sold to Benefit the Museum of Contemporary ArtCT.
Exhibited: John Baldessari: A Print Retrospective, Palm Springs Art Museum, 2011.
Jacques Hnizdovsky (Ukrainian American 1915-1985)
“Telephone Booths II”, 1972
Woodblock in color, edition 20/100
Pencil signed and dated Hnizdovsky 1972, label verso with Associated American Artists biography
9″ x 12″ sight, 15 1/2″ x 18 1/2″ frame
Attributed to Gerda Wegener (Danish 1886-1940)
“L’Arbre” Nude Woman on a Tree Branch, circa 1920
Colored pencil, pen and ink on paper
Titled lower margin, verso inscribed later and dated 1920
7 1/2″ x 5″ sheet
Provenance: Property from a Park Avenue New York City Collector
Gerda Wegener (Danish 1886-1940)
Gallant Scene from Fortunio
Mixed media illustration, watercolor, gouache, pencil on paper depicting a semi nude woman laying on a bed beside a well dressed gentleman
Signed lower right Gerda Wegener
6 1/4″ x 4″ image, 8″ x 5 1/2″ sight
Provenance: Property from a Park Avenue New York City Collector;
Ader Nordmann Auctions, Paris, France; from the Collection Jacques Crépineau, 10/06/2021, Lot 71 ($1,256)
After Henry Moore (British 1898-1986)
“Family Groups”, 1944
Watercolor, pen and India ink wash paper
Signed and dated lower left Moore 44
21″ x 14 1/2″ sight
Provenance: Jan Krugier Gallery, New York
Acquired from the above by the late owner, 2009
Ray Mortensen (American B.1944)
“Short Point” (from Rocks), 2002
Gelatin silver prints diptych, edition of 2 plus 1 AP.
black and white photographic composition depicting a close-up rock face with strong contrasts between light and shadow.
60″ x 96″
Provenance: Property from the Collection of Thomas D. Mottola sold to Benefit the Museum of Contemporary ArtCT.
Valley Fine Art, Aspen, Colorado.
Literature: Rocks: Jamestown, Rhode Island 2000–2002, Janet Borden, Inc., New York.
Exhibited: L. Parker Stephenson Photographs, 2019; Janet Borden Inc., 2003.
Bernard Buffet (French 1928 – 1999)
“Le Pain et Le Vin” (Sorlier 306) The Bread and The Wine, 1964
Lithograph in colors on Rives BFK paper
Signed in pencil lower right Bernard Buffet, from the edition of 500, with wide margins.
22″ x 17″ plate, 28″ x 20″ sheet
Provenance: Todd Art Gallery, New York
Jack Levine (American 1915-2010)
“Sweet Bye and Bye”, 1980
Etching, drypoint, and mezzotint on Arches paper, edition 73/100
Printer: Emiliano Sorini, New York; published by Kennedy Graphics, New York.
Signed lower right J.Levine
9 1/2″ x 10 3/4″ sight, 21 3/4″ x 23″ frame
Provenance: Property from the Collection of Thomas D. Mottola sold to Benefit the Museum of Contemporary ArtCT.
Kennedy Galleries, New York (label verso)
Bruce Bernard (British 1928-2000)
“Lucian Freud in Studio with Two Paintings of Leigh Bowery”, 1993
Cibachrome print 1996, edition 14/25
Signed, titled verso B.Bernard with estate stamp
13 1/4″ x 19 1/2″
Five: Spencer Platt (American B.1970)
“Florida Residents Seeking Refuge from Hurricane Irma”
“Moscow, Russia, Lenin 03/05/2017”
“White Nationalist Political Group, Nazi Salute, 04/21/2018”
“Moto Guzzi”
Woman, Chihuahua, Cigarette, Coffee and Book
Photo lithographs
19 1/2″ x 29 1/2″ sight, 27″ x 37″ frame
Provenance: Property sold to Benefit the Museum of Contemporary ArtCT.
Five: Spencer Platt (American B.1970)
Displaced Women in Sudan
Group of Men Washing
Group of Refugee Middle Eastern Men
“Minors and Sex Tourism” young girl on a bed beside a fire
Child Crying Behind a Green Fence
Photo lithographs
19 1/2″ x 29 1/2″ sight, 27″ x 37″ frame
Provenance: Property sold to Benefit the Museum of Contemporary ArtCT.
Five: Spencer Platt (American B.1970)
Reflection of Birds in the Street
Wall Street
Woman in Burqa on the Street
Umbrella through a Rainy Window
Pigeon, People on the Beach
Photo lithographs
19 1/2″ x 29 1/2″ sight, 27″ x 37″ frame
Provenance: Property sold to Benefit the Museum of Contemporary ArtCT.
Four: Spencer Platt (American B.1970)
“Dude in Scrubs”
“Blue Box with Hands”
“Camo Guys”
“Baggage Line”
Photo lithographs
23 1/2″ x 36″ largest sight, 32 1/2″ x 44 1/2″ largest frame
Provenance: Property sold to Benefit the Museum of Contemporary ArtCT.
Five: Spencer Platt (American B.1970)
“Baghdad, Iraq, Market, 04/16/2003 ”
“Kabul, Afghanistan, Market Woman with Gun,
11/21/2001”
“Resistance to Eviction, Gaza, 08/17/2005”
“On the Fence Between Gaza and Israel”, 2018
Victim of War Beside Building Ruins
Photo lithographs
19 1/2″ x 29 1/2″ sight, 27″ x 37″ frame
Provenance: Property sold to Benefit the Museum of Contemporary ArtCT.
