Earle G. Barlow American, 1923-2013,
Aloha Town, Marine Base, Hawaii, 1967,
watercolor on paper,
signed and dated lower left,
15 x 23.
Provenance: The Vincent Family Collection, Fairfield, Connecticut.
Six Bronze Censors to include two small bronze censors one with molded elephant handles and the other with triple footed base two bronze incense burners both with seal marks on the bottom two bronze censors one having three foot base with molded handles and the other with footed base and molded handles, largest diameter 7 inches.
Two Julie Sanders Cyclamen Pottery pieces, to include one pitcher, and one charger, each marked to the underside, pitcher 10 3/4 inches, charger diameter 15 1/2 inches.
Classical Gilt and Patinated Bronze Figural Oil Lamp, having seated classical figure atop a Roman style gilt and patinated bronze oil lamp, on square granite base, frosted glass flame shade, height 14 1/2 inches, width 15 inches.
Napoleon III Mahogany and Parcel-Gilt Harp
by Erard, 13, Rue Du Mail, Paris, model no. 3171
the support having floral entwined clustered palmettes, having some chips and flaking
height 71 inches, width 43 inches, depth 14 inches
Provenance: Property from a private New York collection sold to benefit charitable foundations
10 Piece Platter Grouping, to include Arthur Court fish bowl, vintage mid century coin tray, a glass tray having metal tulip handles, etc.; largest 28″ x 10″.
Early Bronze Figural Statue of Cesi Juno Goddess, holding weight in raised right hand while resting left hand on hip, wearing sandals, short sleeve chiton clinging to her body, having finely engraved centrally parted wavy hair. height 25 1/2 inches, width 7 1/2 inches
Provenance: Estate of Peter Tillou, Litchfield, Connecticut.
Pair of Steuben Gold Iridescent Art Glass Shades
marked Steuben, having silver fleur-de-lis mark
Condition: present well, chip on rim, minor surface scratches
Theo Faberge “Winter” Egg
cobalt blue and clear crystal, having holly accents with music box that plays “Silent Night” in working condition, 1986, edition 570/750, marked sterling silver
height 5 1/2 inches
Provenance: Property of a New Jersey Private Collection
Hilaire Felix Buhot (French 1847-1898)
“Cabbie Stand in the Rain”, 1876
Drypoint etching
Signed and date in plate lower left “Felix Buhot 1876″ along with red signature stamp lower left
Label on verso
11″ x 14”
Provenance: The Purnell Galleries, Maryland
Estate of William J Levy Park Avenue, New York
Jim Davidson (American B. 1962) Life Size Girl Feeding Rabbits with Carrots Cast Bronze
in verdigris patina on cement base, signed on base Jim Davidson
height 40 inches
Provenance: Estate of Stephen F. Osborne, 2185 South Easton Road, Doylestown, Pennsylvania
Six Framed Contemporary Pieces
to include
Immi C. Storrs (American B. 1945)
Pastel on paper of a cow
Jean Daviel (Israeli 1908-1983)
Pen and ink of figures, signed
Etcetera
Largest 29″ x 23″
Pair of Rock Crystal and Giltwood Lamps
in column form and having custom shades
height 31 inches
Provenance:Property from a New York Townhouse Designed by Cullman and Kravis,
Purchased from Sotheby’s on 04/28/2007 for $9,600, with receipt
Condition: both present well, one repair to base and top, small chips throughout
Raymond de Botton (American 1922-1985)
“Musician”, 1969
Oil on canvas
Signed and dated verso RB Raymond M Botton 1969
36″ x 36 1/2″
Provenance: From a Park Avenue, New York Estate
Pair of Arthur Laver Teak Morris Chairs
adjustable backs and tan upholstered cushions
height 36 1/2 inches, width 28 1/2 inches, depth 35 inches
Provenance: Estate of Sandra Ferry Rockefeller, Daughter of John D. Rockefeller III
Pair, Circle of Abraham Rademaker 1675 – 1735
Pair of Landscapes with Castle on Waters Edge
grey wash and ink
unsigned
purchased from Kraus Gallery
sheet size: 4 x 6
Camille Jean-Baptiste Carot 1796-1875 Ville d’Auray: l’Etang au Batelier etching and drypoint on tan chin colle signed in plate top right: Carot 3 x 4 3/4 Provenance: The Estate of Natalie Rafferty
Margolis mahogany diminutive gate leg drop leaf table on turned legs. Provenance: Estate of Charles Archibald Goodwin and Ruth Cheney Goodwin. ht. 24in. top: 22 x 30 1/2
Max Standley 20th century RESURRECTED oil on masonite signed lower right Max Standley labels on reverse with date, title, and artist’s signature written letter stating: Indian-pipe or corps plant, Monotropa uniflora is said to have furnished the Indians with healing eye lotion. This painting has to do with spiritual evolution. Not literal seeing, but spiritual vision. The process of rebirth. 24 x 27