Four: Spencer Platt (American B.1970)
“Plane Strikes South Tower, September 11, 2001”
“Surfers on the Beach after Hurricane Sandy, November 2012″
American Flag out of a Car Window
Veterans in a Memorial Day Procession
Photo lithographs
23 1/2″ x 36″ largest sight, 32 1/2″ x 44 1/2” largest frame
Provenance: Property sold to Benefit the Museum of Contemporary ArtCT.
Group of 13 Spencer Platt (American B.1970) Photojournalism Prints
each unframed and rolled photo lithographs
most signed on verso S.P.
22″ x 32″ each
Provenance: Property sold to Benefit the Museum of Contemporary ArtCT.
Group of 12 Spencer Platt (American B.1970) Photojournalism Prints
featuring World Press’s photo of the year “Beirut Residents Continue to Flock to Southern Neighborhoods,” August 15, 2006
each unframed and rolled photo lithographs
most signed on verso S.P.
22″ x 32″ each
Provenance: Property sold to Benefit the Museum of Contemporary ArtCT.
Collection of Westport Art Center Exhibition Prints and Ephemera
Group of 24 exhibition prints from the Westport Art Center, featuring examples including “Tete-a-Tete: Reinventing the Conversation Bench” and “Nautilus Come Out of Your Shell” from the “Micro-Aggression” exhibit, among others. Printed photographs, each matted.
26″ x 36″ each mat.
Together with approximately 30 assorted books and miscellaneous museum ephemera.
Provenance: Property sold to benefit the Museum of Contemporary Art CT.
Three: Kenneth Polinskie (American B.1952)
“Peony Rhythm Triptych”, 1982
Watercolor and ink wash on paper
Signed lower right Kenneth Polinskie
72″ x 37″ each, 72″ x 111″ total
Provenance: Property from a Private Collection
Nelson Boren (American B.1952)
“I Can’t Beat Ya With My Gloves On”
Watercolor on paper depicting a Western figural scene of a cowboy playing pool
Signed lower right
39″ x 79″ sight
Provenance: Property from a Park Avenue New York City Collector
Property from a Private Collection, Scottsdale, Arizona.
After Fortunato Depero (Italian 1892-1960)
“Bitter Campari Soda”
Monumental oil on canvas laid on board, diptych originally created for Campari during the artist’s collaboration with the firm, reflecting Futurist ideals and a pioneering fusion of art and commercial design
72″ x 96″ each canvas, total 72″ x 192″
Hector Vasquez (20th Century)
Contemporary Abstract Composition
Large-scale painting featuring a vibrant, biomorphic composition set against a green ground, incorporating bold geometric and organic forms in blue, red, yellow, and black, including spiral, floral, and floating shapes arranged playfully
Oil or acrylic on canvas
72″ x 96″
Five: Hector Vasquez (20th Century)
Contemporary Abstract Compositions
Oil or acrylic on canvases in biomorphic composition, incorporating bold geometric and organic forms in blue, red, yellow, and black, including spiral, floral, and floating shapes arranged playfully
48″ x 60″ largest
Gerry Bergstein (American B.1947)
“Balance I and II”, 1986
Mixed media oil on canvases, diptych
Signed and titled verso Gerry Bergstein
68″ x 84″ each, total 68″ x 168″
Doug Anderson (American B.1954)
“Ski Patrol”, 1985
Mixed media installation piece, acrylic, oil, paper on multiple canvases
Signed, titled and dated on verso, Doug 85
Approximately 52″ x 100″
Eli Ilan (Israeli 1928-1982)
“Elevated Forms”, 1970
Verdigris bronze, edition 4/7
Signed and dated to base Ilan ’70
Height of bronze 31 inches, total height 62 inches
Provenance: Mr. and Mrs. Gottesman, London, England;
Mr. and Mrs.Elliot Jaffe, Stamford, Connecticut
Literature: Mendel Kohansky, Sculptures of Eli Ilan, 1974, illustrated plate 4
Post-War Outsider Art Wall Relief
Monumental composition depicting a stylized figure holding a sphere, accompanied by a bird, chair, house, and spiral sun, set against a black and white checkerboard ground. Executed in heavy relief having thick, raised outlines and filled color fields in contrasting tones
Mixed media, wax or resin over board
Signed illegibly lower left, possibly A.W.
81″ x 82″
Provenance: Property sold to Benefit the Museum of Contemporary ArtCT.
Monumental Contemporary Textile Panel
Dark fabric stretched over wooden frame, textured surface displaying minimalist tonal variation
87″ x 21 1/2″
Provenance: Property sold to benefit the Museum of Contemporary Art CT.
After Hans Hofmann (German/American 1880-1966)
Untitled Composition
Oil on paper laid on board
Signed lower right Hans Hofmann
21 1/2″ x 31″ sight
Provenance: Robert V. Berg, San Diego, California;
Acquired from the above by present owner, 2002
Peter Max (German/American B.1937)
Homage to Picasso
Mixed media, watercolor, colored pencil, hand colored etching
Signed lower margin Max
14 1/2″ x 13″ sight, 30″ x 28″ frame
Provenance: Purchased from Hanson Gallery, San Francisco, California, 1996 ($1,800)
Peter Max (German/American B.1937)
Homage to Picasso
Mixed media, watercolor, colored pencil, hand colored etching
Signed lower margin Max
17″ x 11″ sight, 31″ x 25″ frame
Provenance: Purchased from Hanson Gallery, San Francisco, California, 1996 ($2,400)
Peter Max (German/American B.1937)
Homage to Picasso
Mixed media, watercolor, colored pencil, hand colored etching
Signed lower margin Max
16″ x 11″ sight, 31″ x 26″ frame
Provenance: Purchased from Hanson Gallery, San Francisco, California, 1996 ($2,400)